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    Royal revelation

    7 spectacular surprises inside Chip and Joanna Gaines' new Fixer Upper castle in North Texas

    Stephanie Allmon Merry
    Aug 9, 2022 | 11:15 am
    Hillcrest Cottage, Waco
    Hillcrest Cottage, on the grounds of Hillcrest Estate, opened in fall 2021 as a vacation rental for one or two.
    Photo courtesy of Magnolia

    “Are you ready to see your fixer upper?” the enthusiastic tour guide asked, channeling Chip and Joanna Gaines and their famous “big reveal” line from TV’s Fixer Upper. This time, it wasn't the home owners waiting outside a first glimpse at their home makeover; it was a small group of tourists gathered on the porch, ready to step inside the Gaineses’ most ambitious renovation project yet — a century-old castle in Waco.

    For the first time ever, Texas’ king and queen of renovation have unlocked the doors and let the public into one of their famed fixer-uppers before it’s featured on their Magnolia Network show.

    Known as the historic Cottonland Castle, this three-story, 6,700-square-foot residence was started in 1890 and finished in 1913. The Gaineses purchased the dilapidated structure in 2019 and designed and executed a regal flip that will be featured on an eight-episode special called Fixer Upper: Welcome Home – The Castle, beginning October 14.

    They plan to sell it in the fall. But before a home sale comes an open house, and for three months only — through October 29 — the castle is open six days a week for guided tours.

    Hour-long castle expeditions take visitors through every room, nook, and cranny — from turret to toilettes. Knowledgeable guides dispense history, impart design information, and reveal behind-the-scenes stories from Chip and Jo that may or may not make it on TV.

    For Fixer Upper fans, Magnolia maniacs, and Gaines gangs, it's worth a drive to Waco to experience the castle transformation in real life before it hits the small screen. A tour offers the very rare chance to walk through the door (in this case, a 10-foot-tall, 400-pound, solid-oak door) into the world of a Chip-and-Jo reno.

    Without revealing too much, here are seven fun surprises you’ll find behind the castle walls.

    1. History meets homey. A castle museum, this is not.

    “Chip and Joanna’s vision was that they really wanted to honor it with historical pieces but also make it more practical for the modern family that’s going to live here in the future,” guide Megan Shuler said at the beginning of the tour.

    While many original features — including seven fireplaces — were restored, the castle has been fixed up as a home for the future, not a shrine to the past. One-of-a-kind and collected antiques (such as the kingly dining room table from Round Top, Texas) blend with pieces from the Gaineses’ own Magnolia Home collection. A 17-page “Castle Sourcebook” lists design elements and products and where to buy them. And in the ultimate modern touch — a branding tie-in — a forthcoming “Colors of the Castle” paint collection will be available through Magnolia this fall.

    2. Sweet nods to the castle’s past. Posted on the wall in the foyer is a poem written by Alfred Abeel, the owner who completed construction in 1913. It talks of making the castle “‘home sweet home’ all seasons of the year.”

    On the center of the dining room fireplace mantel is Abeel’s family crest, along with the phrase (in Latin), “God’s providence saves me.” Next to it, children’s heights are recorded from the 1930s to the early 2000s, the last time a family lived here.

    3. A cozy nook in the turret. The original design was modeled after a small castle on the Rhine River in Germany, and there is one tower turret. A space historically used (in “real” castles) for military defense has, here, been turned into one of the coziest corners of the house. Tucked into a corner next to the winding staircase, two comfy chairs sit under an antique-y light fixture from Austria. It's the perfect place to curl up with a book from the library upstairs.

    4. Rooms with storylines. “One of the challenges Chip and Joanna had when they bought the castle was, there was no one, really, they were designing it for,” Shuler explained. “So they would create storylines for each room to help tell their story.”

    Two of the four bedrooms, for example, are the “boy’s bedroom,” and “girl’s bedroom.” The storylines are that the future homeowner’s son would come back from college and stay in his childhood bedroom, and that the future homeowner’s granddaughters would stay in the room while hanging out at the grandparents’ house.

    The boy’s room contains more masculine furnishings and decor, including a watercolor portrait of Roy Lane, the famous architect who helped complete the castle. The girl’s room is painted in “Rose Pink,” a color named after Joanna’s grandmother.

    5. Bodacious bathrooms. There are three-and-a-half “throne rooms” in the castle, and they’re some of the prettiest spaces, mixing metals, woods, and tiles; even original radiators look like works of art. One of the most spectacular rooms in the house, in fact, is a grand, gleaming bathroom — which (tease!) will be fully revealed on the show.

    6. Party in the basement. “Gathering spaces” are a hallmark of Chip and Jo’s homes, and in the castle, they take place in the dungeon — er, basement. A “card room” for poker games or family game nights sits next to the family room, which houses the only TV in the castle. The guest bedroom’s also in the basement, along with a laundry room and a former wine cellar now left “blank” for the new owners to reimagine.

    7. Behind-the-scenes tales and tidbits. Fixer Upper devotees will devour the charming and quirky tidbits about the Gaineses shared throughout the tour. There are a few design elements and furnishings originally meant for their own home, including an item banished to the castle by their daughters. There’s a fun story about what Chip did when they found bones — yes, bones — in the basement. And, the prime selfie spot for Fixer Upper fans is a large mirror that, the tour guides say, Joanna used to touch up her makeup during the filming of the show.

    Castle tour tickets, $50, are available through the website, with 20 percent of proceeds benefiting The Cove nonprofit organization. (Note that the home does not have an elevator and requires guests’ ability to access three staircases.)

    Tips for a Magnolia pilgrimage in Waco:
    Shop: No castle jaunt would be complete without a stop at the Magnolia Silos complex. A new 8:15 am tour, offered Monday through Saturday, takes visitors behind the scenes and on the roof before the crowds (and the heat) arrive. Hint: August is a “slower” month at the Silos, and Tuesday through Thursday are less crowded. Tour tickets are $25 and come with a free coffee from Magnolia Press.

    Eat: Chip and Joanna’s Magnolia Table cafe stays busy all day, every day. If you don’t have time to wait for a table, visit the takeaway market next door. Grab to-go items like pimiento cheese and crackers, a butter flight, banana pudding, and chicken salad sandwiches, and enjoy them on a table outside (if it's not too hot).

    Stay: Availability at Magnolia’s four vacation rentals can be hard to come by, but watch the website for nights to pop open. Make it a girls’ getaway with a stay at the grand Hillcrest Estate (which sleeps 12), or go solo and book the darling Hillcrest Cottage, the Gaineses’ newest and smallest lodging, which opened in fall 2021. A forthcoming Magnolia boutique hotel, in the historic Grand Karem Shrine building downtown, is slated to open in 2024.

    The castle will be on tour only through the end of October, before it's featured on a special season of Fixer Upper - Wecome Home.

    Fixer Upper castle Waco
    Photo courtesy of Magnolia
    The castle will be on tour only through the end of October, before it's featured on a special season of Fixer Upper - Wecome Home.
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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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