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    Indie Chefs Week Returns

    Texas pop-up dinner series features acclaimed chefs and up-and-comers

    Eric Sandler
    Mar 15, 2017 | 4:09 pm
    Indie Chefs Week Foreign & Domestic Austin
    Participants have fun at Indie Chefs Week.
    Photo by Anne Watson Photography

    One of the most acclaimed pop-up dinner series in Texas returns this week. Indie Chefs Week, an event that matches up-and-coming culinary talent with critically acclaimed veterans, will hold a four-night run of dinners from March 15 to 18 in Austin.

    “(Foreign & Domestic chef-owner) Ned Elliott takes the lead on picking chefs,” organizer Grover Smith tells CultureMap in an email. “He's got a huge network from living and working all over the U.S., and that comes in handy when you're trying to find people that haven't yet gotten much media attention.”

    Since 2013, Elliott has tapped his network of chef friends from across the country and asked them to identify chefs who might be flying under the media radar. Those talented individuals get their first opportunity to shine on a national stage at Indie Chefs Week. The event also includes a few heavy hitters who may be cooking in Texas for the first time, which helps boost ticket sales.

    Participants include a number of CultureMap Tastemaker Awards nominees, including Rising Star Chef of the Year finalists Page Pressley (Emmer & Rye in Austin) and Sterling Ridings (the upcoming Guild in Austin) and Pastry Chef of the Year nominee Julia Doran (Bernadine’s in Houston). Of the people coming from out of state, the highest profile chefs include Food & Wine Best New Chef Cara Stadler (Tao Yuan in Brunswick, Maine), two-time James Beard award semifinalist Jose Salazar (Salazar and Mita’s in Cincinnati), and Brett Cooper, the chef-owner of Michelin-starred restaurant Aster in San Francisco.

    “The reality of being a chef-owner is that you're working so much that you're living in your kitchen and getting free time to get out and network, collaborate, and learn techniques or best practices isn't always a reality,” Smith writes. “That's the whole reason we pay for their housing, travel, and the food cost . . . These are people that run a fantastic restaurant, pay their employees a fair wage, pay their bills, take care of purveyors, and don't worry about making a ton of money; they just want to do what they love.”

    That love gets expressed with multi-course dinners where each chef serves one course on either Wednesday, Thursday, or Friday. On Saturday, the chefs pair up for a blow out, 14-plus course feast that’s followed by an after party. According to Smith, limiting the numbers of diners to 70 or so really allows the chefs to focus on technique and plating in a way that they can’t when serving bites to diners at larger food festivals.

    "We're all just having fun, and it shows," Smith states. "I can't think of another opportunity like that."

    Want to be there for all the culinary fireworks? A few tickets are still available for all nights, but they’re going fast. Head to the Indie Chefs Week website for details.

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    news/restaurants-bars

    designed for all occasions

    New restaurant's Astrodome-inspired design is 'unlike anything in Houston'

    Emily Cotton
    May 1, 2026 | 2:05 pm
    Kirkwood restaurant interior
    Photo by Leonid Furmansky
    Kirkwood's design includes a recreation of the Astrodome's ceiling.

    Legendary Houstonian Mac Haik has managed to fit many lives into his impressive 80 years. Haik, whose empire of car dealerships made him a household name, played no small part in the development of the city’s booming west side. Prior to that, at just 22-years-old, Haik made history with the Houston Oilers as the first person to catch a touchdown pass in the Astrodome.

    His latest venture — the glitzy Kirkwood restaurant — pays homage to the Energy Corridor, a storied football career, and the people who helped him along the way.

    While the Mac Haik Restaurant Group has focused on franchises such as breakfast concept First Watch, Kirkwood is its debut signature restaurant concept. The restaurant’s kitchen is led by executive chef Stephen Chiang, who guests will see quite a lot of thanks to the copper-clad, open-concept kitchen that includes a custom copper hood.

    Located at the base of Energy Tower II at 11720 Katy Freeway, MHRG designed Kirkwood to host a range of experiences. When it opens on Monday, May 11, Kirkwood is intended to become a go-to spot for lunch meetings, a chic spot for group dinners and celebrations, and a cozy place to share a romantic evening near the double-sided, all-seasons fireplace, among other occasions.

    It takes a keen eye and majorly-sharp editing skills to create a space that can perform so many different tasks. It’s unusual for a space that highlights a career in sports to read as elegant and refined, but designer Gin Braverman has done just that. Gin Design Group is the firm behind many of the best hospitality designs in Houston — including Eunice, Haii Keii, and ChòpnBlọk — and Kirkwood is no exception.

    “We were going for a classic clubhouse vibe with a Vegas layer of glitz — definitely a Vegas ‘wow factor,’” Braverman tells CultureMap. “It’s going to be a draw for everyone. You can rent out the sunroom as well as the private dining room, so that will be a big draw. There is a bar cart going around and table side features. There are so many different experiences to be had in the space. It’s going to hit all the boxes.”

    The 242-seat restaurant covers almost 7,000 square feet separated into distinctive spaces: a 154-seat main dining area; 16-seat private Frances Room, named after Haik’s mother; and a 1,900-square-foot sunroom, named the Sunny Room after Haik’s wife, with seating for 72 centered around a curved, double-sided fireplace.

    The restaurant’s symbol, a magnolia, is a nod to Haik’s home state of Mississippi. One impressive magnolia sighting belongs to the patinated-copper front doors inlaid with the flowers and accentuated by leather door pulls. Prior to entering, diners pass through a gallery of wall display cases with Mac Haik memorabilia.

    In the rotunda, customers are greeted from above by a mirrored glass replica of the ceiling of the Houston Astrodome, created by the artisans at Houston-based design and fabrication firm Rootlab. Broken stone mosaic floor tiles add playful movement and patter to the space. Tactile installations like felt wallcoverings by Phillip Jeffries and velvet draperies keep the space feeling warm and inviting amid all the glass and stone.

    The lounge occupies a raised platform with an artisan parquet floor and a burled-wood covered ceiling featuring beautifully-placed copper light fixtures by Tom Dixon, custom sofas, a custom rug, and custom tables.

    An inviting, oversized wraparound bar beckons diners to mingle beneath a tiered canopy, composed of burled walnut, which is also carried through to the bar’s facade, bullnose trim, and integrated foot rail. A marble countertop completes the bar, while the stone is repeated in the custom tables. Custom barstools take inspiration from the seats of Mac’s now vintage Porsche.

    Illuminated cove lighting anchors the bar space, with a red-tinted mirror installed behind the bar shelving and the liquor lockers on the end caps. The shelving is highlighted by custom LED racetrack lighting. Custom copper and alabaster bar lamps complete the space.

    Kirkwood’s booths have been upholstered with alternating leather and teal velvet fabrics with a copper-tinted toe-kick for a bit of glam. Custom arched lighting — crossing above each booth — is comprised of a copper finish structure, alabaster lenses, and copper chain accents.

    The central dining and exposition kitchen space is a framed with burled wood-clad banquettes with integrated planters. Broken stone mosaic floor tiles dance beneath the custom large-scale chandelier that features inverted alabaster and copper arches and a wood surround with integrated cove lighting.

    The private dining room features rich leather wall panelings, a custom leather buffet table, and a metallic gold plaster ceiling with hand-painted magnolia detailing.

    Lastly, the 1,400-square-foot sunroom features a knockout fireplace with an integrated overhead planter. Custom light columns with copper metal mesh flank the fireplace. An impressive glass-and-metal bar canopy attaches to the back bar fireplace.

    The restaurant’s art collection further enriches the space, with original works by English artist Paul Dove displayed throughout. In the private dining room, an original painting by Austin-based artist Lucy MacQueen offers a more personal note, interpreting “The Grove” at Haik’s alma mater, Ole Miss. The piece also serves as a quiet tribute to his mother, Frances Jordan, who was recently honored with a memorial wall at the iconic site. Artist Melissa Leandro contributed a vibrantly embroidered interpretation of the magnolia motifs to the back wall of the sunroom.

    Overall, Braverman is thrilled with the design of Kirkwood. So, which spot is her favorite?

    “The sunroom,” she says. “That circular bar with the column lamps and fireplace with the skylight are unlike anything else in Houston.”

    Kirkwood restaurant interior

    Photo by Leonid Furmansky

    Kirkwood's design includes a recreation of the Astrodome's ceiling.

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