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    Shopping Mecca Opens

    It's official: Houston's newest shopping mecca opens with tony stores, neighborhood vibe — and no potholes

    Clifford Pugh
    Oct 1, 2015 | 4:45 pm

    Just before the official opening ceremony for the River Oaks District began Thursday morning, OliverMcMillan CEO Dene Oliver implored the audience to move up to empty seats near the front of the outdoor area.

    "Don't be shy," Oliver said. "If we were shy, we wouldn't have gotten this built."

    Indeed, after nearly a decade of planning and construction, along with an economic scare or two that might have frightened off less hearty developers, Houston's newest luxury mixed-use complex is ready for business. The 15-acre center, located on Westheimer just inside the 610 Loop, still looks a bit like a construction zone, but some premier names in fashion have opened and more are on on their way.

    Such stellar fashion labels as Tom Ford, Roberto Cavalli, Brunello Cucinelli, Guiseppe Zanotti, Dior, Chopard, Etro, Canali, Vince and Intermix opened their doors to Houston shoppers Thursday, joining Cartier, which was the first to welcome customers to the center in early September. The shops are lavishly appointed, with mirrored walls, gleaming metal shelves and miles of marble — a stop at the gray-marbled Tom Ford powder room is an event of its own.

    The center is 85 percent leased, with such stores as Stella McCartney, Akris, Moncler and Hermès on their way, along with an Equinox gym, iPic theater complex and several restaurants opening in the next few weeks.

    "Great places don't happen overnight," said Oliver, adding that it could be up to a year before the complex reaches its potential.

    Oliver recalled that when he first glimpsed the property in 2006, he saw "750 apartments and an amazing location. I immediately turned to my (business) partner and said, 'I think we can do this.' "

    Different idea

    Yes, the idea is different for Houston — an outdoor space that emphasizes strolling, dining and shopping. A main plaza in the middle of the complex, with flowers and mature oak trees, is meant to be a gathering spot, with a U-shaped street lined by businesses almost like the long-ago downtown districts in small towns. The main entrance is off of Westheimer, but there are five to six other entry points throughout the complex, with valet and parking garages providing easy access.

    "What we didn't want to do was the cookie cutter obvious approach, which was to play to Westheimer," said Duncan Paterson, Gensler Worldwide design partner for mixed use projects, who has been involved in ROD since the early planning stages."We want to draw people in with a few surprises on the inside; projects like this need that. It's 15 acres, so it's not just about frontage. While retailers love to be seen, the reality is that retailers were starting to understand the core of the project is the real heart."

    Restaurants will be sprinkled out amid the project, not concentrated in one area. "We want people to circulate and move around to restaurants and shopping," Paterson said. "OM has hand picked and cultivated each restaurant type, so you are not going to see restaurants you see everywhere else. That is the beauty of this District. It's not only unique to Houston as a pedestrian district, but it's absolutely unique in its tenant mix and its opportunities."

    The hot issue

    In his remarks to the crowd, Oliver, who hails from San Diego, acknowledged the elephant in the room — how will Houstonians adapt to an largely outdoor center in our tropical climate?

    "Everyone says, 'Oooh, it's too hot.' It's not too hot," he said. "It's just perfect. Look at today."

    "Does it ever happen that it gets hot? Yeah, you wear a hat. You get under a fan. You go to a cafe. There are all sorts of things to do when that happens.

    "In all of the great cities of the world, there are things that are done outside. The greatest places in the world that you feel from here to here," he said, touching his heart, "are always like this. They are full of people, great streetscapes, great landscapes. There are restaurants and cafes. And the best thing is the people. And the people watching. And congregating. We are herd animals. We like to be around people. And that is what this is about."

    And, he noted, despite all the high-end shops, he hopes Houstonians of all income levels will see River Oaks District as a gathering spot. "You don't have to spend a dime to come here. You can stroll the streets and enjoy the landscape, the amazing artscape, flowers, done by my great friend Doug Hoerr, who by the way came to Houston also to do Hermann Park. That is the depth of the talent that's been involved in doing this."

    Raise the bar

    Oliver envisions the River Oaks District as "a place that will be here for a couple of hundred years — maybe longer....Houston is a world-class city. It deserves something like this. There is so much going on here in the city right now and this is just one more piece. But hopefully this will show Houstonians how you can raise the bar and create something new, different and special.

    "We wanted to create a piece of Houston like never before. And hopefully that's what we have done."

    Among those joining Oliver in the dedication were his wife, Elizabeth Hamman Oliver, who grew up in Houston, and her sister, Laura Hamman, Lynn Wyatt, Rachel McNeill, Nick Florescu and Dominique Sachse, along with Houston City Council members Michael Kubosh and David Robinson, who was impressed by at least one aspect of the new center

    "I love these roadways. I've not seen a single pothole," Robinson said. "Congratulations!"

    Houston City Council member David Robinson, from left, Lynn Wyatt and Dene Oliver celebrate after setting a commemorative marker into the stone plaza at River Oaks District.

    Lynn Wyatt and Dene Oliver at River Oaks District grand opening
    Photo by Shaina Zucker/courtesy of Gensler
    Houston City Council member David Robinson, from left, Lynn Wyatt and Dene Oliver celebrate after setting a commemorative marker into the stone plaza at River Oaks District.
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    artist to entrepreneur

    Houston artist rolls out new Hawaii-inspired wallpaper collection

    Emily Cotton
    Sep 11, 2026 | 12:30 pm
    Kristen Leigh Studio Island Collection wallpaper
    Courtesy of Kristen Leigh Studio
    The Island Collection introduces Mili, Lana, Meadow Check, and Kiko to the Kristen Leigh Studio line of textiles and wallpapers.

    Houston watercolor artist Kristen Steen, founder and artist at Kristen Leigh Studio in West University Place, is set to make a colorful splash next month with her latest textile and wallpaper collection. Inspired by a family vacation to Hawaii, The Island Collection features four new patterns in shades like soft seafoam, muted blue, terracotta coral, and crisp white.

    The collection unfolds across four patterns, each offered in a range of colorways. Mili anchors the group and is the only pattern to come through in both fabric and wallpaper, moving through chambray, lakeside, terracotta, olive, and shades of blue and green. Lana follows in a similar range of chambray, lakeside, blue and green, and terracotta, while Meadow Check and Kiko round out the offering with the addition of forest and, for Meadow Check, olive green. Fabric is woven on French linen and linen cotton canvas, with wallpaper finished in a premium matte.

    The Island Collection brings the Kristen Leigh Studio line to approximately 85 fabrics and 30 wallpapers — quite an accomplishment for a studio that, like many, was created during the early days of the Covid-19 pandemic. Relying on what Steen refers to as “the power of Instagram,” Connecticut-based Cailini Coastal tapped Steen to design her first wallpaper, a delicate herringbone pattern named Parker that is available to this day.

    Kristen Leigh Studio Island Collection wallpaper

    Courtesy of Kristen Leigh Studio

    The Island Collection introduces Mili, Lana, Meadow Check, and Kiko to the Kristen Leigh Studio line of textiles and wallpapers.


    View this post on Instagram
    A post shared by Kristen Leigh (@kristenleighstudio)


    The success of her first wallpaper commission inspired Steen to design collections of her own, which have become designer favorites for providing classically-relaxed, nonchalant refinement elevated through their quality craftsmanship and sophisticated finishes. Fabrics are woven in either French linen or a linen cotton canvas, while wallpapers are premium matte, paper weave, or premium grasscloth. As with anything, trial and error ensued, but Steen quickly found a community that she credits with offering continuous support throughout the evolution of Kristen Leigh Studio.

    “I just jumped in and learned everything I could about manufacturing wallpaper. I tried out a few here and there; it’s just a lot of research,” explains Steen. “Now that I am in it and have friends who are wallpaper and textile designers, we talk and get together. For being such a singular and solo industry, it’s so valuable to have other designers to bounce ideas off of: what’s working, what isn’t, and what swings in the industry.”

    A family health scare kept Steen from creating anything new for a couple of seasons, until a wayward family vacation forced her hand. What was meant to be a week on the beaches of Hawaii ended up being a week indoors during a tropical storm.

    “You just kind of had to make the most of it. We couldn’t just sit there and complain — that doesn’t do any good,” says Steen. “There was a lot of sketch time — a lot of just doodling — then afterwards I was playing with color and thought ‘this could be fun.’”

    As a studio that mainly markets to designers and showrooms, the pressure to create a new collection each season can grind the gears of the creative process to a halt. After an 18-month hiatus, Steen credits the lack of pressure she felt while just passing time on vacation, while admiring the local flora and fauna, for the inspiration she needed to accumulate enough sketches for a complete collection.

    “It sounds really cliché, but just being able to draw and sketch without any end game in mind, being able to not really care about it, is where this collection came from,” explains Steen. “I’m biased, because it’s one of my favorites now, because that’s how it was created.”

    Lush botanicals, winding vines, and the easy, unhurried rhythm of island life came into focus, not as literal tropical motifs but filtered through a quieter, more classic point of view. As a watercolor artist, Steen’s work often maintains a traditional, serene dialect. However, her occasional use of bold, saturated color can feel electric and dramatic — something entirely foreign to those who speak in watercolor.

    “I do love how the watercolor will have variations in the tones and the shades. You can’t mimic that, you can’t fake it,” says Steen. “There are some patterns — like the Kate, or even the new Mili — that all started with just sketches and brushstrokes, but it just didn’t translate as well to pack that color punch that I wanted. So, when I was editing, I ended up really pushing the saturation to where it almost felt like a solid. But everything is done by hand, for sure.”

    More consumers than ever before are seeking out niche studios like Steen’s. Kristen Leigh Studio is not exclusively to-the-trade, a distinction that once made products nearly irresistible. Steen’s collections are available through her Houston studio, website, numerous trade studios throughout the country, through interior designers, and even through select pop-ups. So, with that being said, who is a Kristen Leigh Studio client?

    “Someone who wants to have something that feels warm and joyful. Something that feels special and authentic, but not necessarily fussy,” says Steen. “They want to feel proud of it, ‘This is a designer fabric. This is a designer wallpaper. This is something special that I don’t see in my neighbor’s house all the time.’ They want to feel like this is something special, but I’m also a mom of three kids. I realize that the fabrics have to be durable. They have to be something you can touch and live in and it’s not like a museum. Something that’s approachable and sophisticated. Just approachable design—something that’s everyday, but still special.”

    Kristen Leigh Studio’s The Island Collection will be available beginning October 1.

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