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    $100 Million Mansion

    The most expensive house for sale in Texas: Here's what you get for $100 million (without the art)

    Candy Evans
    Mar 22, 2015 | 5:55 pm

    Back in January 2013, Tom and Cinda Hicks got a lot of national attention when they enlisted Doug Newby to sell their 25-acre Crespi Estate (so named for its original owners, Italian Count Pio Crespi and his wife, Florence) in Dallas' Preston Hollow for $135 million. But all that buzz didn’t attract a buyer.

    Now Realtor Allie Beth Allman, a friend of the Hicks family, has the listing. Newby never put it in MLS, but Allman sure did, and this time the price tag is $100 million — still the most expensive in Dallas and one of the priciest in the nation.

    (By comparison, the most expensive house for sale in the Houston area has a paltry $43 million asking price.)

    Allman, also the listing agent on the historic Trammell Crow home, sold the estate to the couple back in 1997, before they began a massive multimillion-dollar renovation and expansion on one of the city’s most historical properties. The work took nearly three years and as many as 250 designers, builders and artisans to complete.

    Secluded in the city
    Recently I took a tour of the 28,000-plus-square-foot main house, as well as the 3,347-square-foot guest house and 4,836-square-foot recreation building, which is now being marketed as Walnut Place. The approach to the private gates of 10000 Hollow Way Rd. feels more like a drive through the French countryside to a fabulous chateau deep in the heart of the forest. It’s hard to believe this is just seconds from the Dallas North Tollway and less than 10 minutes from downtown.

    It’s hard to believe this is just seconds from the Dallas North Tollway and less than 10 minutes from downtown.

    The estate overlooks a forest of trees and a creek that runs through the property. There are meadows, trails, pond, rose and vegetable gardens, greenhouse, two courtyards lined with 16 magnolia trees each and tennis court. A helipad with a lighted landing pad is covered with grass when not in use to maintain the natural aesthetic. A 1,500-foot-deep well supplies the estate grounds with purified water.

    You enter the original Crespi estate, built in 1938 and designed by Maurice Fatio, through an ornamental steel front door. The addition — completed by Dallas builder John Sebastian under the guidance of noted New York architect Peter Marino — flows seamlessly. I’m told the Hickses didn’t just add more limestone to the exterior renovation — they went to the quarry in Indiana that supplied the original limestone back in the 1930s. A light sandblasting helped match the new to the existing.

    Inside the main house
    The formal dining room is generously sized, but not overly so, with oak chevron-patterned floors in a dark finish, which were imported from France. High-gloss lacquered walls have ornamental plaster accents.

    The kitchen is surprisingly cozy for a home of this magnitude. It has antique terra cotta floors, European tiled backsplash, flawless cabinetry with glazed finish and commercial-grade appliances — including four ovens and a 10-foot La Cornue range that runs about $65,000.

    Adjacent to the kitchen are the breakfast room and butlery. A nearby conservatory has limestone fireplace mantels and heated marble floors. A warm and beckoning family room has dark, wide-planked wood floors and concealed doors. The library, half of which was in the original estate, boasts paneling dating back to the 1820s. An original parlor was taken down to the studs and turned into a private office with double televisions built in.

    The new living room is very spacious; it’s where the Hickses hosted an event for former New York Mayor Rudy Giuliani years ago, when he considered a run for the White House. The room overlooks a wooded courtyard with an elegant fountain.

    The crown jewel of the second floor is the 3,000-square-foot master wing with separate his-and-hers bathrooms and dressing rooms.

    The crown jewel of the second floor is the 3,000-square-foot master wing with entry vestibule and the Crespi Estate ribbon design on the doors. It has an antique fireplace surrounded by slate, as well as separate his-and-hers bathrooms and dressing rooms.

    Her dressing room has mercury glass panels and pleated fabric closet doors to protect clothing, plus a personal study with an antique marble fireplace. His “spogliatoio” boasts hand-waxed Honduran mahogany paneling. The master suite also has a sitting area and a terrace.

    There are more bedrooms and bathrooms on the second floor, plus a laundry room. Up one more level are more bedrooms, exercise room, trophy room and three terraces.

    The basement level contains several maintenance and storage rooms that run below the house and motor court, as well as a movie theater (not to be confused with the nearly full-sized theater in the recreation building) and a 500-bottle wine room kept at a constant 55 degrees. There are a total of eight spaces in two garages.

    Elsewhere on the property
    The recreational building is one of several ancillary buildings on the grounds. It has a 24-by-47 great room and commercial-grade kitchen. Because this complex is where the country club-sized pool and spa are located, there are both men’s and women’s changing rooms with lockers and showers.

    The 19-seat theater has a reel projection room and concession counter for candy and popcorn. Framed jerseys hang on the walls, a reminder of when Hicks owned the Texas Rangers, Dallas Stars, Mesquite Championship Rodeo and the Liverpool F.C.

    The two-bathroom guesthouse could also serve as a “business house.” It has a living room, formal dining room, office and full kitchen. Two full baths on the second story feature rare granites and marbles.

    I asked Allman and her associate, David Nichols, the two things we all want to know: Is any of the artwork for sale, and where are the Hicks planning to go?

    The art is definitely not for sale, I’m told.

    “The Hicks children are grown and have their own homes,” Allman says. “They also spend time at their home in La Jolla but will always maintain a residence in Dallas.”

    ---

    A version of this story originally was published on Candy’s Dirt.

    The home at 10000 Hollow Way Rd. once was listed for $100 million with Allie Beth Allman & Associates.

    10000 Hollow Way Walnut Place in Dallas
    Photo courtesy of Allie Beth Allman & Associates
    The home at 10000 Hollow Way Rd. once was listed for $100 million with Allie Beth Allman & Associates.
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    Get a room

    Inside the former brothel that's now downtown Houston's hottest new bar

    Emily Cotton
    Oct 16, 2026 | 10:30 am
    No Vacancy
    Courtesy of No Vacancy
    Put on a No Vacancy robe and enjoy a welcome glass of champagne.

    With a name like No Vacancy, it comes as little surprise that this “hotel bar” on Main Street is the hottest new ticket in town. Draped in mystique, the 1970s-inspired bar offers guests pure nostalgia from every which way and is so authentic that it’s difficult to decide who would have enjoyed it more: Hunter S. Thompson or David Lynch.

    Ostensibly run by “Dottie,” the mysterious, fantastical patroness of No Vacancy — whose past entertainment history was illuminated by red lights more than limelight — who invites guests to pass through the No Vacancy Pool to check-in at reception before choosing to spend the evening in the Lobby Bar, upstairs in Dottie’s Penthouse, or rent a suite…by the hour, of course.

    Before anyone gets the wrong idea, No Vacancy is strictly a bar for flirtatious foreplay, a game night with friends, and certainly for people watching. Dottie won’t stand for any hanky-panky. So, if things get a little too hot to handle, get a room — someplace else.

    The building at 410 Main Street, once a notorious Houston brothel in its own right, sets the perfect scene for a bar that displays framed brassieres once belonging to former showgirls and boasts an impressive collection of vintage Playboys. Even the large steel door (c.1877) that used to connect the brothel to the bank next door is still visible while taking the stairs up to Dottie’s Penthouse. And the bathrooms? All converted from what was once a row of shower rooms.

    “It’s a downtown, rundown hotel, you know? It used to be nice, I think that’s the important part,” says No Vacancy partner Carson Hager, who also operates ‘80s themed bar Cherry. “Because in Dottie’s mind, it probably still is nice. It’s an actual bar. There are so few actual bars anymore. We just want people to like it. It’s not a dive bar — that’s an actual distinction. It’s a hotel bar. Go to an actual bar and enjoy the details and have a good time and go home.”

    As for Hager’s relationship to the elusive Dottie: “When people ask, I tell them that I’m Dottie’s nephew and I run things when she’s not here.”

    No Vacancy

    Courtesy of No Vacancy

    Put on a No Vacancy robe and enjoy a welcome glass of champagne.

    The commitment to the plot is evident in everything that is No Vacancy. Take, for instance, “Dottie’s Penthouse: The Menu Magazine.” This actual magazine — all 27 pages of it — offers guests a deep dive into Dottie’s personality while listing items of note such as Dottie’s house rules, Dottie’s Penthouse drink menu, fun facts, horoscopes, an advice column, crossword puzzle, raunchy cartoons, and even a fun “Which of Dottie’s Girls are You?” quiz.

    “The details of the building are one thing, but the details of the actual storyline behind everything are even more consistent and more thorough,” explains creative director and Dottie’s cosmic proxy Shilo de Armas. “The Penthouse Magazine enforces the actual story — it’s not just saying a story into the wind. Those types of structural things are what I’m most proud of. Truly, if I die today, that is something that I would really want on my grave. Talk about it in my eulogy. I’m the most proud of that than anything I’ve done. It just brings everything together because it has her house rules on page three, and you learn about who Dottie is when you read those house rules.”

    All of the hotel phones in No Vacancy are functional and routed through to reception and housekeeping. Guests in the suites may ring for service or choose to utilize the “Do Not Disturb” lights outside of the rooms. Housekeeping is outfitted in proper French maids’ outfits — feather dusters included — and cocktails arrive on carts, naturally.

    No Vacancy’s vintage televisions play a curated selection of era-appropriate programming, with custom commercials produced in-house. Think Marvin Zindler and Thunderbolt Transmissions-inspired content. Guests can switch channels, but the network is always No Vacancy Television: “NVTV…always turned on.”

    All of the furniture and decor are either vintage or antique, and the decision to go with carpeting throughout helps keep things intimate. Like many 70s-era spaces, patterns go wild at No Vacancy — think animal prints galore, plaids, stripes, and textured solids. Undergarments are tossed about, fabric canopies and draperies fill each room, and fringe adorns just about every other surface.


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    The downstairs level offers three different suites that can accommodate groups of four to six people, each with a different theme and speciality cocktail menu. While available by the hour, there is a 15 minute grace period to get settled in before the clock starts. Suites are $64.95-per-hour and include a round of complimentary welcome drinks upon arrival (up to four guests) — tailored to each suite.

    Prom After-Party Suite
    Up to six guests may join, receiving a welcome bucket of Jell-O shots upon check-in. Dottie’s handmade binder of drinking games is sure to entertain. Suite-specific cocktails include Dottie’s Wine Coolers (bottled, of course) in Passionfruit Pizzazz, Strawberry Fields, and Fuzzy Navel. In addition to the aforementioned Jell-O shots, patrons may order a classic Tiki Trashcan Punch, made in-room to serve four, with “Rum, more rum, Montenegro, tropical fruit punch, and 151 for fun.”

    Honeymoon Suite
    Up to four guests may join, receiving complimentary Moet champagne to begin the evening. This lover-inspired suite is encased in mirrors to three sides, plush privacy-draperies at the entrance, and includes fluffy red robes to enjoy during the evening. Imbibe suite-specific cocktails — “Save the Date,” “Honeymoon in Vegas,” and “Pillow Talk” — while cozied up in the round love seat.

    Side Piece Suite
    Up to six guests may join, receiving complimentary “Penicillin shots” to begin the evening. The decor takes guests for a walk on the wild side, with animal print upholstery and jungle-themed artwork. Suite-specific cocktails include the “Post Nut Clarity,” Campañera, and the suite’s signature drink “Strawberry Letter,” which serves four and is served in a high heel carafe.

    Lobby Bar
    Just past reception and the Side Piece Suite, the Lobby Bar offers guests a comfy barstool or a place in the No Vacancy semi-private rooms. With high-top tables for two, each semi-private room can be closed with curtains for privacy or left open for mingling — the semi-private rooms can also be combined to accommodate small groups. Classics include “Dottie Does Downtown” and the “Centerfold Sour.”

    No Vacancy Pool
    Rounding out the offerings on the first floor is the “pool.” Part of the exterior entrance area, the pool area offers those who wish to wait a menu of their own. The “Corn Star Margaritas,” “Desert Rose,” and “Poolside Sour,” are sure to help the time pass quickly. Dottie’s Wine Coolers are also available poolside.

    Dottie’s Penthouse
    Upstairs, guests are welcome to lounge in Dottie’s penthouse apartment, so long as they behave. The penthouse is comprised of a dining room, kitchen (i.e., bar), living room, bedroom, balcony, and office. The low lighting — mostly thanks to Dottie’s lava lamp collection, 18 total on the living room wall — throughout the spaces vibe perfectly with the jazz music. Distinct zones are perfect for couples and small groups who want to sit and chat.

    In the office, Dottie’s desk tells stories of its own, original building plans sit beneath a protective plexiglass, her counting machine, phone, Rolodex, and security camera screens all wrapped around the trappings of a seemingly ordinary business…take a closer look.

    Dottie’s Kitchen serves cocktails named after her “girls,” and all that that implies. The mezcal-forward menu does offer a vast variety of cocktails, but Dottie highly encourages guests to try something smoky. If that’s not in the cards, reach for a classic Peach Pimm’s Highball or Watermelon Ranch Water.

    As vintage fans continue to flock to No Vacancy, it’s worth noting that the bar only offers limited reservations for groups of eight or more in the Penthouse — but only until 7 pm on weekends. After that, it's first-come-first-served. Booking is available via text or through a quick DM to the No Vacancy Instagram account. It’s also a good idea to get on the waitlist if planning a last minute visit.

    “Dottie is nutty about having a home,” says Hager. “There is no such thing as just hanging around. If you don’t have a seat, you’re not getting in.”

    For those who choose to dress the part, or for those who just like to watch, No Vacancy has a strict no flash photography policy — and they mean it. No Meta glasses, ring lights, or cameras allowed either. No Vacancy is about as old-fashioned as they come.

    “The people who needed something like this, and have been wanting something like this in Houston in particular, that’s who it’s for,” says de Armas. “We want it to be for the people who get it. If people don’t get it, they don’t get it. That’s fine — bye!”

    No Vacancy is open 5 pm-2 am “every damn day.” Send Dottie a reservation or waitlist request at 713-597-7616 or DM her on Instagram.

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