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    By design at BeDesign

    Boutique Montrose furniture store celebrates exclusive partnership with premium Italian brand

    Emily Cotton
    Mar 14, 2024 | 2:17 pm

    While the “quiet luxury” aesthetic has reigned supreme in Houston for the last two summer seasons, the inevitable transatlantic migration of European influence has officially come to the Bayou City. An unmistakable continuity exists among the city’s newest and most posh patios — color! If the cherry red, lemon yellow, and acidic greens on full display around town make people thirsty for an Aperol spritz, it’s not only by design, it’s BeDesign.

    Eponymous Italian furniture brand Paola Lenti, known for its colorful, elegantly low-slung collections, can be spotted upon the decks of the most well-appointed yachts and vistas throughout Europe. Globe-trotting Houstonians, who always like a little European flair, have embraced the brand with equal fervor.

    Celebrating a partnership

    It’s no small wonder why the fashion-forward proprietors of BeDesign, Adrian Dueñas and Marcelo Saenz, have dedicated the entire third floor of their luxurious Montrose furniture boutique to showcase the store's exclusive partnership with the prestigious indoor/outdoor brand. Moreover, they threw a party at BeDesign on Wednesday, March 6 to showcase the brand and the comprehensive renovations to their building.

    Celebrating 25 years of collaboration with Paola Lenti, designer Francesco Rota and CEO Anna Lenti traveled from Italy to join BeDesign for the unveiling of the new Linea for Outdoor line as well as the store's display of their wares Moderated by the always stylish Patty Dominguez, vice president of design and architecture for Cosentino, the intimate, invite-only crowd gathered for a charismatic conversation on all things Paola Lenti.

    "Through the unveiling of our extraordinary third floor, BeDesign brings to life its passion project – a rooftop paradise that envelops guests in the unmatched mastery of color and design by Paola Lenti," Dueñas said in a statement. "From a shared vision years ago, we have forged an interior design nirvana that sets a new standard. The Paola Lenti experience here is our realized dream: vibrant, sculptural, and simply unrivaled in sophistication. This rooftop oasis stands as the crowning achievement of our endeavors."

    Paola Lenti Anna Lenti Francesco RotaAnna Lenti and Francesco Rota.Photo by Johnny Than

    The secrets of Paola Lenti's success

    Before the festivities began, Rota and Lenti sat down with CultureMap to discuss the brand’s design concept, manufacturing processes, and the question: Why has Paola Lenti found so much success in Houston?

    When Francesco Rota met Paola Lenti 27 years ago, they took a look at industrial-grade felts, refining those to compressed felt textiles, and created what Francesco refers to as “flying carpets,” colorful floor coverings that became an immediate success. From selling carpets, they moved to three-dimensional furniture. Durable, yet soft, these pared-down new textiles have taken them on quite an adventure. Francesco’s creative process for designing new pieces is beautiful in its simplicity, as he explained.

    “I go to the shows and the trades. I look at what everyone else is doing, and then I don’t do that,” he said.

    Clearly a winning approach. The Linea chaise lounge is still as iconic twenty-five years later as it ever was, making way for Wave, which is the company’s companion outdoor piece.

    As any creative will concede, to get a concept to become — well, anything — one needs an eye for business. Enter Anna Lenti. Sister to Paola, Anna makes sure the i’s are dotted and the t’s are crossed back at Paola Lenti’s headquarters near Milan.

    Realizing in 2003 that the outdoor furniture market remained limited to traditional materials, the brand saw an opportunity to innovate. Anna and Francesco wax poetic on those early days, recalling how the only options for outdoor furniture were teak wood or stark, hard plastics. As it did by using industrial felts for indoor furniture, the brand took a look at existing, durable materials that could be retuned for outdoors with the retail market in mind; the answer: polypropylene.

    The material takes well to dyes, is colorfast, and completely recyclable, meaning the brand was into sustainability long before it became a buzzword. Durability being key, we asked if Paola Lenti's outdoor line can withstand a climate as diverse and extreme as Houston’s. Francesco’s answer did not disappoint:

    “We were pioneers. We investigated materials because we wanted a product to perform. So metal had to be a certain kind of steel, 316, which is nautical steel,” he said. “The textile needs to be of a material that resists UV rays, to salt, to traction. The fabric comes, in reality, from the boat world. In the sense that, if you think about a yarn that makes textile, a sailing rope makes our fabrics.”

    Curious how the outdoor market has evolved in 25 years, Anna explained that what clients are looking for now is different than what they wanted in the '90s. Turns out, it took awhile to convince customers to spend as much as $15,000-$18,000 for an outdoor sofa and between $5,000-$8,000 for each outdoor armchair, which is what the pieces retail for at BeDesign.

    “In the beginning, people were not ready to spend and invest this amount of money for the outdoors, because they weren’t used to having beautiful furniture outdoors,” she says. “Year-by-year the market completely changed because people spend so much more time outdoors. Now people want to have more continuity between their indoor and outdoor furniture.”

    Paola Lenti in Houston

    Two of Houston’s favorite design darlings, Nina Magon and Lucinda Loya, chose Paola Lenti for two of the city’s most talked about new projects — Cocody Restaurant in River Oaks and The Thompson Hotel, respectively. Both designers attended the BeDesign fête, saying, essentially, Paola Lenti is the best choice for ultra-premium outdoor furniture that holds up to Houston’s heat and humidity.

    “Paola Lenti started from a thread, as passionate artisans, paying attention to the quality of materials: always looking for a point of contact, a special harmony between colors, signs, and shapes,” Magon said. “I fell in love with the colors and vibrancy of the brand ten years ago when I was introduced.”

    Cocody PatioFind Paola Lenti at Cocody's patio.Photo by Mickael Zibi

    BeDesign Paola Lenti event Adrian Duen\u0303as - Nina Magon - Anna Lenti - Patty Dominguez - Francesco Rota
      

    Photo by Johnny Than

    Adrian Dueñas, Nina Magon, Anna Lenti, Patty Dominguez, and Francesco Rota.

    This author’s aunt, who has been known to spend a season or two taking up residence in The Raffles Hotel in Singapore, once stated that she “cannot afford to buy cheap.” Alternatively, the adage goes “If you buy it right, you buy it once.” Can’t argue with that.

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    give me shelter

    Meet the Houston architects teaching refugees to build permanent homes

    Emily Cotton
    Jun 27, 2025 | 10:46 am
    Every Shelter refugee Africa
    Photo by Moses Sawasawa
    Every Shelter educates communities on how to build homes using brick molds and local, organic materials.

    Two Rice architecture alums, and former Gensler Houston interns, Sam Brisendine and Scott Key are utilizing their top-tier education and expertise to make serious waves on a global level — and Gensler wants everyone to know about it. June is Global Giveback Month at the international design and architecture firm, and Every Shelter, the charitable organization founded by Brisendine and Key, is getting the spotlight with a new exhibit in the lobby of Gensler’s office in downtown Houston titled “Why We Flee.”

    Photographed by 26-year-old war photojournalist Moses Sawasawa, “Why We Flee” shines a light on one of the world’s largest drivers of human displacement today: an endless conflict in the Democratic Republic of Congo, or DRC. Also on display are the common goods that Every Shelter helps to repurpose into supplies and tools that refugees can then use to design and build their own permanent homes themselves.

    Every Shelter focuses on designing, building, and supplying permanent shelter solutions for homeless and displaced war and natural disaster refugees. Based in Houston, TX, and Kampala, Uganda, Every Shelter works directly with newly-arriving refugees from the DRC in Nakivale Refugee Settlement in the southwest of the country.

    Every Shelter is unique in that they are “community led, expert supported,” and teach communities how to design and build for their own communities. Megan Mark, director of advancement at Every Shelter, tells CultureMap about a design studio that they are currently piloting at their Ugandan office.

    “We have a humanitarian aid architect there and a program manager. They work with the social innovation leads, who are typically refugees who we’ve employed to help us navigate refugees’ needs in the context of the environment that they are in,” she says. “A refugee who is in Turkey doesn’t have the same needs as a refugee in Uganda. Right now we have three architects who are still in school.”

    Humanitarian aid architects spend nine weeks leading an architecture and design curriculum for refugees between the ages of 18-30 years old. At the end of the nine weeks, the students will have designed a solution, or “intervention” as Every Shelter calls it, for a need that they have in the community.

    “We are really excited to see what they come up with,” says Lauren Hanson, community manager at Every Shelter. “We teach refugees how to make things, then certify them to be the teachers. Then they can go make their own, they can sell their own, they can even start their own business teaching others how to make these things. We want to give the power to them to take whatever intervention we come up with and utilize it. They can take any idea and scale it, and that’s what we want to happen.”

    The most coveted shelter solution by far has been the brick molds that Every Shelter supplies to the communities. While brick molds are nothing new, availability has been scarce. With high demand and low supply, local rental fees for these tools skyrocketed. The UN and the Ugandan government supply refugees with land, a UN tarp, a few poles, and a small amount of money to get settled. Refugees tend to spend 10-26 years in these settlements, far longer than the 3-6 month lifespan of a UN-supplied tarp.

    By supplying brick molds and an invaluable education in building and design — especially lessons on making bricks from local organic matter — Every Shelter can get families from living under a tarp to living in a brick home in about a year. The brick molds cost under $10 to make, and the savings from potential rental fees ($130) is the equivalent of three months of food per household, which is a huge savings for families who are trying to get their children into schools.

    Communities band together to share molds and can work together to allocate bricks in an efficient manner. One house requires approximately 1,500 bricks, and with lessons from Every Shelter, families can design and build homes that best fit their individual needs. Skylights are designed and built using recycled water bottles, and decommissioned billboards are treated and up-cycled into roofing and floor tiles, which have a lifespan of about eight years. Lessons in home repair are also instrumental for those who may need them down the line.

    The focus that Every Shelter places on design, architecture, and construction in underserved communities is something that resonates deeply with Gensler. Stephanie Burritt, managing director and principal at Gensler Houston, certainly feels a connection to the organization’s ethos.

    “When they came to us and told us what they are doing, it was just hand-in-glove in terms of how it fit with our global giveback and our focus on homelessness, and it just made a lot of sense,” Burritt tells CultureMap. “We have happy hours here with contractors, employees, vendors, and everyone who walks through here all the time asks us what this is that we are showcasing and how they can help.”

    Gensler’s summer intern class arrived the same week as the “Why We Flee” installation, and Burritt thinks it has been a good thing for them to see. “I think, for them, it was super exciting to see somebody who had been an intern — 12 years ago, or whatever it was — and go ‘Oh, wow! This is the kind of impact I can have at some point in my career that’s beyond what you see in our day-to-day work at Gensler.’ And I think that’s really special.”

    Every Shelter co-founder Scott Key enlisted college friend and curator Ben Rasmussen to oversee the installation of the exhibition. As for the subject matter, Rasmussen wants the show to be experienced in a fluid way. “Wherever you enter is how you experience it,” he says. “It can be moved through in whatever way people choose, and that sort of personal way of moving through the work kind of echoes the sort of chaotic way that people experience it on the ground. So we wanted for that to exist in a way that people can see it, without trying to force an education on a really long-running and complex conflict.”

    One benefit of the exhibition is the amount of exposure that Every Shelter is receiving from Gensler’s local contractors and vendors, with labor and materials contributions for the organization’s new Heights-area office already pouring in. “Why We Flee” hopes to find a new home after its time at Gensler comes to a close at the end of the summer, so check in with Every Shelter if a trip to Gensler this summer isn’t in the cards.

    -----

    See “Why We Flee" Monday-Friday from 9 am-5 pm at Gensler’s Houston office in 2 Houston Center (909 Fannin Street, Suite 200).


    Every Shelter refugee Africa
      

    Photo by Moses Sawasawa

    Every Shelter educates communities on how to build homes using brick molds and local, organic materials.

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