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    forget farmhouse

    Texas store's oversized European antiques are hot kitchen design trend

    Emily Cotton
    Sep 25, 2026 | 12:30 pm

    Farmhouse fatigue has officially set in across the South, especially in Texas, where — to the chagrin of many — even spec builders succumbed to the trend. Not since the decade-long reign of Texas Tuscan has a design style (a word this author is using begrudgingly) ingratiated itself upon the masses so completely. In response to the farmhouse fracas, designers are stripping things back — way back. To where exactly? Nineteenth century Europe.

    For quite some time now, designers have been quietly replacing kitchen cabinetry with oversized wooden fixtures from European pharmacies, apothecaries, haberdasheries, bakeries, and so much more. Sourced by specialty importers, these foreboding fixtures are now used as the keystone for fine design, with builders and cabinetmakers creating entire kitchens and dining rooms around furniture, and not the other way around.

    While this practice is hardly uncommon across the pond, the lack of mainstream exposure in the States has allowed furniture-forward kitchen design to enjoy a slow matriculation. As with most modern trends, the vehicle for change is a combination of television and social media presence.


    View this post on Instagram
    A post shared by deVOL Kitchens (@devolkitchens)


    In this instance, the British design firm deVOL is moving this trend ahead. Around for decades, it wasn’t until their design show For the Love of Kitchens premiered a few years ago that people stateside began paying attention.

    Whether a person’s tastes bend towards bleached, raw, stained, waxed, or painted woodwork, there is nothing that time hasn’t touched, resulting in patina and patination that is impossible to replicate. Cabinets retaining their original glazing offer the charm of telltale “wavy glass” and hand-forged hardware are sure to last several more lifetimes. The question is: where are these pieces hiding? Believe it or not, they’re sitting in La Grange.

    Round Top regulars are familiar with Amy Brown and her presence at the fall and spring shows. Her La Grange store Old World Antieks has been a go-to for designers for over 15 years. She and her Europe-based business partner have been sourcing oversized antiques of every kind to be used as either stand alone furniture or anchor pieces for kitchens, dining rooms, offices, and the like.

    Designers-in-the-know flock to her store in La Grange, but it’s her presence in Round Top that always gets folks excited. With pieces spanning well over ten feet wide and towering just as high, it’s no wonder that Brown’s European finds have put her on the map. Her business is booming now more than ever as the “furniture as the kitchen” craze has taken the design world by storm.

    “I love it! Europeans have the most badass taste — I love European stuff,” Brown tells CultureMap. “I follow mostly European accounts on Instagram, and their designers. I love kitchens and I love those crazy stoves, they are the best. They have the best craftsmanship and they have great classic stuff that lasts forever — Europeans know what they’re doing.”

    Brown isn’t at all surprised by the farmhouse fizzle, as most of her clients are designers who move in very opposite directions. After all, people can only take so much shiplap. Black, white, steel — we get it, and we’re exhausted.

    “I think it’s [farmhouse] fizzing out. Change the record, this song sucks,” says Brown. “Can we do something more interesting? I mean, we’ve really seen it all done. We’ve seen every type of house flipped. We’ve seen it all — do something different.”

    What’s interesting about the European import market is the scarcity. Every year more and more Americans start buying pieces by the container load, and there are only so many authentic pieces to go around. Brown thinks the scarcity will contribute to the longevity of the design trend due to the fact that it can’t be scaled to the masses. Her business partner has even made the jump to India, Egypt, Turkey, and the Middle East to get ahead of the curve.

    “There was a small group of us that imported antiques 15 or more years ago, and now everyone is going back there. Now it’s easy to buy off of pictures — it’s easy to buy and import. I mean, it’s not easy, you have to know people and figure it out, but people are doing it. These are hard to find and people don’t get these a lot anymore. The competition is fierce over in Europe, but they’re fun.”

    Brown attributes a lot of the success of the Old World trend to social media, especially TikTok, which she has been surprised by. “I just thought it was a dance site for kids, but there are so many older people and designers on there, I had no idea,” she says. With creators pitching “get ready with me” and cooking videos, it was only a matter of time before viewers started asking questions about the rooms.

    In La Grange, the influx of day trip shoppers who make Old World Antieks their entire destination have driven Brown to create a coffee shop, bar, and lounge in the store — complete with an antique indoor conservatory — for vibes, obviously. Her existing liquor license from her popular “Tipsy Texan” cocktail trailer that services Round Top antiques show lovers at Zapp Hall made the decision a breeze, with Brown claiming that she’d let people smoke cigars in the lounge if it were legal. Like many old school antiques dealers, Brown is an absolute legend among regular Round Top shoppers.


    View this post on Instagram
    A post shared by Amy King-Brown (@oldworldantieks)


    While Old World Antieks is renowned for its oversized European store fixtures, the store sells plenty of other items that fit well within the confines of standard modern homes. Shop coffee tables, dining sets, and pretty much everything else one would expect to find in a furniture-focused antiques store. Brown has even gotten into a bit of manufacturing, with adaptations of pieces into lighting fixtures and things like that.

    Like Brown, even the pros at deVOL are aware of the scarcity crisis of their designs. For quite some time now, the latter of the two have begun crafting their own Old World-inspired designs in its kitchen build outs. As mentioned, Brown is dealing with this by taking a more global approach, but she warns against imposters, which run roughshod in the antiques trade.

    “Everything is ‘from France,’” jokes Brown. “Is it though, or did it come out of Kansas? We always laugh about that. Everyone wants a story, and I get that, but if you say ‘France,’ it’s sold. That’s where people take advantage because not everything is from France — there’s Belgium, Germany, and all over Europe.”

    Brown imparts some sage advice to those who want to hop aboard the European kitchen train and create their own French apothecary or pharmacy vibe, “Before you even get plans [from your builder] — here’s your plan right here [the piece] — and then you get your plans. One thing is, don’t get attached because everyone is going to copy it.”

    Old World Antieks will be at the Round Top Antiques Show running from October 17-31. Find them at Blue Hills Barn F, or visit its location in La Grange at 5414 W. SH-71.



    Old World Antieks furniture store La Grange

    Photo by Emily Cotton

    Many antique fixtures at Old World Antieks stand at a staggering 10-feet tall.

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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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