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    a culturemap exclusive

    Houston 'plantrepreneur' opens vintage-filled shop in Old Town Spring

    Emily Cotton
    Sep 4, 2026 | 11:22 am

    Houston’s favorite plant maven is at it again — with a twist! The latest iteration of Bree Clarke’s wildly successful The Plant Project is slowing things down and stepping back in time. The Mercantile & Plant Project opening this weekend in historic Old Town Spring will delight fans who have long coveted Clarke’s signature — and woefully not for sale — antique and vintage decor found in her plant shops.

    While plants will still populate the space, they take a back seat to vintage and antique goods that look and feel right at home in the 100-year-old bungalow that The Mercantile calls home. The bungalow has retained its original features, like the windows, columns, and wood floors, inviting visitors to view the space and the goods within as its own restorative environment.

    Interestingly, the bungalow — along with two others — was transplanted from its original location in the historic Houston Heights neighborhood in the late ‘70s. After relocating the three bungalows, the owner, Ms. Brenda Miles (as she was known), operated an antiques store out of one, while renting the other two to other Old Town Spring businesses. It was Miles’ keen stewardship of the bungalows that allowed them to maintain their original features.

    “It’s all original, and it was already green,” says Clarke. “It’s just the perfect little thing.”

    During the design process, Clarke invited her Instagram followers to vote on a wallpaper for the signature selfie wall found in all of her stores as a fun way for ecstatic shoppers to pose with their finds. The winner, a beautiful flora, fauna, and landscape in blues, purples, and greens is “Vintage Chinoiserie Peacock Wallpaper” by Vreelike. Clarke also enlisted local artist and vintage clothing purveyor Lexi Landolt of Goldie’s Rodeo to assist with branding design and to paint these European-inspired doodles on the front door.

    Vintage for sale

    Shop art, books, lighting, linens, and other home decor — or up the ante with cut crystal and silver plate. Everything from rustic Americana to French Provincial finds a home amongst rattan and olde world fixtures in this trendy new outpost.

    Like Clarke’s The Plant Project locations, The Mercantile will host community events like potting classes and other “make-and-take” activities as well as a future corner dedicated to her Antionette concept focused on bespoke perfumes and candle making — complete with vintage and antique vessels.

    “I want it to be more vintage and home, and then have the plant aspect of it. I feel like there has been such a shift in the plant world over the last few years and plants are still the root of the business, brand, and my identity,” explains Clarke. “But designing, decor, and vintage has always been there. I’ve always had vintage with the plants and people have always been drawn to that.”

    Indeed, the enviable vintage goods Clarke uses as her plant store fixtures, lighting, and decor have been central to her brand’s aesthetic, and jestfully frustrating for her clients who couldn’t buy them — this author included! Happily, everything in The Mercantile is for sale. There will still be an array of accoutrements for plant lovers, like whimsical pots and planters, plant foods, and leaf cleaners, but those with the proverbial “black thumb” will have more than their fair share to entice them.

    “This mercantile is strictly the stuff where, if people like it, they can take it home,” says Clarke. “That’s what this one is.”

    Spring roots

    The Plant Project has had a huge impact in trendy urban areas like Montrose, plus two shops in The Heights (not to mention the Dallas location). So, one may wonder: why Old Town Spring? The simple answer—it’s home. The historic hamlet is minutes away from her mother and grandmother’s houses, with Clarke recently scooping up a “country cottage” of her own right in the neighborhood. As it happens, The Mercantile will be operated by the ladies of the family, right in their own backyard.

    “I grew up walking through the streets of Old Town Spring and walking from my grandmother’s house to the crawfish festival; I’m just very familiar with it,” she says. “People come over here because they want that small town feel. We are all wanting to slow down a little bit. People are exhausted — mentally, physically, emotionally — and when I see people walking and strolling down the streets, everything is just laid back. There’s no rush to it. No one is just in and out of their cars quickly. People park and are just walking around, just strolling. I just wanted a place to stroll.”

    Clarke’s love of vintage is hardly a whim. Her mother, who prefers to shop curated spaces in traditional stores, was never a fan of the long hours and sometimes less-than-sanitary conditions of the hunt. However, her best friend, Clarke’s “Aunt Karen” lived for it — taking Clarke along to thrift and antiques stores, vintage markets and the like from the time Clarke was 10 years old. From that point on, Clarke was hooked.

    “My Aunt Karen would take me all over when I lived in Irving, Texas. She would take me to all of these places like Canton. Some of those same people from when I was 10 years old are the ones who source and get a lot of my stuff today, right in Canton, Texas.”

    Sharing history

    Mercantile and Plant Project Old Town Spring Bree Clarke

    Courtesy of The Mercantile & Plant Project

    Shop vintage, antiques, and plants in charming Old Town Spring.

    Something that sets The Mercantile apart from similar concepts is Clarke’s sheer love of the game. Items in her store come with their own story and history, something that is decidedly absent from other places. Visitors to The Mercantile can expect a lesson in antiques, vintage, stewardship, and the like. For Clarke, the vintage trend isn’t a way to make a quick buck, it’s about sharing history with her neighbors.

    “Vintage, especially here in Houston, is just wild. It’s such a trend and a craze and people love it — it’s just all over the place. But I feel that people don’t really get the connection of what vintage is. For instance, when I go to estate sales I build a relationship with the people who put the sales together. I have these real conversations with them, get to know them, get to know their stories and their history with things. I just feel like vintage connects people to one another during a time period when they couldn’t really connect and when they weren’t really connected,” she says.

    “Hearing the stories of how they got these pieces or learning the difference between antique and vintage, just being able to show that next generation all of this. People see the cute stuff, the trendy things, and everyone selling on Instagram or wherever, but — like anything I do — I want to get to the root of it and share that side and that story. I think that Old Town Spring is the perfect place to do that.”

    The Mercantile & Plant Project will celebrate its soft opening this Saturday, September 5 and will be open on Labor Day. Keep an eye on the store’s Instagram for details about its grand opening celebration in October.



    —-

    The Mercantile & Plant Project; 134 Main Street (Spring); Thursday, 11 am-5 pm, Friday and Saturday, 10 am-6 pm, Sunday, 12-5 pm

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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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