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    Round Top's Massive Antique Show

    What to know about Round Top's 43-acre Marburger Farm Antique Show

    Emily Cotton
    Mar 22, 2024 | 11:10 am

    The rodeo may be over, but don’t be too quick to pack away those boots. Round Top, Texas, population 93, is a year round destination for lovers of all things antique. The town’s Spring Antiques Fair is currently underway, but my particular favorite event is just about to get started.

    Open since 1997, the Marburger Farm Antique Show is truly my favorite destination for sourcing antiques for both myself and for clients. When I crack open the spine of a new datebook — yes, I still use those — I highlight the dates of the spring and fall shows right along with my loved ones’ birthdays. This year’s show, which takes place March 26-30, is highlighted in pink.

    Vendors unveil the best of their best for Marburger, and all of the country’s top designers come out to play and shop for clients. With more than 300 vendors spread across 43 acres, the selection is essentially limitless. Also, it’s worth noting that some vendors can be flexible on pricing — at least on the last day. I once snatched a pair of beautiful chain-link lamps that I only agreed to take home after a $300 price adjustment.

    Just a 90 minute drive from Houston, even people who aren’t looking for antiques could make the day trip just to people-watch. Choosing a cowboy cosplay outfit for Marburger is no small task, and the semi-inadvertent fashion show taking place amongst show-goers is a thing.

    Emily Cotton Camp Round TopOur author sporting her finest cowboy cosplay.Courtesy of Emily Cotton

    Marburger’s own Mallory Culbert gave CultureMap the scoop on what to expect, as well as some other fun facts. With so many permanent vendors to shop year round, what makes Marburger so special: “Scarcity psychology,” she says.

    Marburger Farm Antique Show

    Photo by Exploredinary

    The people watching is almost as good as the finds.

    Vendors spend months scouring the globe for incredible finds just to show at Marburger, and she’s not lying when she adds that “this stuff doesn’t grow on trees.”

    Read on for more insight into the show.

    CultureMap: In terms of space, how large is the actual show?
    Mallory Culbert: 43 acres! And it is the halfway point between Round Top and Warrenton — precisely two miles in on the four-mile stretch.

    CM: How many vendors will there be this year, and what’s the approximate ratio of new and return vendors?
    MC: Between all of the tents and buildings, we have over 300 dealers, and the space for new dealers is largely determined by the number of retirees because, thankfully, most dealers who set up at Marburger want to come back! We have some devoted (and equally treasured) dealers who have never missed a show in now over fifty shows!

    CM: In terms of a day trip, how long would you say someone can expect to spend roaming the tents?
    MC: Marburger is worth visiting for a sprint or a marathon, but it's such a feast that I would say a whole day. We have people who come back every day of the five days because our dealers change up their displays and spaces each day with yet-to-be-seen finds!

    CM: Every year famous designers flock to your show. I know I lost my absolute chill when I once came face-to-face with Kelly Wearstler. What is it about Marburger that makes it so irresistible?
    MC: I agree; Kelly is the coolest. A true visionary.

    I think Marburger draws a lot of independent thinkers because the merchandise runs such a tremendous gamut — so many centuries, so many styles. I, for one, find Marburger worth visiting just for "inspo" alone. The presentation skills are mad genius. I see what these spaces are like before they arrive, and the jump from blank canvas to what they put together by Opening Morning is simply marvelous.

    Most of our dealers are artists, even if they don't say they are. I think that really sets Marburger apart as well. We also have dealers who do no other show in the entire year but ours, and their clients know that they can only find them then and there.

    CM: Not withstanding never-ending attempts, the show has no sponsors or affiliates. Do you think that add to the show's authenticity?
    MC: Certain sponsors and collaborations could be a great fit, but it certainly doesn't hurt the objective of giving both our exhibitors and shoppers an experience that is truly immersive.

    CM: Apart from the vendor tents, there is a quaint, frontier-style village at the entrance. Were those moved onto the property for aesthetics, or are they original to the farm? What’s the story there?
    MC: Thank you for mentioning this as it is one of my favorite aspects of the show. The Marburger Farm House is original to the farm, and one of Marburger's co-founders Ed Gage (who can still be found set up in Tent A!) helped take care of Mrs. Leona Marburger in the earliest days of the show.

    The buildings that make up the rest of the village were purchased over the course of many years and moved from various places around Texas. The Dance Hall which hails from nearby Plum, Texas, is under consideration for historic preservation status, and if you look around at the names — the Bingo Hall, Blacksmith Shop, Silver Dollar Saloon — it makes entering the buildings that much more interesting, knowing what the spaces were originally used for while seeing them filled with beautiful, juxtaposing displays and new life.

    CM: I know the cafe options are something of a local affair. Can you tell us a little about the vendors?
    MC: Every provider of food and drink at Marburger is a small business, in most cases literally a mom-and-pop. That's Gail and her company Blue House (who also keep us fed on-site throughout set-up), and then there's The Soda Shoppe (the adorable ice cream trailer), and Clementine Coffee & Cream, the historic Kenney Store which was founded in 1887 (!), Courtney and her beloved Simply D'lish out of Brenham, and the wonderful Blackmore family's delicious Duende from Smithville.

    CM: Aside from the cafe, is there a lounge area or a respite place for shoppers to rest their boots?
    MC: Yes, we recently added a tent between the Clementine trailer and the Kettle Corn (which by the way some people come to Marburger just for that!) that has a bunch of picnic tables and is also the drop-off/pick-up point for the parking shuttle. (I'm partial to this tent because it has cute white pole flags atop the tentpoles 🙂).

    CM: There is a permanent restroom facility near the “village,” and a few polo field style facility trailers sprinkling the property. Is there anything someone with mobility issues should keep in mind if they plan to visit the show?
    MC: Great question. We have a range of facilities scattered around the show to suit a variety of mobility needs and constraints. We also offer golf carts for rent that allow for traversing the show much more smoothly for anyone, and those can be reserved in advance or, if one is available, rented day-of on-site.

    CM: Okay, I’ve run the gauntlet and have all of my fabulous antiques…will someone help carry them to my car? And what about that Chesterfield sofa I just had to have, how can I get that home?
    MC: I'll help you, Emily! Just kidding. We all know Chesterfields need trucks so unless you're driving an XL with a tarp for the bed (please prove me wrong and tell me you are, Miss Cotton!), I would suggest enlisting Distinguished Transport, our preferred on-site shipping and portering team, or do like the REAL pros do and roll in on an empty box truck. Fill 'er up!

    More Round Top tips

    Can’t make it to Marburger Farm? Rest assured that many of the permanent shops and showrooms around town have incredible finds that are available year-round. Market Hill and The Compound are two of my absolute favorites, and I’ve never left Round Top Antiques & Design Center or the Humble Donkey Studio (be sure to pickup a “Camp Round Top” patch while they last!) empty handed after attempting to walk off a slice of pie from Royer’s — lemon-blueberry crumble for the win!

    If traveling with a group and not planning to keep track of the Ellis Motel margaritas, I highly recommend Hostie and their Sprinter van services. Round trip to Round Top is also an option, with luxury Sprinter van services to and from surrounding major cities like Houston and Austin. They handle accommodations and have a concierge service as well. Hostie is based in Round Top, so they know everything and everyone. I cannot recommend a better service for anyone seeking a turnkey-style Round Top experience. See y’all out there!

    For more details about the show, including tickets and a complete list of vendors, visit the Marburger Farm website.

    -----

    What are you hoping to find at Round Top this year? Tell Emily at emilycharlottecotton@gmail.com.

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    putting on the ritz

    Award-winning designer dishes on Houston's new Ritz-Carlton high-rise

    Emily Cotton
    Apr 10, 2026 | 2:33 pm
    Ritz-Carlton Residences exterior rendering
    Rendering courtesy of The Boundary/Ritz-Carlton Residences Houston
    The Ritz-Carlton Hotel and Residences will debut in the fall of 2029.

    Houstonians have been long overdue for the return of a Ritz-Carlton Hotel to the city skyline — the original rebranded as The St. Regis in 1997 (reopening next year as The Houston Grand Hotel - River Oaks). Thankfully, The Ritz-Carlton Hotel and Residences is coming to 2120 Post Oak Boulevard in 2029.

    Developed by Deiso Moss and constructed by Harvey Cleary, the 45-story limestone-clad, Pickard Chilton-designed tower was loosely-based by the Art Deco-era Gulf Building downtown and is planned to feature The Ritz-Carlton Hotel, a full-service property with 156 guest rooms and suites, alongside 112 bespoke branded residences available for whole ownership.

    The Ritz-Carlton Residences will occupy floors 19 through 45, offering 13 floor plans ranging from 2,361 to 9,000-square feet of luxury living space, with prices starting at $3 million. Residents who appreciate anonymity will be pleased to know that a double-gated carport and 10-foot privacy-wall will surround the exterior approach, and each residence will have a dedicated foyer off of the elevators.

    The residences will offer all of the amenities one has come to expect from buildings of this caliber: organic materials such as the best marbles and hardwoods, top-notch appliances, private loggias pre-plumbed for outdoor kitchens and pet-stations, pools, wellness suites and spas, ballrooms, discreetly-designed outdoor barbecue areas, a golf simulator — all the creature comforts its well-heeled buyers will appreciate.

    While “Ima Hogg, Glenn McCarthy, and Dominique de Menil walk into a bar” may sound like the beginnings of a fanciful joke, acclaimed architect and interior designer Lauren Rottet cites the trio as the inspiration for the Bayou City-inspired interiors of the luxury high-rise. Rottet and her team at Rottet Studio approached the property as an expression of Houston’s layered identity. Inspired by the city’s historic post oak canopy and the green parklands along Buffalo Bayou, Rottet integrated warm woods, limestone, marble, and bronze accents to create a setting that balances contemporary luxury with a distinctly regional character.

    CultureMap spoke with Rottet during the unveiling of the development’s $5 million purpose-built private sales gallery to learn more about her inspired-design for what is already being referred to as “The Crown Jewel of Texas.”

    Conceived as a true extension of the future tower, the gallery integrates curated architectural elements and material selections consistent with those specified for the project, providing a tangible preview of the residences’ design language and finish level. Dedicated installations within the gallery highlight the private amenity collection, anchored by a discreet residential arrival experience, indoor and outdoor pools, and a comprehensive wellness program, alongside full access to the hotel’s dining, cultural, and spa offerings.

    Upon entering the gallery, prospective homeowners are met by intricately-detailed oak herringbone floors that will reside in the foyer of each residence. Agatha Black, Bardiglio, and Statuary-White marbles feature throughout the space, as well as rift-cut oak wall paneling and hand-painted linen wall coverings.

    Notably, the wall coverings are creations by Maksim Koloskov, an architect at Rottet Studio. Those familiar with the ceiling in Ralph’s Bar at The Crescent Hotel in Dallas will recognize his work. Rottet explains that having Koloskov in her employ as both an architect and artist benefits everyone: “It’s actually less expensive for the owner, it’s great for him because he makes good money, and [the artwork] is exactly what I want — it’s fabulous,” she says.

    While an abundance of wooden paneling can read as outdated or even stuffy, Rottet’s decision to implement rift-cuts allows for a contemporary flair that will remain decidedly timeless. Flat-cutting is what gives traditional paneling that knotty, heart-plagued characteristic which tends to turn people off from it — a quality that is conspicuously absent from the oak paneling being cut for the Ritz-Carlton.

    “It’s interesting,” muses Rottet. “People love wood, but they don’t want a lot of character and nature in the wood. This is very much contemporary. Although this looks, in a sense, old world or traditional, it’s a little quieter. It’s still wood, it’s still beautiful, but it’s not as busy or older looking.”

    Some buyers may wonder, with such an abundance of oak used in the building — herringbone installations, six-foot planks, and floor-to-ceiling paneling — what’s the environmental impact?

    “Oak is a very sustainable wood,” explains Rottet. “The mahoganies and some of the other woods are a little less forest-friendly. This oak is forested well, and this is all a sustainable oak — it’s all from the right farms.”

    Rottet has designed the bulk of the furnishings for the space, as she will for the hotel and residential shared spaces like the library — some bespoke, some from her private line, and lighting from her collection with Visual Comfort. The sofas and rugs in the library and opposite concierge space were designed with movement in mind — think sleek curvature and varying degrees of height. Rottet explains that these common spaces are all about “being alone, together.”

    “These rooms are about wrapping you, cradling you, and making you feel comfortable; not just a straight, hard edge,” says Rottet. “It’s loosely of the bayou, of the land, of the water. Houston is very languid and fluid. Houston has a more New Orleans climate than a Texas climate, so I like to think of the flowing spaces and the water. A lot of the design I do — and particularly here — has to do with visual movement. I don’t like for an interior space to feel static. That’s why this is so free and open, and beautiful. I’m always doing things to make it feel visually active.”

    The residences are available in three different style and material packages, and Rottet is happy to help provide a turnkey design if a buyer chooses to have her finish out their space entirely. After designing 55 hotels, who better? With stunning Art Deco architecture, luxuriously-timeless interiors, plus elegant green spaces, Rottet says it best of all: “There will be newer buildings in Houston, but there will never be a better one.”

    Sales are being conducted by private appointment through Redeavor Group. To learn more about the project, please visit rcresidenceshouston.com.

    Ritz-Carlton Residences exterior rendering

    Rendering courtesy of The Boundary/Ritz-Carlton Residences Houston

    The Ritz-Carlton Hotel and Residences will debut in the fall of 2029.

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