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    catching up with hilton carter

    Hilton Carter dishes on his ties to Houston, his recent book, and his new TV show

    Emily Cotton
    May 1, 2024 | 10:30 am

    Don’t call Hilton Carter a “Plantfluencer.” No stranger to indoor plant enthusiasts, the multi-hyphenate author recently dropped his latest of three collections for Target, is a regular television contributor, and has a soon-to-be-released show on the Magnolia Network. I think his over half-a-million Instagram followers will agree that he’s outgrown “Plantfluencer.” Let’s call him what he is now — a Renaissance Man.

    On Friday, April 26, Bree Clarke, owner of The Plant Project, hosted a breezy, courtyard-chic event in honor of the plant stylist extraordinaire. Baltimore-based, Carter is currently on tour to promote the latest of his five books — The Propagation Handbook: A Guide to Propagating Houseplants — and it is delightful. Over 70 attendees enjoyed sips and bites from Fiora’s Bottle Shop while DJ Sage provided a backdrop of soothing music throughout the evening.

    To describe Hilton Carter as “magnanimous” is an understatement. For over an hour, Carter strolled around the courtyard to better engage with the audience while sharing amusing and relatable insights into his trials and tribulations of being a successful “plant-parent.” Warmly recognizing multiple fans from his previous book tour, it’s no small wonder that his following is so strong.

    The event took place at the Montrose location of Clarke’s store, The Plant Project, A Place Where Community and Plants Grow. It’s a beautifully curated plant shop that brings self-care, inclusion, and a love of plants together in a welcoming environment. Clarke opened her first Plant Project in Dallas during the fall of 2020. A Houston location soon followed in July 2021.

    Clarke offers expert advice on plant selection and care, local pick-up and delivery, nationwide shipping, and a variety of hands-on and how-to workshops on everything from repotting and flower arranging to diversity and self-care. She also regularly hosts Plant Pop-Ups in the community and at area farmers markets.

    That work earned Clarke Congressional recognition for The Plant Project as the First Black Woman Owned Plant Shop in Texas. Her inclusive lifestyle brand, The Iman Project, focuses on nourishing relationships and building a diverse community through style and design.

    I sat with “plant besties” Clarke and Carter post-event to chat about what’s most important to them: “community, giving, and sharing.”

    CultureMap: How did this partnership between the two of you come to be?
    Both: Joanna [Gaines]!
    Bree Clarke: It was at “Silobration” a few years ago. [Magnolia’s annual event in Waco, TX.]
    Hilton Carter: She [Joanna] said ‘Hey, there is this girl selling plants in the street!’ I love plant people and decided to roll-up on whoever this person was going to be. I gave her a hug and that was it! For me, in those situations, it’s a kinship between plant lovers, in that sort of sense. Also, an understanding of individuals who look like me. In the space, trying to share that sort of love and support as well. If I was in that situation — there, selling plants — I’d want to see someone there who looks like me.
    BC: In Dallas, I opened up the plant shop because you did not see a Black or Brown person at all. I wrote a blog on April 7, 2020, to focus on Black and Brown plant shops. I found “Plant Chica” in Los Angeles and a few others, no one in Texas — nobody in “our” neighborhood.

    I like my sons’ being able to see something I wasn’t able to see as a little girl. When Hilton goes up there on The Today Show, it just shows it’s available and attainable for everyone — truly plant joy for everyone. You [Hilton] set the road for me, and now I’m allowed to set the road for other people like me — and that’s what it is.

    CM: Do you feel you had an extra boundary as well because you’re a woman?
    BC: I look at color more than I look at sex. It’s so important to see someone who looks like [me]. In 2020 everybody came out as a “plant influencer” or “plantfluencer” and all that jazz. A lot of it was trending and hopping on to a trend, “oh, this is cool, or whatnot.” What I’ve seen with Hilton, it’s something that’s innate. I grew up with plants, he grew up with plants — mine is design and plant love.

    CM: You do a lot of workshops and plant education. Do you think of these as “safe space” workshops?
    BC: I want to educate people more than that. I want people to get in tune with themselves: self-care, plant-care, all being one. Figuring out yourself, going through your seasons — plants are the same: we need to eat, we need water, light, love, to be talked to and whatnot. I teach that part of it — that’s what The Plant Project is. I go to Hilton for the plant education part of it. Taking care of plants is taking care of you.
    HC: Plant-care is self-care.

    CM: To touch on the new book, I love that it’s organized like a textbook. Was that intentional?
    HC: It’s definitely a handbook; it’s formatted to be utilized. Some of my books are more “coffee table books” and are design heavy, leaning more towards pretty pictures and to help you in the process of caring for plants.

    For the most part, I think this book, the ultimate goal is for it to be treated more like a book book. I want these books to become dirt and water stained because people are using them. It’s like a cookbook, you’re always going to come back to it. Something people are going to pull out often, which is the reason I wrote it like I did.
    CM: I can see this living in the kitchen with the cookbooks for sure. That’s where most people tend to do their propagating.
    HC: Yes! Keep it where your sharp shears are!

    CM: You mentioned that you have a pilot coming up. Can we talk about that?
    HC: You can! I don’t know when it’s coming out, but I can say to be on the lookout for it. It’s a good one. It’ll be on the Magnolia Network, Discovery+ and MAX.

    The show is called “The Plant Stylist, with Hilton Carter.” NO! They changed it, it’s called “Planterior with Hilton Carter.”

    BC: He hates being called a “Plantfluencer.”
    CM: I’ve never heard that term, but I don’t like it either.
    HC: It’s just…ugh.
    BC: So many people call him that.
    HC: Write “Hilton doesn’t like to be called a ‘plantfluencer,’ he actually hates it with a passion.”
    CM: I can put that in the article.
    HC: Thank you!
    CM: “Not one to be mistaken for a ‘plantfluencer,’ Hilton Carter…”
    HC: Great!
    BC: I think people are recognizing you more now on the styling side.
    HC: I would hope! But, yeah, I don’t know when it’s coming out, but soon.

    CM: This is your fifth book, any plans for a sixth?
    HC: I have a sixth book coming out.
    PUBLICIST: Bree has a book coming out.
    CM: Do you?!
    BC: Yes. It’s called “The Plant Project.”
    HC: What’s the release date?
    BC: I don’t have a release date. I can’t really say anything except for the name and that it’ll be out in about 8-9 weeks.
    CM: Can you give us a theme for the book?
    BC: It’s about community, plants, and self-growth. The Iman Project and The Plant Project have always been about self-growth, workshops and creating a space for everyone — no matter your background, race, religion or style. I wanted to share plant growth with self-growth and have different things hand-in-hand while doing those. It’ll have workshops, DIY, not only plants, but flowers as well.
    CM: Cut flowers?
    BC: Yes, but flower bouquets and things.

    CM: Speaking of bouquets: Hilton, in your new handbook, you have a section on propagating entire bouquets. It never occurred to me that plants can be propagated together — that’s really cool.
    HC: Awesome! I think you should try it! The goal of the book is to spark some inspiration around not just propagation, but in ways you possibly haven’t done before.

    Hilton Carter The Plant Project

    Photo by Michelle Robertson

    Bree Clarke and Hilton Carter addressed the crowd.

    Run, don’t walk to get your copy of Hilton Carter’s The Propagation Handbook: A Guide to Propagating Houseplants.

    gardeninghilton carterinterviewmagnolia networkplant stylistplantfluencerq&a
    news/home-design

    rescue to rescue

    Houston furniture expert shares 4 tips for DIY vintage restoration

    Emily Cotton
    Jul 28, 2026 | 4:00 pm
    Brianna Byrd Taaffe Vintage
    Courtesy of Brianna Byrd
    Brianna Byrd with her “gateway piece,” a 1952 Milo Baughman-designed dresser for Drexel Heritage.

    Midcentury modern continues to be one of the buzziest eras in interior design. As with most of the country, Houstonians cannot seem to get enough.

    That includes members of Gen Z, whose growing love of all things analog and contemporarily-anachronistic is, quite frankly, refreshing in an increasingly digital and disposable world. Flocking to thrift stores, antique shops, estate sales, fairs, and pop-ups seems to be the trendiest weekend morning activity of the moment.

    Traditional vendors range from enthusiastically-mustachioed-millennials to certified Boomers. Now, however, the Zoomers are getting in on the action.


    View this post on Instagram
    A post shared by Taaffe Vintage Furniture (@taaffevintage)


    Houstonian Brianna Byrd is one member of this new crop of Gen Z vintage enthusiasts. The “green by day, green by night” mechanical engineer works on green energy projects for a geothermal company, while moonlighting as an MCM restoration outfit — with a twist. All of the profits from her Taaffe Vintage online store go to her real passion, horse rescue.

    Like most vintage furniture folks, Byrd came into her business the old-fashioned way — by pure accident. Browsing the thrift with her mother one afternoon, Byrd fell in love with a neglected piece of furniture that turned out to be worth a pretty penny.

    “I came across this dresser and thought, ‘This is such a cool dresser,’” explains Byrd. “I saw it had a label, so I started doing some Googling; turns out it was a 1952 Milo Baughman-designed Drexel Perspective piece that sells for $2,000 to $4,000 — holy crap! I showed my mom what it was, and she grabbed the tag and said, ‘Are you ready to check out?’”

    What followed was an astronomical quote from a furniture restoration company that was decidedly cost prohibitive — a relatable situation for anyone who shops vintage furniture. Instead, Byrd procured practice pieces and set out on perfecting her restoration skills herself.

    Little-by-little, these lovingly-restored practice pieces replaced previously-purchased items from IKEA. Eventually, she wound up with a surplus. What’s a gal to do? Sell them, of course.

    “I still have that dresser that I thrifted, but I enjoyed flipping furniture,” says Byrd. “Now that I know how to do it, I realize there is a need for it. It seems to be a dying profession, so now that’s what I do in my spare time. I get pieces from anywhere I can find them. I’ve gotten pieces from friends and family, neighbors, even other resellers, and sometimes even pieces off the curb.”

    Byrd relied upon Google and YouTube for her education in restoration, especially Dashner Design Restoration whom she refers to as “the Bob Ross of furniture refinishing,” for his relaxing tone and encouraging demeanor. It was during this research process, plus coming up with a name for her business, that Byrd learned that she hails from a long line of craftsmen.

    Her family immigrated from Sweden, and she discovered that her great-grandfather worked for none other than John Wayne. That’s right, all the floors, cabinetry, and some furniture in “The Duke’s” California homestead were all crafted by her family. Not wanting to be too on-the-nose with her company, Byrd pulled the name “Taaffe” from that same lineage.

    More than anything, Byrd’s goal is to keep rescuing furniture from the imminent threat of a future in a landfill, while supporting her rescue horses. She likes to call this practice “rescue to rescue.” That doesn’t mean that a real business in furniture design isn’t somewhere in the future.

    “I know how it works, I know how it’s put together functionally. I know them mechanically as well as aesthetically, so I’ve thought of a couple of designs in my head and I’ve thought of going into furniture design,” explains Byrd. “That’s when I’d be making the switch, if I ever have the guts to do that.”

    There are currently six rescue horses — plus a rescue donkey named Ellie — that Byrd keeps at her family's 45-acre ranch near Nacogdoches. Aged between 12 and 26, Nova, Dante, Whinny, Colator, Pezz, and Brody will live out the rest of their days peacefully grazing the land without any risk of further harm or neglect.

    “I noticed that once they get old and injured they don’t have a place to go,” says Byrd. “So that’s what I’m trying to do, give them a place to go. Many of them are still ridable, but they may not be capable of what they were once capable of. I put some of the money into buying other pieces, but all of it goes to them — 100 percent of the profits. I find these pieces wherever I find them and fix them up. They’re in rough shape before — hidden gems. I sell them and now they’re someone’s favorite piece in their house, and the same kind of goes for the horses.”

    Byrd stresses that it’s not the furniture business keeping the rescues housed and fed, but it certainly helps. At the end of the day, she just wants everyone to win: “I want people to buy my furniture because they fell in love with the furniture itself. I don’t want them to feel like they’re just buying it for charity work, if that makes sense.”

    Tips for rescuing MCM furniture

    1. Start with a piece you love, just in love with it. Then you’re going to want to take care of it and do the best for it, and you’re going to want to do the research to make sure that you don’t mess it up. Just keep buying pieces you love. All of my inventory I’m in love with, because you have to be able to be okay with keeping it. Not everything will sell.

    2. With vintage furniture, anything from the 50s is going to be good quality. The same goes for the 60s and even some of the 70s. Furniture back then was just made so much better. Back then, even Broyhill Brazilia was considered low-end furniture, which is crazy because it was particle board and wood veneer, versus solid wood, but it’s so high quality compared to almost anything nowadays.

    3. Look for brands like Broyhill and Drexler. Any big designer name and whatever they’re associated with is probably going to be quality—Adrian Pearsall, Merton Gershun, of course Herman Miller. Anyone like that is going to be associated with a good brand.

    4. There are certain qualities to look out for. If a piece is heavy, it’s more than likely well made. Look for dovetailing on the drawers. Go by those two things and over time you can just tell based on how the piece feels, how it looks, you’ll get a good feel for it. But it always goes back to getting pieces you love.

    Hot take: Thoughts on painting vintage furniture

    I like pieces to look how they did coming from the manufacturers. Designers designed them to be a certain way and I want to respect their wishes and keep the furniture the way they designed it. It’s also heart breaking for me to cover up walnut or whatever.

    I understand though how sometimes it’s necessary depending on how bad the piece has gotten. But I also have this mentality that everything is fixable. If the veneer is bad, replace the veneer. If there are chips, then fill the chips. You really don’t have to paint the whole thing. I know there is a market for it, but it’s not my market.

    Brianna Byrd Taaffe Vintage

    Courtesy of Brianna Byrd

    Brianna Byrd with her “gateway piece,” a 1952 Milo Baughman-designed dresser for Drexel Heritage.

    home-designvintagefurniture
    news/home-design
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