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    give me shelter

    Meet the Houston architects teaching refugees to build permanent homes

    Emily Cotton
    Jun 27, 2025 | 10:46 am

    Two Rice architecture alums, and former Gensler Houston interns, Sam Brisendine and Scott Key are utilizing their top-tier education and expertise to make serious waves on a global level — and Gensler wants everyone to know about it. June is Global Giveback Month at the international design and architecture firm, and Every Shelter, the charitable organization founded by Brisendine and Key, is getting the spotlight with a new exhibit in the lobby of Gensler’s office in downtown Houston titled “Why We Flee.”

    Photographed by 26-year-old war photojournalist Moses Sawasawa, “Why We Flee” shines a light on one of the world’s largest drivers of human displacement today: an endless conflict in the Democratic Republic of Congo, or DRC. Also on display are the common goods that Every Shelter helps to repurpose into supplies and tools that refugees can then use to design and build their own permanent homes themselves.

    Every Shelter focuses on designing, building, and supplying permanent shelter solutions for homeless and displaced war and natural disaster refugees. Based in Houston, TX, and Kampala, Uganda, Every Shelter works directly with newly-arriving refugees from the DRC in Nakivale Refugee Settlement in the southwest of the country.

    Every Shelter is unique in that they are “community led, expert supported,” and teach communities how to design and build for their own communities. Megan Mark, director of advancement at Every Shelter, tells CultureMap about a design studio that they are currently piloting at their Ugandan office.

    “We have a humanitarian aid architect there and a program manager. They work with the social innovation leads, who are typically refugees who we’ve employed to help us navigate refugees’ needs in the context of the environment that they are in,” she says. “A refugee who is in Turkey doesn’t have the same needs as a refugee in Uganda. Right now we have three architects who are still in school.”

    Humanitarian aid architects spend nine weeks leading an architecture and design curriculum for refugees between the ages of 18-30 years old. At the end of the nine weeks, the students will have designed a solution, or “intervention” as Every Shelter calls it, for a need that they have in the community.

    “We are really excited to see what they come up with,” says Lauren Hanson, community manager at Every Shelter. “We teach refugees how to make things, then certify them to be the teachers. Then they can go make their own, they can sell their own, they can even start their own business teaching others how to make these things. We want to give the power to them to take whatever intervention we come up with and utilize it. They can take any idea and scale it, and that’s what we want to happen.”

    The most coveted shelter solution by far has been the brick molds that Every Shelter supplies to the communities. While brick molds are nothing new, availability has been scarce. With high demand and low supply, local rental fees for these tools skyrocketed. The UN and the Ugandan government supply refugees with land, a UN tarp, a few poles, and a small amount of money to get settled. Refugees tend to spend 10-26 years in these settlements, far longer than the 3-6 month lifespan of a UN-supplied tarp.

    By supplying brick molds and an invaluable education in building and design — especially lessons on making bricks from local organic matter — Every Shelter can get families from living under a tarp to living in a brick home in about a year. The brick molds cost under $10 to make, and the savings from potential rental fees ($130) is the equivalent of three months of food per household, which is a huge savings for families who are trying to get their children into schools.

    Communities band together to share molds and can work together to allocate bricks in an efficient manner. One house requires approximately 1,500 bricks, and with lessons from Every Shelter, families can design and build homes that best fit their individual needs. Skylights are designed and built using recycled water bottles, and decommissioned billboards are treated and up-cycled into roofing and floor tiles, which have a lifespan of about eight years. Lessons in home repair are also instrumental for those who may need them down the line.

    The focus that Every Shelter places on design, architecture, and construction in underserved communities is something that resonates deeply with Gensler. Stephanie Burritt, managing director and principal at Gensler Houston, certainly feels a connection to the organization’s ethos.

    “When they came to us and told us what they are doing, it was just hand-in-glove in terms of how it fit with our global giveback and our focus on homelessness, and it just made a lot of sense,” Burritt tells CultureMap. “We have happy hours here with contractors, employees, vendors, and everyone who walks through here all the time asks us what this is that we are showcasing and how they can help.”

    Gensler’s summer intern class arrived the same week as the “Why We Flee” installation, and Burritt thinks it has been a good thing for them to see. “I think, for them, it was super exciting to see somebody who had been an intern — 12 years ago, or whatever it was — and go ‘Oh, wow! This is the kind of impact I can have at some point in my career that’s beyond what you see in our day-to-day work at Gensler.’ And I think that’s really special.”

    Every Shelter co-founder Scott Key enlisted college friend and curator Ben Rasmussen to oversee the installation of the exhibition. As for the subject matter, Rasmussen wants the show to be experienced in a fluid way. “Wherever you enter is how you experience it,” he says. “It can be moved through in whatever way people choose, and that sort of personal way of moving through the work kind of echoes the sort of chaotic way that people experience it on the ground. So we wanted for that to exist in a way that people can see it, without trying to force an education on a really long-running and complex conflict.”

    One benefit of the exhibition is the amount of exposure that Every Shelter is receiving from Gensler’s local contractors and vendors, with labor and materials contributions for the organization’s new Heights-area office already pouring in. “Why We Flee” hopes to find a new home after its time at Gensler comes to a close at the end of the summer, so check in with Every Shelter if a trip to Gensler this summer isn’t in the cards.

    -----

    See “Why We Flee" Monday-Friday from 9 am-5 pm at Gensler’s Houston office in 2 Houston Center (909 Fannin Street, Suite 200).


    Every Shelter refugee Africa

    Photo by Moses Sawasawa

    Every Shelter educates communities on how to build homes using brick molds and local, organic materials.

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    Good Brick Tour 2025

    Historic home tour celebrates preservation and sustainability in Houston

    Emily Cotton
    Nov 4, 2025 | 3:15 pm
    Good Brick Awards 2025 Style in Steel
    Courtesy of Preservation Houston
    The Style in Steel townhouses were built in 1968.

    Preservation Houston’s 2025 Good Brick Tour kicks off this weekend (Saturday, November 8, and Sunday, November 9), giving Houstonians the opportunity to explore stories, craftsmanship, and design details from a selection of the city’s Good Brick Award recipients, which reward excellence in historic preservation. Now in its 12th year, the tour has grown into a celebration of Houston’s rich architectural heritage, distinctive neighborhoods, and the work that goes into restoring and maintaining some of the city’s most treasured places.

    “Preservation Houston’s Good Brick Tour celebrates not only the homes and landmarks themselves, but the stories of the people who care for them,” said Jennifer Kapral, executive director of Preservation Houston. “Each stop on the tour reminds us that preserving our city’s history is an act of community, one that connects Houston’s past, present, and future.”

    This year, event chairs Pei-Lin Chong (whose home is featured on the tour) and Mariam Hejazi, along with over 150 volunteers, invite the public into four homes that offer a glimpse of the distinctive styles that contribute to the architectural vernacular of the Bayou City. It’s also worth noting that, while the tour offers access to four homes, one location — Style in Steel — is a collection of three independent townhomes that have not been open together since their original debut in 1969.

    Just in time for the tour, CultureMap has gathered insights from each location’s homeowner(s) so that participants can keep an eye out for the little things that make each one of these homes so special. Find each insight just below the history of each home.

    2025 Good Brick Tour Locations

    Valenti-Dissen House 1507 Alamo Street (First Ward), 1921
    Built by Sicilian immigrant and grocer Jacob Valenti, this Craftsman bungalow reflects the First Ward’s early diversity. Over the decades it welcomed a mix of tenants, from a printer and an accountant to members of Houston’s Greek community, capturing the spirit of a working-class area where many cultures met. In 1934, the property was purchased by Della Settegast Dissen, whose well-known Houston family had deep ties to the city’s development. When FW Heritage acquired the home in 2021, they found a structure in need of major repair but rich in original details. A careful restoration, guided by Grayform Architecture, respected the home's proportions while updating it for modern living. The project received a 2024 Good Brick Award.

    “The house was originally a two-bedroom, one-bath home and served as a rental for close to 100 years before I bought it in 2021,” says homeowner and event co-chair Pei-Lin Chong. “I’m actually the first homeowner to ever live here, which makes it even more special. One of my favorite features is the built-in china cabinet between the kitchen and dining room; it’s such a thoughtful original detail. During the restoration, we discovered old wallpaper under the sheetrock. I asked my demo team to carefully remove them and I have framed two samples as keepsakes. It's a small piece of the home’s long history.”

    William Henry Lighthouse House 2018 Kane Street (Old Sixth Ward), 1906
    A two-story Classical Revival residence built for brick maker William H. Lighthouse is among the Old Sixth Ward Historic District’s most prominent landmarks. Architect Olle Lorehn designed the home with honey-colored brick, stone trim, and a soaring double-height portico — a fitting showcase for the material that made Lighthouse’s fortune.

    When changing health circumstances made stairs increasingly difficult, the homeowner turned to architect Marisa Janusz of Janusz Design for a way to remain in the home he loves. The resulting one-story addition provides accessible living space on the ground floor. Set back and lower in height, it connects to the main house via a copper-and-glass bridge that meets the historic structure with a light touch. The project was honored with a 2025 Good Brick Award for demonstrating how thoughtful design can adapt historic architecture to modern life with grace and care.

    “The brick interior walls are what make this home truly stand out — strong and full of character,” explains homeowner Jason Johnson. “Paired with the historic exterior walls, which are three bricks thick, and thoughtful modern updates, it’s a space I hope visitors appreciate for both its design and its story.”

    Anderson Todd House 9 Shadowlawn (Museum District), 1961
    Designed by architect and Rice University professor Anderson Todd for his family, this steel-framed pavilion balances privacy and openness through a series of courtyards and light-filled spaces. The steel-framed, brick-and-glass pavilion is organized around a black-walnut-paneled core. Polished terrazzo floors, a rhythm of exposed columns, and an unbroken ceiling plane finished in white-painted plaster reflect Todd’s disciplined craftsmanship and his view of architecture as the measured interplay of light, form, and material.

    Modern in form yet understated in presence, the Todd House complements its neighbors in the Shadow Lawn Historic District through scale and workmanship. The house is listed in the National Register of Historic Places and is a City of Houston Protected Landmark. Because the home has never undergone any renovations, it has never been nominated for a Good Brick Award. Instead, Anderson Todd House is considered an excellent example of how thoughtful stewardship can keep a landmark home livable today.

    “Our house was a wonderful house for children. There was so little furniture that we could bicycle indoors,” says Emily Todd. “It continues to be a wonderful house as an adult, equally comfortable for a quiet dinner or a lively cocktail party. I’m very lucky to have spent virtually all my life in this house. Living here has been a privilege.”

    Style in Steel Townhomes 4156, 4158 and 4160 Meyerwood Drive (Southwest Loop), 1968
    Designed by Wilson, Morris, Crain & Anderson, the firm behind the Astrodome, the three Style in Steel townhomes stand among Houston’s most elegant expressions of late modern design. The houses debuted at the 1969 National Association of Home Builders’ exposition, showcasing the versatility of steel in residential design. Architects Talbott Wilson and Hal Weatherford paired precision with warmth, combining steel with terrazzo, travertine, brick, and cedar in open, light-filled homes arranged around courtyards landscaped by Fred Buxton.

    The current owners of the central townhouse undertook a meticulous restoration with architect Rodolfo R. Fabre, reversing years of alterations to reveal the clarity of the original design and earning a 2024 Good Brick Award. Together, the three houses — all City of Houston Protected Landmarks — represent Houston modernism at its finest, sustained by thoughtful stewardship and care. This year’s Good Brick Tour marks the first time the Style in Steel homes have been open to the public together since 1969.

    “My favorite space in the house is the front courtyard, which the entire house is designed around. It’s magical the way light filters in and casts patterns on the walls throughout the day,” homeowners Philip and Mandy LeBlanc explain.

    “We enjoy the courtyard daily for lunch, work, or simply soaking in the sunlight. It connects every part of the home. The design transitions beautifully from public to private spaces, with intentional glass and steel elements that make the home both functional and elegant. Inside, our mid-century furniture collection, gathered from local estate sales, complements the home’s modern aesthetic and ties everything together. From a design standpoint, there’s truly nothing else like it in Houston; it’s a space that connects history, light, and everyday life so seamlessly.”

    Tickets

    Advance tickets, valid for admission to all four homes both days, are $25 online through Thursday, November 6. Tickets will be $30 at the door during the tour weekend. Single-site admission will also be available for $10 per location. Hours for both days of the tour are 12-5 pm. Proceeds from the tour support Preservation Houston’s advocacy and educational programs.

    Good Brick Awards 2025 Style in Steel

    Courtesy of Preservation Houston

    The Style in Steel townhouses were built in 1968.

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