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    upgrade your art

    Find inspiring home office decor at intimate River Oaks emporium

    Emily Cotton
    May 31, 2024 | 11:09 am

    The tedious evolutionary nature of design trends is something with which we are all too familiar. Seasonal sprucing allows for a refreshing boost with the addition of certain accessories or the swapping of cushions, but there are some spaces that require a feeling of reassuring consistency: consider the home office. Creativity and productivity are key goals when building a space from which to work, actually work.

    With the immediate need for home office spaces literally thrust upon so many a few years ago, the majority of first time home office workers grasped at any one-click purchase that became available — that’s no way to create a pensive atmosphere.

    Home offices have recently reentered the conversation when it comes to how people think about their homes. Those who now work from home permanently have decided that the hastily-bought, color-blocked bundles that filled their bookcases in a pinch, just aren’t cutting it any longer. Same goes for the ready made gallery wall art — it’s time to say au revoir.

    Nestled only two doors down from Brasserie 19 in the River Oaks Shopping Center, The Antiquarium has numerous options to add authentic, historical pieces that will add character to any home office. Lovers of cartography will rejoice in the rare maps, atlases, and antique globes on offer, but there is so much more.

    Specializing in works on paper from 1500-1900, early and first edition books of all sorts mingle amongst framed architectural plans, botanical sketches, and engraved works— like the 1865 illustration of The Inferno made by artist Gustave Doré that my mother picked up one afternoon, destined to become a favorite. There is truly something for everyone, whether a collector or novice.

    The shop radiates a sense of warm curiosity that encourages patrons to thoroughly peruse the stacks to see what treasures one may find — no need for expeditiousness here, looky-loos are encouraged. Going on 35 years in business, proprietor Ed Grusnis, along with his son Ian, have solidified The Antiquarium as a true Houston institution. With merely a handful of similar businesses in the country, Grusnis refers to himself and his peers as “The Casanovas of the art world — always hunting for the next treasure.”

    When asked about the wave of home office updates (generously referred to as “edits” by Grusnis) trending at the moment, he made an excellent point about what to consider when choosing art and decor for a work space. “You should love it. Because if you love something it will give you inspiration every day. That’s the starting point for any acquisition — it really needs to speak to you. It needs to be something that brings light, every day.”

    Although many clients of The Antiquarium are second and even third generation collectors, Grusnis says, “Browsers, when they do come in, if we are introducing them to the gallery, generally speaking, there is surprise and awe that these types of images exist and that you can have them in your home. They really serve as an inspiration.”

    Curious about what sells the most, Grusnis immediately says: “Conflicts of the 20th century. Because that’s our personal area of interest. My son and I are very fascinated, but especially the WWII era and that generation of people for sure. But our business is much bigger in terms of Texas history and Texas maps — much, much bigger.”

    Since the shop also provides framing and appraisals, Grusnis shares a story about a particularly unusual item that someone brought in for evaluation.

    "We had someone come in who brought us something that he wasn’t sure had any value, that his wife insisted he put on the curb. It was a large engraving of Washington Crossing the Delaware, by Paul Girardet (French, 1821-1893). I knew it was original just based off of what it looked like, but the condition was pretty rough. I find out that it’s worth anywhere from $15-20,000 dollars," he says.

    “The guy says, ‘Can you hold on, I want to get my wife from the car so you can tell her that.’ She came in and I told her — she was stone-faced, she wasn’t happy to hear that. I’m sure that was sort of a cold, quiet ride home! But we restored it, we framed it for him, and then we wound up buying it back from him. I sold it to one of my active collectors in a minute and a half — it’s a spectacular piece of American history, and that was the third time it was narrowly saved from a dumpster," he concludes.

    It’s worth mentioning that the provenance of that work is extremely interesting, so be sure to ask about it when stopping by. Grusnis is prepared for just about anything that comes in the door.

    “We see treasures on a pretty regular basis," he says. "We will definitely help people understand what it is and the value. We are very happy to do that.”

    Choosing artwork is not something to be rushed; whether beginning a collection, or just looking for a single piece — it’s a process, one especially understood by The Antiquarium’s staff. Should anyone be nervous to take a peek at what lies behind the door? Certainly not, Grusnis says.

    “We are very accommodating. We are unusual in the landscape because of what we do. We are welcoming and love to share the history of printing with people. The stories behind these pieces are so important, and we love to share that with people. If your first visit is just to get to know us, second visit is just to see things — that’s great, we love it. Come in and spend time with us. You’re invited for sure!”

    Antiquarium gallery
      

    The Antiquarium/Facebook

    The selection contains all sorts of treasures.

    antiquariumart gallerydesign trendshome officeriver oaks
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    good as gold

    Boutique Australian furniture brand opens first U.S. studio in Houston

    Emily Cotton
    Apr 18, 2025 | 11:01 am
    En Gold furniture brand
    Courtesy of En Gold
    The Houston store has the full En Gold line as well as products from other Australian brands.

    Say hello to En Gold! Diehard fans of the coveted Australian furniture brand finally have a stateside gallery, right in Houston’s Upper Kirby District (3330 Audley St.). Cool and crisp, the vintage-inspired, handcrafted collections shine a spotlight on the long-forgotten craft of Fossil Stone artistry.

    En Gold furniture brand
      

    Courtesy of En Gold

    The Houston store has the full En Gold line as well as products from other Australian brands.

    CultureMap caught up with En Gold founder Steffanie Ball in her new gallery space to talk vintage, Fossil Stone, and how En Gold has revitalized an all-but-extinct pocket industry in Cebu, The Philippines.

    What began as a maternity-leave-induced search for quality vintage led to instantly-sold-out Instagram pop-up sales and a lively cult following that demanded more. The vintage Fossil Stone phenomenon drove En Gold founder Steffanie Ball to seek out the original artisans that produced these iconic pieces in the first place. Now, 45 years after making its debut, Fossil Stone furniture is being produced once again — by the same artisans who produced it the first time around. Only this time, the artisans are finally getting their flowers.

    En Gold is the only brand in the world producing Fossil Stone furniture, and with their exclusive partnership with the artisans, it’s looking to stay that way. A form of limestone, Fossil Stone is native to the Philippines and contains organic inclusions that give it the appearance and character it’s known for. Quarried by hand, it’s then cut by hand into thin layers before being painstakingly sanded repeatedly until it is applied to a timber frame.

    En Gold is all about sustainability, so any potential waste that comes from breakage is turned into a powder, then a putty, before finding new life as a decorative vessel, like the Laguna Vase or becoming a Paradis Mirror frame. “This craft is actually so beautiful because it has minimal wastage,” says Ball.

    In 2018, the interior designer, turned industrialist, found herself in somewhat of a “nesting” quandary. “In Australia at the time, [furniture] was either mass-produced flat-pack, or crazy expensive and unattainable — there was nothing in the middle,” says Ball. “I couldn’t find anything interesting that had any kind of character to it, so that’s why I started to look at vintage.”

    After more and more of the same pieces continued popping up on the secondhand market, questions about these beautiful stone works arose: “I couldn’t understand it,” she says. “Was it solid stone, was it faux marble? It was really hard for me to get any information about it.” All Ball knew was that she loved it, and kept buying all that came available. “I couldn’t pass them up! It needed a home. It needed to go where it’s appreciated,” she says.

    Before long, Ball’s home started to resemble a warehouse. At the behest of a friend, the decision to part ways with some of these pieces had been made. She created an Instagram account to showcase vintage Fossil Stone pieces, and then two collections were dropped per week.

    “The whole collection would sell out in three seconds — it was madness,” says Ball. “It grew into this engaged community with two-way communication. Customers would ask if we had more of certain things coming up. I could hear the things that they were looking for and really understand what I needed to be searching for.”

    After countless hours of research, and discovering some dodgy European import practices of the 70s and 80s, Ball learned that every piece of Fossil Stone furniture had been made by skilled artisans in the Philippines, then stamped with either “Made in France” or “Made in Italy” once it had been unpacked abroad. Of the 80 Fossil Stone factories operating in Cebu during their heyday, only one remained.

    “I found the last standing workshop that was creating furniture [back then]. He was not producing at all, but kind of still there — he said he didn’t know what he was still even holding on for,” says Ball. “Meanwhile, I’m searching all of Australia for this Fossil Stone furniture!”

    For Ball, whose mother is Filipino, the discovery was kismet. Imagine the artisan’s surprise to learn that his creations were as popular today as they had been so many decades before. Ball struck an exclusive deal to get the factory operational once more and revitalize the industry, only this time with the craft as the main focus.

    “Let’s tell the story about it. Where it comes from, whose hands make it. Let’s shine a light on the artisans who have been creating it this whole time,” she says.

    They decided to reproduce three key pieces: the Tierra Petite, Isla Dining Table, and the best-selling Arena Coffee table. “We launched it online and the entire container sold out in one hour.”

    Since that time, En Gold has expanded its offerings to include wooden, seagrass, and upholstery collections, but the ethos remains the same: “Always handmade, always traditional in its method. We try to use all natural materials,” says Ball. “All the timbers are native to The Philippines — native mahogany, seagrass, and another light timber called Gmelina.”

    Ball is currently working on an iron collection as well. Fans of En Gold flock to the brand for its focus on craftsmanship, as well as the inherent individuality of each piece. Ball enjoys the love that En Gold clients have for the brand.

    “When you’re working with handmade products and natural materials, there is an appreciation for the perfectly imperfect….you can see where they [artisans] were sanding,” she says. “When we talk about the fingerprints of our makers, that’s what we mean.”

    The brand’s new Upper Kirby outpost will offer the entire En Gold line, as well as other female-owned Aussie favorites for shoppers to explore. Paintings and sculptures by Adele Naidoo, Karv Studio, White on Walls, and Denise Quah will be available for purchase, plus linen bedding by Cultiver. Australian-made skincare brand Gracious Minds will line the shelves along with top-tier Turkish linen bath sheets by En Gold’s luxe self-care sister-brand Yōli. Find dry-brushes next to Tiger’s Eye Gua Sha, essential oil dryer droppers, and hand-poured candles with En Gold’s signature blend of neroli, cedar leaf, and teak wood. A collection of Bordam candles will be on offer as well — everything one needs to tune into the Yōli playlist on Spotify and unwind at home.

    En Gold has already opened their doors to fans looking to say hello, and invites fellow creatives, designers, and lovers of thoughtful design to celebrate the opening of their first U.S. gallery space on Friday, April 25 from 6-9 pm.

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