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    upgrade your art

    Find inspiring home office decor at intimate River Oaks emporium

    Emily Cotton
    May 31, 2024 | 11:09 am

    The tedious evolutionary nature of design trends is something with which we are all too familiar. Seasonal sprucing allows for a refreshing boost with the addition of certain accessories or the swapping of cushions, but there are some spaces that require a feeling of reassuring consistency: consider the home office. Creativity and productivity are key goals when building a space from which to work, actually work.

    With the immediate need for home office spaces literally thrust upon so many a few years ago, the majority of first time home office workers grasped at any one-click purchase that became available — that’s no way to create a pensive atmosphere.

    Home offices have recently reentered the conversation when it comes to how people think about their homes. Those who now work from home permanently have decided that the hastily-bought, color-blocked bundles that filled their bookcases in a pinch, just aren’t cutting it any longer. Same goes for the ready made gallery wall art — it’s time to say au revoir.

    Nestled only two doors down from Brasserie 19 in the River Oaks Shopping Center, The Antiquarium has numerous options to add authentic, historical pieces that will add character to any home office. Lovers of cartography will rejoice in the rare maps, atlases, and antique globes on offer, but there is so much more.

    Specializing in works on paper from 1500-1900, early and first edition books of all sorts mingle amongst framed architectural plans, botanical sketches, and engraved works— like the 1865 illustration of The Inferno made by artist Gustave Doré that my mother picked up one afternoon, destined to become a favorite. There is truly something for everyone, whether a collector or novice.

    The shop radiates a sense of warm curiosity that encourages patrons to thoroughly peruse the stacks to see what treasures one may find — no need for expeditiousness here, looky-loos are encouraged. Going on 35 years in business, proprietor Ed Grusnis, along with his son Ian, have solidified The Antiquarium as a true Houston institution. With merely a handful of similar businesses in the country, Grusnis refers to himself and his peers as “The Casanovas of the art world — always hunting for the next treasure.”

    When asked about the wave of home office updates (generously referred to as “edits” by Grusnis) trending at the moment, he made an excellent point about what to consider when choosing art and decor for a work space. “You should love it. Because if you love something it will give you inspiration every day. That’s the starting point for any acquisition — it really needs to speak to you. It needs to be something that brings light, every day.”

    Although many clients of The Antiquarium are second and even third generation collectors, Grusnis says, “Browsers, when they do come in, if we are introducing them to the gallery, generally speaking, there is surprise and awe that these types of images exist and that you can have them in your home. They really serve as an inspiration.”

    Curious about what sells the most, Grusnis immediately says: “Conflicts of the 20th century. Because that’s our personal area of interest. My son and I are very fascinated, but especially the WWII era and that generation of people for sure. But our business is much bigger in terms of Texas history and Texas maps — much, much bigger.”

    Since the shop also provides framing and appraisals, Grusnis shares a story about a particularly unusual item that someone brought in for evaluation.

    "We had someone come in who brought us something that he wasn’t sure had any value, that his wife insisted he put on the curb. It was a large engraving of Washington Crossing the Delaware, by Paul Girardet (French, 1821-1893). I knew it was original just based off of what it looked like, but the condition was pretty rough. I find out that it’s worth anywhere from $15-20,000 dollars," he says.

    “The guy says, ‘Can you hold on, I want to get my wife from the car so you can tell her that.’ She came in and I told her — she was stone-faced, she wasn’t happy to hear that. I’m sure that was sort of a cold, quiet ride home! But we restored it, we framed it for him, and then we wound up buying it back from him. I sold it to one of my active collectors in a minute and a half — it’s a spectacular piece of American history, and that was the third time it was narrowly saved from a dumpster," he concludes.

    It’s worth mentioning that the provenance of that work is extremely interesting, so be sure to ask about it when stopping by. Grusnis is prepared for just about anything that comes in the door.

    “We see treasures on a pretty regular basis," he says. "We will definitely help people understand what it is and the value. We are very happy to do that.”

    Choosing artwork is not something to be rushed; whether beginning a collection, or just looking for a single piece — it’s a process, one especially understood by The Antiquarium’s staff. Should anyone be nervous to take a peek at what lies behind the door? Certainly not, Grusnis says.

    “We are very accommodating. We are unusual in the landscape because of what we do. We are welcoming and love to share the history of printing with people. The stories behind these pieces are so important, and we love to share that with people. If your first visit is just to get to know us, second visit is just to see things — that’s great, we love it. Come in and spend time with us. You’re invited for sure!”

    Antiquarium gallery

    The Antiquarium/Facebook

    Owner Ed Grusnis invites shoppers to browse his wares.

    antiquariumart gallerydesign trendshome officeriver oaks
    news/home-design

    artist to entrepreneur

    Houston artist rolls out new Hawaii-inspired wallpaper collection

    Emily Cotton
    Sep 11, 2026 | 12:30 pm
    Kristen Leigh Studio Island Collection wallpaper
    Courtesy of Kristen Leigh Studio
    The Island Collection introduces Mili, Lana, Meadow Check, and Kiko to the Kristen Leigh Studio line of textiles and wallpapers.

    Houston watercolor artist Kristen Steen, founder and artist at Kristen Leigh Studio in West University Place, is set to make a colorful splash next month with her latest textile and wallpaper collection. Inspired by a family vacation to Hawaii, The Island Collection features four new patterns in shades like soft seafoam, muted blue, terracotta coral, and crisp white.

    The collection unfolds across four patterns, each offered in a range of colorways. Mili anchors the group and is the only pattern to come through in both fabric and wallpaper, moving through chambray, lakeside, terracotta, olive, and shades of blue and green. Lana follows in a similar range of chambray, lakeside, blue and green, and terracotta, while Meadow Check and Kiko round out the offering with the addition of forest and, for Meadow Check, olive green. Fabric is woven on French linen and linen cotton canvas, with wallpaper finished in a premium matte.

    The Island Collection brings the Kristen Leigh Studio line to approximately 85 fabrics and 30 wallpapers — quite an accomplishment for a studio that, like many, was created during the early days of the Covid-19 pandemic. Relying on what Steen refers to as “the power of Instagram,” Connecticut-based Cailini Coastal tapped Steen to design her first wallpaper, a delicate herringbone pattern named Parker that is available to this day.

    Kristen Leigh Studio Island Collection wallpaper

    Courtesy of Kristen Leigh Studio

    The Island Collection introduces Mili, Lana, Meadow Check, and Kiko to the Kristen Leigh Studio line of textiles and wallpapers.


    View this post on Instagram
    A post shared by Kristen Leigh (@kristenleighstudio)


    The success of her first wallpaper commission inspired Steen to design collections of her own, which have become designer favorites for providing classically-relaxed, nonchalant refinement elevated through their quality craftsmanship and sophisticated finishes. Fabrics are woven in either French linen or a linen cotton canvas, while wallpapers are premium matte, paper weave, or premium grasscloth. As with anything, trial and error ensued, but Steen quickly found a community that she credits with offering continuous support throughout the evolution of Kristen Leigh Studio.

    “I just jumped in and learned everything I could about manufacturing wallpaper. I tried out a few here and there; it’s just a lot of research,” explains Steen. “Now that I am in it and have friends who are wallpaper and textile designers, we talk and get together. For being such a singular and solo industry, it’s so valuable to have other designers to bounce ideas off of: what’s working, what isn’t, and what swings in the industry.”

    A family health scare kept Steen from creating anything new for a couple of seasons, until a wayward family vacation forced her hand. What was meant to be a week on the beaches of Hawaii ended up being a week indoors during a tropical storm.

    “You just kind of had to make the most of it. We couldn’t just sit there and complain — that doesn’t do any good,” says Steen. “There was a lot of sketch time — a lot of just doodling — then afterwards I was playing with color and thought ‘this could be fun.’”

    As a studio that mainly markets to designers and showrooms, the pressure to create a new collection each season can grind the gears of the creative process to a halt. After an 18-month hiatus, Steen credits the lack of pressure she felt while just passing time on vacation, while admiring the local flora and fauna, for the inspiration she needed to accumulate enough sketches for a complete collection.

    “It sounds really cliché, but just being able to draw and sketch without any end game in mind, being able to not really care about it, is where this collection came from,” explains Steen. “I’m biased, because it’s one of my favorites now, because that’s how it was created.”

    Lush botanicals, winding vines, and the easy, unhurried rhythm of island life came into focus, not as literal tropical motifs but filtered through a quieter, more classic point of view. As a watercolor artist, Steen’s work often maintains a traditional, serene dialect. However, her occasional use of bold, saturated color can feel electric and dramatic — something entirely foreign to those who speak in watercolor.

    “I do love how the watercolor will have variations in the tones and the shades. You can’t mimic that, you can’t fake it,” says Steen. “There are some patterns — like the Kate, or even the new Mili — that all started with just sketches and brushstrokes, but it just didn’t translate as well to pack that color punch that I wanted. So, when I was editing, I ended up really pushing the saturation to where it almost felt like a solid. But everything is done by hand, for sure.”

    More consumers than ever before are seeking out niche studios like Steen’s. Kristen Leigh Studio is not exclusively to-the-trade, a distinction that once made products nearly irresistible. Steen’s collections are available through her Houston studio, website, numerous trade studios throughout the country, through interior designers, and even through select pop-ups. So, with that being said, who is a Kristen Leigh Studio client?

    “Someone who wants to have something that feels warm and joyful. Something that feels special and authentic, but not necessarily fussy,” says Steen. “They want to feel proud of it, ‘This is a designer fabric. This is a designer wallpaper. This is something special that I don’t see in my neighbor’s house all the time.’ They want to feel like this is something special, but I’m also a mom of three kids. I realize that the fabrics have to be durable. They have to be something you can touch and live in and it’s not like a museum. Something that’s approachable and sophisticated. Just approachable design—something that’s everyday, but still special.”

    Kristen Leigh Studio’s The Island Collection will be available beginning October 1.

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    news/home-design

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