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    upgrade your art

    Find inspiring home office decor at intimate River Oaks emporium

    Emily Cotton
    May 31, 2024 | 11:09 am

    The tedious evolutionary nature of design trends is something with which we are all too familiar. Seasonal sprucing allows for a refreshing boost with the addition of certain accessories or the swapping of cushions, but there are some spaces that require a feeling of reassuring consistency: consider the home office. Creativity and productivity are key goals when building a space from which to work, actually work.

    With the immediate need for home office spaces literally thrust upon so many a few years ago, the majority of first time home office workers grasped at any one-click purchase that became available — that’s no way to create a pensive atmosphere.

    Home offices have recently reentered the conversation when it comes to how people think about their homes. Those who now work from home permanently have decided that the hastily-bought, color-blocked bundles that filled their bookcases in a pinch, just aren’t cutting it any longer. Same goes for the ready made gallery wall art — it’s time to say au revoir.

    Nestled only two doors down from Brasserie 19 in the River Oaks Shopping Center, The Antiquarium has numerous options to add authentic, historical pieces that will add character to any home office. Lovers of cartography will rejoice in the rare maps, atlases, and antique globes on offer, but there is so much more.

    Specializing in works on paper from 1500-1900, early and first edition books of all sorts mingle amongst framed architectural plans, botanical sketches, and engraved works— like the 1865 illustration of The Inferno made by artist Gustave Doré that my mother picked up one afternoon, destined to become a favorite. There is truly something for everyone, whether a collector or novice.

    The shop radiates a sense of warm curiosity that encourages patrons to thoroughly peruse the stacks to see what treasures one may find — no need for expeditiousness here, looky-loos are encouraged. Going on 35 years in business, proprietor Ed Grusnis, along with his son Ian, have solidified The Antiquarium as a true Houston institution. With merely a handful of similar businesses in the country, Grusnis refers to himself and his peers as “The Casanovas of the art world — always hunting for the next treasure.”

    When asked about the wave of home office updates (generously referred to as “edits” by Grusnis) trending at the moment, he made an excellent point about what to consider when choosing art and decor for a work space. “You should love it. Because if you love something it will give you inspiration every day. That’s the starting point for any acquisition — it really needs to speak to you. It needs to be something that brings light, every day.”

    Although many clients of The Antiquarium are second and even third generation collectors, Grusnis says, “Browsers, when they do come in, if we are introducing them to the gallery, generally speaking, there is surprise and awe that these types of images exist and that you can have them in your home. They really serve as an inspiration.”

    Curious about what sells the most, Grusnis immediately says: “Conflicts of the 20th century. Because that’s our personal area of interest. My son and I are very fascinated, but especially the WWII era and that generation of people for sure. But our business is much bigger in terms of Texas history and Texas maps — much, much bigger.”

    Since the shop also provides framing and appraisals, Grusnis shares a story about a particularly unusual item that someone brought in for evaluation.

    "We had someone come in who brought us something that he wasn’t sure had any value, that his wife insisted he put on the curb. It was a large engraving of Washington Crossing the Delaware, by Paul Girardet (French, 1821-1893). I knew it was original just based off of what it looked like, but the condition was pretty rough. I find out that it’s worth anywhere from $15-20,000 dollars," he says.

    “The guy says, ‘Can you hold on, I want to get my wife from the car so you can tell her that.’ She came in and I told her — she was stone-faced, she wasn’t happy to hear that. I’m sure that was sort of a cold, quiet ride home! But we restored it, we framed it for him, and then we wound up buying it back from him. I sold it to one of my active collectors in a minute and a half — it’s a spectacular piece of American history, and that was the third time it was narrowly saved from a dumpster," he concludes.

    It’s worth mentioning that the provenance of that work is extremely interesting, so be sure to ask about it when stopping by. Grusnis is prepared for just about anything that comes in the door.

    “We see treasures on a pretty regular basis," he says. "We will definitely help people understand what it is and the value. We are very happy to do that.”

    Choosing artwork is not something to be rushed; whether beginning a collection, or just looking for a single piece — it’s a process, one especially understood by The Antiquarium’s staff. Should anyone be nervous to take a peek at what lies behind the door? Certainly not, Grusnis says.

    “We are very accommodating. We are unusual in the landscape because of what we do. We are welcoming and love to share the history of printing with people. The stories behind these pieces are so important, and we love to share that with people. If your first visit is just to get to know us, second visit is just to see things — that’s great, we love it. Come in and spend time with us. You’re invited for sure!”

    Antiquarium gallery

    The Antiquarium/Facebook

    Owner Ed Grusnis invites shoppers to browse his wares.

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    right on track

    First look at members-only work club’s vintage-filled new East End outpost

    Emily Cotton
    Aug 19, 2026 | 12:52 pm
    Switchyards work club East End
    Courtesy of Switchyards
    Signature boothbank seating takes center stage just off of the cafe.

    Houston’s trendy East End neighborhood continues to heat up as the newest Switchyards work club sets its opening date for Monday, August 31. Following the wildly successful Montrose location that — like all Switchyards clubs of 2025 – sold out its memberships on opening morning, the new East End club (3401 Harrisburg Blvd, Suite H.) is sure to perform just as well.

    Self-described as “kinda like an Italian soccer internet cafe combined with a really cool vintage shop,” each of the 39 individual clubs is designed with a strong focus on the history of the neighborhood and local culture. The East End club is located in the historic Imperial Laundry building from the 1940s — joining popular dining destination Street to Kitchen, among others.

    It’s a fair assertion that the popularity of the network of Switchyards work clubs boils down to, well, vibes. Not that 24/7 access, fast Wi-Fi, and free locally-sourced coffees and teas aren’t a heck of a draw, but Switchyards has quickly developed a brand identity that is as enviable as it is recognizable.

    Swoon-worthy vintage furniture, locally-shopped vintage decor and accessories, creativity-sparking art and design books ready to stretch their spines, and cozy rugs underfoot are all carefully chosen to offer ideal working spaces and conditions for any and every one of the 250 club members — that’s the membership cut off, by the way. After those initial spots fill on drop day, it’s waitlist city.

    CultureMap recently toured the nearly-completed site to meet the design team and to chat with Switchyard’s head of design Jared Erickson about the newest club, the process of designing each individual club, and more.

    “In our spaces we try to mix the best of a hotel lobby, a dive bar, and your local neighborhood coffee shop, creating these different zones so no matter what type of work you’re looking to do, you have the right seat for that work,” explains Erickson. “What are the best neighborhoods in America and where can we fit in there? We want to be always tucked away. We aren’t looking at the downtown, coolest spots where all the big brands go, but for what feels like part of the neighborhood. Behind us we have streets and streets of houses and anyone who wants to walk here doesn’t have to drive across town. That’s why we want to go into awesome cities and plant ourself in the best neighborhoods.”

    Not only is the East End location extremely walkable, it’s directly across from a Houston Metrorail line and just down the street from a busy railway interchange.

    “It’s funny because Switchyards is really a train term and somehow we do find ourselves pretty close to transit and to trains,” he says. “We have a couple of places in Chicago that are right on the Blue Line.”

    The Switchyards brand is so far opposite from other similar concepts that it’s a bit of a disservice to group them into the “shared workspace” category. While it is absolutely a space for work, it reads and lives more like a lifestyle brand. It’s a safe space for no-nonsense creative types and people who were into Bret Easton Ellis long before he was reduced to a Ryan Murphy shill. And good luck ever overhearing a member say something ridiculous like “let’s circle back.” Switchyards people are the cool kids — in this author’s opinion.

    “You have your nine-to-five tech worker that’s going to come work out of here a couple of hours a day — maybe it’s on their way from dropping their kids off at school — and they can come in and knock out a full day’s work in four hours,” says Erickson. “Then you have your gig workers that are doing something else during the day and either have a side project or something they want to work on at night. We take anyone, but it’s also a space that’s not for everyone — you know?”

    Switchyards may be the company’s name, but they make it a point to stay very much on track. Multiple, work-focused quiet zones coexist with more relaxed, flexible spaces for mixing and mingling. Private “phone booth” spaces make allowances for calls, while “heads down” spaces are completely no-nonsense. The only sound allowed in these spaces is the comfortable hum of white noise machines. Breakout rooms are available to book free of charge as well.

    “The team works really closely together to think about everything that’s going to go into the space and how to tell the story and feel cozy,”explains Erickson. “We mix old and new. We will have an older style credenza and club chairs and then mix and match where we need to to get that little high-low feel.”

    The team used the Imperial Laundry facility’s history as its jumping off point. Erickson was even able to score an original trucker-style ball-cap from eBay. It sits in the lobby trophy case with other local trinkets and finds related to the neighborhood and to the laundry business.

    “We leaned into the space and into the neighborhood and that kind of tells us where we are going with the decor. We have our base — what we call our 80 percent items — that we just know we are going to use: booth runs and table tops. Then we mix in some found objects or anything we come across. Each space is unique, but very ‘Switchyards’ at the same time.”

    The lobby display case is a bit of a Switchyards staple, with each club receiving its own antique or vintage display or trophy case. Erickson sources these, usually in bulk, from old schools. Which is charming, considering the strong mid-century academia aesthetic that pulses through all of their clubs.

    “We always try to include this kind of display or trophy case to keep all of our treasures,” says Erickson.“I think of that as ‘What would the guy that owned this space before we got here — what would he be collecting? What was their thing that they liked, held onto, and put into a display or trophy case to save for later?’ We find that as a point of inspiration for our members, too. As they’re walking through or maybe waiting on someone at the door, they can have something to look at.”

    Members will find everything from nostalgic vintage letterman’s jackets and pennants to old ashtrays and wooden thread bobbins behind the glass cabinet doors. Take a break from work to stroll through the cafe area and into the lobby to get lost in all the fun bits and bobs in the trophy case — as a treat.

    Speaking of the variety of pennants throughout the space, Erickson admits that not all of the beautiful felted wool pieces are authentic vintage. Switchyards enjoys a partnership with Oxford Pennant, who help create custom pieces that lean into the older aesthetic and fill any gaps they may have in their vintage inventory. The team chooses the best vintage designs from each decade, working them into the space in a way that feels cohesive.

    “We use an 80/20 rule. It’s sort of like we try to have 80 percent of it — tables, chairs, the things that matter but don’t really matter—or that we know are tried-and-true, and then we fill with 20 percent of these highly-curated items,” explains Erickson. “So we do try to locally source, especially in markets that we’re already in. What can we buy locally and keep in the neighborhood, keep in the city, and keep in its market?”

    Switchyards is headquartered in Atlanta, where Erickson and his team create the majority of the design plans for the clubs before packing their core pieces and hitting the road. Their approximately 20,000-square-foot warehouse is also where the team keeps its bulk vintage scores from around the country — even from right in Houston’s kitschy neighbor Round Top.

    “Since we are building out so many spaces, we like to buy entire collections. Like the big barrels and the hundreds of green bins from a warehouse that was going out,” says Erickson. “Then we ask how we can bring these things into a space and use them — the filing cabinets are kind of our signature move. Instead of building a wall, we will do a row of filing cabinets to divide up the space and make it a bit more cozy. I bought about 200 vintage Eames chairs [at the Round Top spring show] — the stackable shell chairs with fabric — and got a killer deal on them and that made it all worth it.”

    As for the rest of that 20 percent of the design, the design team shopped local thrift and resale shops in the area to find everything they needed to make the space feel like it can tell more of a story.

    “We went to a local creative reuse store and bought up a bunch of little pails and build-up items,” explains Erickson. “One of my favorite things I got there is this weird welded piece (it currently lives atop a cafe cabinet). It was probably someone’s practice-weld piece, but we just love it. We love unique items that feel handmade and that you’re not going to find anywhere else. I love it when you find that special store and come across a vintage Thurston lamp for $20 when you know it’s a $400-600 item — it feels good.”

    The cafe area has an interesting selection of wall decor. That starts with a custom made light box containing a cork bulletin board for club news and upcoming events like “iced coffee Fridays” among historical papers and pennants. Erickson’s original pen and paper design sketches live beneath a nonchalant tac in the drywall — all centered around the site plan for Erickson’s babies, the tanker desks that became a gift that kept on giving.

    “I knew we were going to use tanker desks”, he says. “Those are probably my favorite pieces here. I bought about 200 of these from a warehouse office that was going out of business. It was pretty wild, because we got a great deal on them and the drawers still had items in them. We’ve used some of those pieces throughout the space as well. Yeah, that’s probably one of my favorite parts.”

    The entire design for the space is highlighted by the heavy assist from the original industrial windows from the building’s construction in the 1940s. In spaces that are somewhat beyond the reach of the abundant natural lighting, lamplight fills the gaps. All artificial lighting has been designed to be soft and relaxing — nothing too stark or bright.

    Switchyards, including the lighting, is anything but sterile. Erickson says the aesthetic successes of each work club comes from embracing what’s there, like the steel windows.

    “I’m always inspired by just using what I have. There are so many options out there, especially online, and ‘trends’ that come and go. I think just finding that style that speaks to you and just having a sense of taste and what can go together — that you may not see on Pinterest — works. And using what you have is and can be a super power if you just lean into it.”

    Membership info

    Memberships, priced at $129 per month, will go on sale at 10 am on Thursday, August 27. Sneak peaks and pop-ins run from August 24-26 (RSVP here). Once the first 250 memberships have sold, Switchyards will maintain a waitlist. There is an early access email list as well as a text notification list for receiving the membership registration link on August 27. Switchyards has hinted that links may go out via text alerts first, so do with that what you will.

    Switchyards work club East End

    Courtesy of Switchyards

    Original 1940s windows set the tone for the design.

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