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    Tattered Jeans

    Steve Minatra sees the gems among the junk: A true craftsman shares his secrets

    Katie Oxford
    Dec 24, 2011 | 10:15 am
    • Meet Steve Minatra.
      Photo by Katie Oxford
    • Minatra at home, with light fixtures he made with “junk”
      Photo by Katie Oxford
    • Light fixture Minitra made from broomsticks
      Photo by Katie Oxford
    • CD lamps
      Photo by Katie Oxford
    • Protest signs Minatra made for friends participating in Occupy Houston
      Photo by Katie Oxford
    • “Then I realized I could make signs for the other side, too.”
      Photo by Katie Oxford
    • A standing light fixture made by Minatra
      Photo by Katie Oxford
    • Check out his desk lamp!
      Photo by Katie Oxford
    • Storage room for Minatra's next works
      Photo by Katie Oxford
    • Bright ideas from Minatra
      Photo by Katie Oxford

    Steve Minatra makes things. He is the guy behind the scenes — literally.

    He has done everything, from helping to make set designs for film spots and window displays for Hermès, to creating a Ludwig look-a-like from Harry Potter the movie. He built the owl with high-density foam, and he has high-density brainpower, too.
    Minatra describes what he does as, “doing handiwork type stuff.” Some handiwork! He can create light fixtures and more using “junk,” he says. The end result looks anything but and is as brilliant in design as it is functional. His Montrose home illustrates this point perfectly.
    When I recently visited him there, Minatra laughingly described the interior, “like stepping into my mind.” Indeed it is. He has an artist’s eye, an engineer’s understanding and he uses both when making something. In my mind, this is magic.
    Minatra's home is a building that he found 14 years ago while on a photo shoot. The structure was built in the '50s as an extension of someone’s home. Later, it became a neighborhood grocery story, then several beer joints. The story goes that at least two people, in separate instances, have been shot there. Supposedly in the large, open room where we were sitting.
    When I asked him what drew him to Houston, Minatra immediately listed five things: “In the first place, my heart was always here,” he said. “Houston is entrepreneurial. It has a lot of physical and psychological space. It combines the best parts of Southern and Western, and … it’s not expensive.”
    Born in Nashville in 1951, Minatra grew up in Memphis until he was old enough to run away from home at age 18. He came to Houston for a period and lived in different places afterwards, but liked Houston the best. “While I was living in NYC,” Minatra says, “I would wonder, ‘what are they doing in Houston?’ every day. I moved to Brooklyn where I could see the sky, but it didn’t make it better, it made it worse.”
    So, in 1988, he returned to Houston and was hired by Dave Berman to work on TV commercials. “All the useless skills I had acquired through life,” Minatra explained, “suddenly connected.” He has been here ever since practicing those skills, none of which his clients — some of them interior designers — would describe as useless.
    When I asked him what drew him to Houston, Minatra immediately listed five things: “In the first place, my heart was always here,” he said. “Houston is entrepreneurial. It has a lot of physical and psychological space. It combines the best parts of Southern and Western, and … it’s not expensive.”
    Whatever Minatra makes, you can be sure it is original. Using great shades of green, he painted protest signs for friends participating in Occupy Houston. He shares their views. “Then,” Minatra says smiling, “I realized I could make signs for the other side.” In colors of red, white and blue, he uses satire to convey the message, “I’VE GOT MINE.” Underneath the signage, he painted a pink pig.
    Minatra's Christmas cards are original, too. They are my favorite every year.
    No family photo in his cards. Nor do they include a typed letter telling you who, what, when, where and why of the last year. They are colorful, honest and handwritten in words that hold not an ounce of fat and would bring Santa himself into belly achin’ laughter.
    Last Christmas, I took a fistful of Minatra’s cards to a small party of close friends and read them aloud. Everyone howled. Then, we read them again and howled louder. Here’s one he wrote in 2002 using thick red ink:
    The seasonal labor is over. The homes of the rich and the luxurious stores are decorated. Now I can decorate my house, visit my Folks in Memphis, and rest up ‘til January 2nd when everyone will want all that crap out-a-there!
    Mucho love and Merry etc., Steve
    About a year ago, after eyeing Minatra’s owl creation, I asked him how he would describe what he does. Silence. “Okay then,” I pressed, “Would you send me a bio or something?” He sent the latter, one sentence long. Vintage Steve:
    "Steve Minatra realized at a young age that the best way to get people to do what you want is not be too particular about what you want them to do."
    Minatra has done everything, from helping to make set designs for film spots and window displays for Hermès, to creating a Ludwig look-a-like from Harry Potter the movie.
    Enclosed were a few of his business cards. On one side was a photograph reminiscent of the movie The Illusionist. On the reverse side were the following words, with a miniature graphic behind each: transport, assemble, install, furniture, exhibits, interiors.
    As reflected in most everything he makes, Minatra is a minimalist. Interestingly, he studied to be a musician, receiving a degree in music from the University of St. Thomas in 1974. He can play the guitar, violin and piano.
    Altogether, it makes perfect sense. In a way, Minatra’s a wizard. Perhaps he said it best when he talked about the junk. “You know how you save things that you don’t know what you’re going to do with but they’re just too good to throw away?” he asked. "Sometimes, it takes years, but you begin to see the relationship between different pieces of junk. You see the way that stuff fits together.” In Minatra's world, things fit beautifully.
    Like when he pulls broomsticks (wooden are hard to find) out of someone’s garbage and voila, makes a light fixture. So it goes with everything he makes. He sees stuff where others don't. “I could always see space,” he claims.
    Pure magic.

    unspecified
    news/home-design

    party down

    Design-focused Houston rentals company adds boutique hotel flair to events

    Emily Cotton
    Aug 7, 2026 | 12:15 pm
    Helm House
    Courtesy of Helm House
    Furniture upholstery is fully customizable.

    The season for end-of-summer parties is approaching. As Houstonians prepare to pack away their swimwear, white linens, and tiki torches, end of summer fêtes are ramping up. Trusted event planning company Planned With has recently launched its sister company — the custom event rentals outfit named Helm House — just in time to make a splash.

    Unlike traditional event rental companies, Helm House focuses on design-forward pieces that are fully customizable — down to the upholstery. Each piece in their finely-curated collections can be reupholstered on-the-fly, should a client require something a little more jazzy. Browse fabric collections from Nuage Designs, trimmings from luxury design house Samuel & Sons, and fun options from Chasing Paper to get a truly one-of-a-kind look.

    In order to offer truly unique designs, the team at Helm House regularly shops the antiques fair at Round Top for accessories and lighting. Fixtures and other pieces are available from artists like Ken Bizzell of KB Design. His handcrafted works made of recycled tire rubber and other materials are a constant standout in the Excess tents during the fall and spring shows.

    “We don’t want to do it cookie-cutter,” says co-founder and director of design Hannah Goetz. “We want it to be very niche, special, and unique. Really one-of-a-kind pieces that you can’t find anywhere else.”

    Helm House will paint, paper, or vinyl wrap just about anything in its inventory, even offering custom vinyl designs for tabletops. The design team, led by Goetz, has taken the guess work out of the selections process by finely-tuning preset collections, should clients want a one-and-done experience. Helm House is certainly the first events company in the Houston and Austin market to allow clients to shop by vibes.

    “We have collections. So, on the website there are ten collections, and for each of them there is a lounge set up, bar set up, and a dining set up,” explains Goetz. “You can just go on the website and it’s configured and designed and can be added to a wishlist. It’s just easy premade items if you want something pre-designed or even just to get some ideas. But each collection has those three spaces that people can just shop for. If a client really wants to customize fabrics or any pieces for the bars or tables, pillows, or anything like that, then we can provide that for them.”

    One of the things that clients appreciate is the ability to work with an in-house interior designer. That being said, there are no pieces in the collections that aren’t design-forward, but with the ability to fully-customize any aspect of the project, it’s easy to get a little lost along the way.

    “It depends on the client, but we are a full design house, so we offer those services to clients,” says Goetz. “If they need help with the actual design of the event, then we will present the full design space and say exactly where things are supposed to go. Then we will actually help implement all of the furniture on-site at the event.”

    All of this flexibility comes at a price, of course. Helm House typically has a $5,000 minimum per project. As seen in the photo above, a table for six rents for $350. Customers can add a custom vinyl topper for $100 and place settings from $40-60 per seat, meaning place settings for a table of six run from $240-360 per day.

    While clients are more than welcome to use their own event planners, the Helm House team’s experience with their sister company gives them a leg-up on other event rentals companies. Traditionally, the rental company will send items to the venue with a single delivery driver with no knowledge of the project. However, Helm House insists on being on-site for the delivery and to have the ability to make any necessary minor adjustments.

    “We’ve found that people aren’t usually on-site who are actually part of the rental company, and we want to make sure that everything is placed where it should be, but also just that we are taking that off of our client’s hands,” explains Goetz.

    Founder and CEO Emily Rudelson (Full disclosure: Rudelson once worked for CultureMap) wants to provide a rental experience that allows clients to feel that their space offers something different — better sight lines, frames, fabrics, and place settings and linens that feel anything but temporary.

    "We started Helm House because we felt there was a void in the market. We were constantly inspired by the incredible design in restaurants, hotels, and boutique spaces, but that same level of thoughtful furniture simply wasn't available for events,” explains Rudelson. “Helm House was built to change that: bringing hospitality-inspired design to the event industry through elevated, design-forward rentals that can also be customized. From fabrics and finishes to one-of-a-kind details, we want every client to have the opportunity to truly make it theirs.

    “As the founder of Planned With, I also love that I now get to furnish our own events with pieces we truly believe in, while Helm House operates as its own independent rental company serving planners, designers, brands, venues, and clients across Texas. We believe rentals shouldn't feel rented; they should feel like they were designed specifically for your event.”

    Helm House

    Courtesy of Helm House

    Furniture upholstery is fully customizable.

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