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    On The Market

    The ultimate bungalow? Lovingly restored Heights house turns heads — an $825,000 time machine

    Barbara Kuntz
    Barbara Kuntz
    Nov 11, 2014 | 1:54 pm

    Editor's Note: Houston, the surrounding areas and beyond are loaded with must-have houses for sale in all shapes, sizes and price ranges. In this continuing series, CultureMap snoops through some of the best and gives you the lowdown on what's hot on the market.

    A once small, three-bedroom, one-bath bungalow needing some TLC in the Brooke Smith neighborhood in the Greater Heights area now stands as an authentic, accurate and admirable tribute to the original American Arts and Crafts style.

    While celebrating its own open house, the local larger-scale "ultimate bungalow" even turned heads and attracted visitors during the recent American Institute of Architects Houston 2014 Home Tour. The house, located at 512 Archer St., is now for sale at $825,000.

    "It was the house that we first lived in together. We literally got married on the front porch of this house."

    The 2,460-square-foot residence blends period details with modern features. Taken to the studs, careful craftsmanship is evident throughout, from reclaimed hardwoods and shiplap; antique doors, windows, lighting fixtures and shutters salvaged from historic structures; to custom cabinets and bookshelves. The four-bedroom charmer also offers 400 square feet of covered and screened porches, including an outdoor kitchenette, making nature very much a part of the living experience on the 5,000-square-foot lot.

    So who is behind this local authentic American Arts and Crafts revival?

    Meet Anthony Harnden, president of The Contemporary Craftsmen, a company of six determined to meticulously represent classic Craftsman style in its projects.

    Harnden took time to respond to a Q&A email from CultureMap to share more about his latest creation — down to the nails.

    CultureMap: Tell us about The Contemporary Craftsmen. What are your inspirations and goals?

    Anthony Harnden: We started in 2008 right after the recession. I got my feet wet by moving a house from the Woodland Heights to a piece of property that we had purchased the previous year next to our residence. The Contemporary Craftsmen officially started about a year and a-half ago. I am the sole member of the LLC and have six full-time employees, mostly carpenters/painters.

    I started my second period restoration about two years ago. This was a house that (my wife) Kay bought for herself before we met. It was the house that we first lived in together. We literally got married on the front porch of this house. The house was what I call a working-class Victorian — T-shaped with three rooms total plus a bathroom that was added at some point.

    I really wanted to recreate the experience I had in some of the homes we visited in New Orleans. I wanted the screened-in porches, the court yards, the French doors, sun rooms and transoms. I wanted there to be a sense of having layers of history. I finished the house, and we had a pretty good amount of interest.

    I guess the goal of The Contemporary Craftsmen is to make a connection. My inspirations come from personal experiences. One of the three couples that have showed serious interest in the house at 512 Archer, my second house in this style, spoke with me. She told me that she was from Pasadena, Calif. She lived one-half a mile from The Gamble House. She said that the house that we built reminded her of the house that she grew up in. She was even tutored in a Greene and Greene house.

    It's difficult to describe what a gift she gave me by telling me these stories. Not many people have the chance to make that kind of connection with people. I think a lot of builders try to take buyers to the next level. We try to take people somewhere they have already been.

    CM: What were the major steps you took in order to begin the process to create a true American Arts & Crafts house?

    AH: One of the challenges with this design were the 3-foot eaves. Greene and Greene houses typically have closer to 5-foot eaves. With 3-foot eaves plus a 12-foot-wide driveway, the location of the house on the lot becomes an important factor. So we had to move the house over about five feet. Since we were adding up, we decided to take that opportunity to build a proper foundation for the house, so we had the house lifted about six feet so we could get under there and rebuild the foundation.

    CM: Tell us about your favorite repurposed features incorporated into the house and where you found them?

    AH: We bought a building, a two-story brick building, in the neighborhood that was built in 1929 located at 1000 Enid, our current project. This property was originally a grocery store and had rental units upstairs. We scored four clawfoot tubs and several sinks from this building. We used two of the clawfoot tubs and one of the sinks at 512 Archer. One of the other sinks came from Adkins Architectural Antiques. Many of the sconces came from August Antiques on Heights Boulevard. We also used reclaimed oak floors.

    "I think a lot of builders try to take buyers to the next level. We try to take people somewhere they have already been."

    One of the things that gets noticed the most are the industrial exposed track doors, but its the subtle things like the mortise sets and porcelain door handles that are my favorites because people don’t notice those things. They just experience them when they pull the door closed. It's not visual; it's sensory and subconscious.

    CM: American Arts & Crafts houses typically have furniture built specifically for certain areas of the homes. Is any of the furniture especially made for the house?

    AH: We built the dining table out of ash. We were kind of excited about it actually. We bought the wood from Clark’s Lumber. The ash had been left in the kiln for an extended time. causing the wood to turn a beautiful deep coffee color all the way through and giving it a wonderful smell, almost like a cigar. After it was finished, we decided to rub it down with mineral oil instead of putting a finish on it so you can smell that ash when you walk in the house.

    CM: Tell us about the other house you built in this fashion?

    AH: We have done two “California Craftsmen” on this street. The other one is located at 506 Archer. We were kind of proud of that house because it was actually a new construction. If we didn’t tell you, though, you wouldn't know it. We definitely used reclaimed material in that house, but it had an element that was greater than the sum of its parts. We felt like we breathed soul into it. It really felt like it had been there 100 years.

    CM Anything else you would like to add? I heard a lot of people on the AIA Contemporary Home Tour saw the house and liked it!

    AH: I wish I could take credit for planning this, but it was purely a coincidence that our open house was on the day of the AIA tour. Our friends and neighbors have a house that was on the tour. They live four doors down. They sent quite a few people down to see our house.

    It turns out that a lot of the people on the AIA tour have an appreciation for Early American Arts and Crafts as well as contemporary. Happy accident, and generous neighbors.

    Take a visual tour of 512 Archer St. by clicking through the slideshow above.

    Square footage: 2,460

    Asking price: $825,000

    Listing agent: Kay Harnden, Berkshire Hathaway HomeServices

    Welcome to 512 Archer St.

    On the Market 512 Archer St. November 2014 Front Elevation
    Photo by © William Tadlock
    Welcome to 512 Archer St.
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    news/home-design

    party down

    Design-focused Houston rentals company adds boutique hotel flair to events

    Emily Cotton
    Aug 7, 2026 | 12:15 pm
    Helm House
    Courtesy of Helm House
    Furniture upholstery is fully customizable.

    The season for end-of-summer parties is approaching. As Houstonians prepare to pack away their swimwear, white linens, and tiki torches, end of summer fêtes are ramping up. Trusted event planning company Planned With has recently launched its sister company — the custom event rentals outfit named Helm House — just in time to make a splash.

    Unlike traditional event rental companies, Helm House focuses on design-forward pieces that are fully customizable — down to the upholstery. Each piece in their finely-curated collections can be reupholstered on-the-fly, should a client require something a little more jazzy. Browse fabric collections from Nuage Designs, trimmings from luxury design house Samuel & Sons, and fun options from Chasing Paper to get a truly one-of-a-kind look.

    In order to offer truly unique designs, the team at Helm House regularly shops the antiques fair at Round Top for accessories and lighting. Fixtures and other pieces are available from artists like Ken Bizzell of KB Design. His handcrafted works made of recycled tire rubber and other materials are a constant standout in the Excess tents during the fall and spring shows.

    “We don’t want to do it cookie-cutter,” says co-founder and director of design Hannah Goetz. “We want it to be very niche, special, and unique. Really one-of-a-kind pieces that you can’t find anywhere else.”

    Helm House will paint, paper, or vinyl wrap just about anything in its inventory, even offering custom vinyl designs for tabletops. The design team, led by Goetz, has taken the guess work out of the selections process by finely-tuning preset collections, should clients want a one-and-done experience. Helm House is certainly the first events company in the Houston and Austin market to allow clients to shop by vibes.

    “We have collections. So, on the website there are ten collections, and for each of them there is a lounge set up, bar set up, and a dining set up,” explains Goetz. “You can just go on the website and it’s configured and designed and can be added to a wishlist. It’s just easy premade items if you want something pre-designed or even just to get some ideas. But each collection has those three spaces that people can just shop for. If a client really wants to customize fabrics or any pieces for the bars or tables, pillows, or anything like that, then we can provide that for them.”

    One of the things that clients appreciate is the ability to work with an in-house interior designer. That being said, there are no pieces in the collections that aren’t design-forward, but with the ability to fully-customize any aspect of the project, it’s easy to get a little lost along the way.

    “It depends on the client, but we are a full design house, so we offer those services to clients,” says Goetz. “If they need help with the actual design of the event, then we will present the full design space and say exactly where things are supposed to go. Then we will actually help implement all of the furniture on-site at the event.”

    All of this flexibility comes at a price, of course. Helm House typically has a $5,000 minimum per project. As seen in the photo above, a table for six rents for $350. Customers can add a custom vinyl topper for $100 and place settings from $40-60 per seat, meaning place settings for a table of six run from $240-360 per day.

    While clients are more than welcome to use their own event planners, the Helm House team’s experience with their sister company gives them a leg-up on other event rentals companies. Traditionally, the rental company will send items to the venue with a single delivery driver with no knowledge of the project. However, Helm House insists on being on-site for the delivery and to have the ability to make any necessary minor adjustments.

    “We’ve found that people aren’t usually on-site who are actually part of the rental company, and we want to make sure that everything is placed where it should be, but also just that we are taking that off of our client’s hands,” explains Goetz.

    Founder and CEO Emily Rudelson (Full disclosure: Rudelson once worked for CultureMap) wants to provide a rental experience that allows clients to feel that their space offers something different — better sight lines, frames, fabrics, and place settings and linens that feel anything but temporary.

    "We started Helm House because we felt there was a void in the market. We were constantly inspired by the incredible design in restaurants, hotels, and boutique spaces, but that same level of thoughtful furniture simply wasn't available for events,” explains Rudelson. “Helm House was built to change that: bringing hospitality-inspired design to the event industry through elevated, design-forward rentals that can also be customized. From fabrics and finishes to one-of-a-kind details, we want every client to have the opportunity to truly make it theirs.

    “As the founder of Planned With, I also love that I now get to furnish our own events with pieces we truly believe in, while Helm House operates as its own independent rental company serving planners, designers, brands, venues, and clients across Texas. We believe rentals shouldn't feel rented; they should feel like they were designed specifically for your event.”

    Helm House

    Courtesy of Helm House

    Furniture upholstery is fully customizable.

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