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    Corporate Creativity

    Fancy new office tower pulls out all the art stops: Yes, that's an art car in the lobby

    Joel Luks
    Jul 31, 2013 | 11:46 am

    It took 9,000 hours over a period of seven months for eight craftsmen from two families to shape a work of art that comprises roughly 2,227,000 individual parts weighing a combined 200 pounds, with each one glued together one by one.

    The completed sculpture, on view on the first floor of the new BBVA Compass Plaza on Post Oak Boulevard, speaks volumes of the cultural flavor of Houston and the values cherished by the city's stakeholders — and the principles of the underwriters.

    Vochol, the title of the piece, is a 1990 Volkswagen Beetle swathed in a mosaic of vibrant glass beads that collectively, from afar, appears to be a painted vehicle of sorts — what one would see sashaying down Houston's iconic Art Car Parade. But this art car's Mexican provenance — Mexico was home to the last manufacturing plant of this popular VW model that was assembled from 1938 through 2003 — pays tribute to an artisanal craft that at its core serves as a spiritual channel.

    The families responsible for Vochol are of Huichol heritage, as they are known to the rest of the world. However, they call themselves Wixáritari, a word in their Uto-Aztecan native tongue that means "the people." Members of this rural community have managed to safeguard ages-old handmade traditions that include vibrant textiles and embroidery, much of which depicts deities as an avenue to communicate with the metaphysical realm.

    Anyone who has attempted to drive Houston highways for the first time knows it's no secret that one needs a prayer to get through rush hour traffic.

    The art car reveals itself as a combination of geometrical patterns that encase sketches of corn, deer, scorpions, the peyote cactus and the sun — emblems that chronicle the pre-Colombian religious beliefs of what's considered one of the most uncontaminated native citizenries in North and South America.

    To Houstonians, however, Vochol dialogues on the confluence of cross-cultural exchanges, old and new, tradition and invention, fine and folk art, and one-of-a-kind creations and mass-produced commercialism, particularly bearing in mind that the VW Bug is the most prolific car in the world to date.

    Vochol is visiting Houston amid a tour that originated at the Museo de Arte Popular in Mexico City. BBVA Compass Plaza is hosting the sculpture through Aug. 9, when a construction crew will have to once again remove the building's glass walls and support beams to haul the installation to another stop on its journey. At the conclusion of Vochol's travels — including exhibitions at the Smithsonian's National Museum of the American Indian in Washington, D.C. and at Museé du Quai Branly in Paris — the art piece will be sold at auction.

    Vochol is one of many works on view at BBVA Compass Plaza. Gallerist Laura Rathe has curated paintings, sculptures and mixed-media pieces to add vibrancy to the corridors that are otherwise minimalist in decor. The collection consists of artists with strong Texas roots, both emerging and established, such as McKay Otto, Katherine Houston, Matt Devine and Mallory Page.

    Wouldn't it be lovely if Vochol was purchased by a Houston institution?

    After all, anyone who has attempted to drive Houston highways for the first time knows it's no secret that one needs a prayer to get through rush hour traffic.

    Vochol is on view at BBVA Compass Plaza through Aug. 9.

    BBVA art car July 2013
      
    Photo by Joel Luks
    Vochol is on view at BBVA Compass Plaza through Aug. 9.
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    news/home-design

    American made

    Top Houston restaurant builder now crafting custom furniture and lighting

    Emily Cotton
    May 9, 2025 | 3:00 pm
    Custom Concepts Furniture & Lighting office lobby The Kennedy
    Photo by Josh Gremillion
    The company designed and built the furniture and lighting for The Kennedy.

    The last two decades have seen astronomical growth for Houston’s culinary and hospitality scene, even attracting the Michelin Guide to the Bayou City. While the fare remains of utmost importance, the most radical transformation in how diners select restaurants is all about aesthetics. If cozy dinners, matcha runs, and milestone celebrations don’t make “the ‘gram,” did they even happen?

    These days, hospitality design has to be bolder, swankier, and sexier than ever before in order to attract an elevated clientele, all while remaining practical and commercial grade in construction quality. While it has become de rigueur for restaurateurs to announce which top interior designer or architectural firm has created their latest opening, it is somewhat less common to hear about the construction firms who translate those designs into the physical realm, but that’s about to change.

    Construction Concepts — the award-winning build team behind some of Houston’s trendiest restaurants such as Marmo, Graffiti Raw, Doris Metropolitan, and Cocody, their collaboration with Houston design star Nina Magon (the full list is an astonishing 400 projects) — have launched an ambitious new venture in hopes of revolutionizing the furniture and other furnishings used in hospitality design throughout Houston. Joshua Weisman and Mark Bordman’s new stand alone project, Custom Concepts Furniture & Lighting, delivers bespoke furniture and lighting solutions for restaurants, hotels, hospitality, and corporate spaces.

    Trendy Houstonians have more than likely experienced the Custom Concepts Furniture & Lighting treatment without having realized it. New hot spots Chardon, Melrose, and Maven at Sawyer Yards have all been outfitted with Custom Concepts creations, with highly-anticipated Succulent and Recess both hot on their heels.

    After 20 years on the build side of the business and being recognized with 16 Houston Business Journal Landmark Awards for projects across four categories, the why behind creating the new company becomes clear.

    “We saw an incredible need for this product and service; it’s an underserved market. There’s very limited options for people to go find these products and we have a passion for unique designs and builds — eclectic, neat pieces,” Weisman tells CultureMap. “There’s just no big surplus for it. You’re either custom making it, or you’re going to a big box store and seeing what you can find.”

    With a robust team numbering almost 30 people, Custom Concepts handles everything for clients from design all the way to white glove delivery and installation, plus an absolutely unheard of two-year warranty on all of their products. Lead time on bespoke pieces is around 12 weeks, lighting is 8-10 weeks, and furniture requires 10-12. Amazingly, their in-stock catalog line of approximately 2,000 SKUs is ready-to-go. “You could call tomorrow and say ‘I need 40 stools with backs in this color,’ and we’d give you four or five models to choose from,” says Weisman.

    Given Custom Concepts’ quality and elite clientele, one could easily assume that services are mildly cost prohibitive. Shockingly, this isn’t the case. “Our pricing, being straight to manufacturer, is considerably less than retail. Our pricing is very aggressive and competitive compared to the national market — 40-50 percent less than nationwide retailers,” says Weisman. “We build things to last that are amazing and affordable,” adds Bordman.

    Restaurants and hospitality make up 90 percent of Custom Concepts’ business, but residential clients are not unheard of. Weisman tells CultureMap that some higher-end clients will reach out to them directly when in need of lighting and furnishings for an entire home. Otherwise, they work directly with designers. “We love having designers come in and run wild with it — and we manufacture it from scratch,” says Weisman. “Whatever their vision is, we will bring it to market for them.”

    Attention to detail is undoubtedly the cornerstone of Custom Concepts. Furnishings have felt padding to protect floors and all tables — like those at Chardon — have a velvety felt underlining to protect their clientele’s delicate garments from catching, no detail is insignificant.

    “Just being proactive in the design and product that we’re delivering, we’ve been in this arena for so long, why not go the extra step,” says Weisman. “Really refining your product and what you’re giving your client; let’s do these added features, let’s do the ‘wow’ factor. If you can make it flawless, why not?!” Why not, indeed.

    Custom Concepts Furniture & Lighting office lobby The Kennedy
      

    Photo by Josh Gremillion

    The company designed and built the furniture and lighting for The Kennedy.

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