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    On The Market

    Marked as teardown, now a treasure: Houston's only Frank Lloyd Wright house is a preservation beauty

    Barbara Kuntz
    Barbara Kuntz
    Jul 24, 2014 | 7:46 am

     Editor's Note: Houston, the surrounding areas and beyond are loaded with must-have houses for sale in all shapes, sizes and price ranges. In this continuing series, CultureMap snoops through some of the best and gives you the lowdown on what's hot on the market.

     

    The Houston-area's only Frank Lloyd Wright-designed house was once plagued with architectural and design interruptions as former owners painted over redwood walls, added distracting pineapple details and eventually put the property on the market as a teardown in the early 1990s.

     

    Preservationists stepped in, thankfully, as did the most recent owners. The Thaxton House, named after its first occupants who commissioned Wright, is once again an architectural gem for sale at $3,195,000.

     

     Walk through
    Owners enter the property, located at the end of the cul-de-sac at 12020 Tall Oaks St. in Bunker Hill, through a gated drive, revealing the 1.2-wooded acre lot. The large front yard keeps the home even more secluded, while a circular driveway welcomes with plenty of parking for guests.

     
     

      Even the cushions in the built-in sofa are actually parallelograms puzzled together. The fireplace is angled to face the living room, and is made for logs to burn upright.  

     
     

    The original 2,000-square-foot structure is nestled beyond the trees. Owners walk in to immediately see Wright's signature design elements, including red-pigmented concrete floors, concrete block walls, walls of windows overlooking the patio and swimming pool and knotless redwood paneling on walls and ceilings. Built-in sofas and bookcases — more Wright techniques, these he employed to keep residents from changing room arrangements, are found throughout the home.

     

    As are angles.

     

    "The house is distinctive for being planned on a 30 degree-60 degree diagonal grid, rather than a 90-degree grid," Stephen Fox, architectural historian and a lecturer at the Rice School of Architecture explains in an email. "Wright felt like this 'reflexive geometry' - his term - provided for more open spaces than a conventional right-angled plan geometry."

     

    Even the cushions in the built-in sofa are actually parallelograms puzzled together. The fireplace is angled to face the living room, and is made for logs to burn upright. The dining table, attached to a wall, is a reproduction of the original dining table with irregular-shaped stools with cushions. Triangular skylights bring natural light into the kitchen.

     

    Two other rooms in the small abode were once bedrooms following the same architectural styling. And Wright must have had an interesting sense of humor, or was a gentleman fan of folly. He incorporated an elongated window in a bathroom as a jumping point into the swimming pool.

     

    "Most of Wright's houses, especially those built in the last 25 years of his practice, 1934-'59, are fairly small," Fox says. "The houses from the 1930s-'50s correspond to the house type Wright called 'Usonian' —Wright's term for 'American,' his ideal house for a middle-income American family. They tend to have expansive living areas, organized around a fireplace, but small bedrooms and baths."

     

     Big addition

     

    Beyond the original structure, preserved almost as a Wright museum in its intimate space, is the substantial annex that wraps around the back of the Wright house, touching it at either end but otherwise stepping back from it and creating an inner courtyard.

     

     

      The addition, which was completed in the 1990s, brings total square footage to more than 8,000, but is done in a most complementary fashion. 

     
     

    The addition, which was completed in the 1990s by Kirksey Architecture for the most recent owners, brings total square footage to more than 8,000, but is done in a most complementary fashion. Intentionally not seamless, the three wings make nods to the famous architect with stained concrete floors cut in triangular patterns, walls of glass and wood paneling and accents in maple.

     

    Gallery-style hallways with high ceilings, exposed beams and glass walls take owners from the original home to a public wing with new kitchen, dining room and expansive living area to the children's wing lined with bedrooms to the master wing. Floor-to-ceiling windows open three sides of the house to views of the courtyard and backyard gardens from every room.

     

    All bedrooms include en suite baths, walk-in closets, spacious lofts and French doors leading outside. In total, the house has seven bedrooms and six and one-half baths.

     

     Step outside
    The scored concrete flooring continues to a deck, once a screened-in porch overlooking the swimming pool. The flooring here shows, as it does in the original house, where new and old construction meet. The swimming pool is very angular.

     

    Covered parking is available under a carport — a term Wright himself coined. As Wright is quoted to say, "A car is not a horse, and it doesn't need a barn."

     

     Square footage: 8,026 plus loft space

     

     Asking price: $3,195,000

     

     Listing agent: Karen Harberg, Martha Turner Sotheby's International Realty

     

     The Wright home is open for touring from 11 a.m.-2 p.m. Thursday, July 24; private viewings can be arranged by contacting the agent.

    Welcome to 12020 Tall Oaks St., a Frank Lloyd Wright house sitting on about 1.2 wooded acres as a gated compound. The large front yard is surrounded by a circular driveway.

    On the Market 12020 Tall Oaks St. Frank Lloyd Wright house July 2014 front exterior
      
    Photo courtesy of © TK Images
    Welcome to 12020 Tall Oaks St., a Frank Lloyd Wright house sitting on about 1.2 wooded acres as a gated compound. The large front yard is surrounded by a circular driveway.
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    news/home-design

    the Picassos are real

    Star NYC designer dishes on Texas ranch-inspired Memorial restaurant

    Emily Cotton
    Jul 11, 2025 | 1:00 pm
    Latuli restaurant interior
    Photo by Frank Frances
    A caribou over the fireplace and 11-foot palm trees mix ranch and coastal styles.

    When Houston rancher and restaurateur Allison Knight first plucked interior designer Alfredo Paredes from an Elle Decor list of top designers, she was looking to overhaul a few “cabinlike structures” on her family’s Colorado ranch — which he executed to perfection. Now, Parades, a 33-year veteran of Ralph Lauren, including roles as senior vice president and chief creative officer, has put his stamp on Houston. Latuli, the cozy new Gulf Coast and Texas-game-heavy restaurant by Knight and chef Bryan Caswell shares its sophisticated-casual aesthetic with other Paredes-designed projects like the Polo Club in NYC and Ralph’s in Paris.

    Taking their cue from the lack of elevated-but-approachable dining options in the Memorial area, friends and business partners Knight and Caswell chose Hedwig Village as the ideal location to debut a restaurant that offers a little something for everyone — from art enthusiasts to kids.

    “It’s very comfortable. This is supposed to feel like an extension of somebody’s home,” Knight tells CultureMap. “It’s in the neighborhood. I wanted to create this unique space and gathering place. We want people to come multiple times a week.”

    An extension of someone’s home it certainly is — Knight’s, to be exact. Most of the eclectic art collections and sprinklings of taxidermy throughout the restaurant found their way into Latuli’s many spaces via Knight’s Memorial area home, some even pulled from the attic. Original watercolors by John P. Cowan, the founding father of sporting art and Texas wildlife conservation, intermingle with works by Kate Boxer, Fritz Scholder, Paul Meyer, and even Pablo Picasso.

    “People come in and ask immediately about the Picassos, even though they are just signed lithographs,” Knight says with a chuckle. Picasso aside, the larger-than-life, textural portrait of a Native American man by Austin-based artist Paul Meyer is most likely to win MVP when it comes to Instagram moments.

    The interior color palette of blue, ivory, and cognac lends itself to a myriad of styles, all which can lean either coastal or ranch, depending on the space. The soaring wood beamed ceilings and enormous caribou head over the functional fireplace in the main dining room play juxtaposition to the tropical grasscloth wallpaper by Fine & Dandy and pair of 11’ palm trees, yet their coexistence is harmonious—a quality that carries itself throughout the design.

    Latuli is comprised of five separate, but cohesive dining spaces — a covered outdoor patio, a main dining room, an intimate, secondary dining room, and bar/lounge occupy the ground floor, while a private lounge and event space is situated on the second. Knight and Paredes took advantage of Houston’s proximity to Round Top to source antique vases, pots, and the large antique bar and artworks found upstairs. Inspired by her ranches in Colorado and Texas, but wanting to incorporate coastal features as well, Knight finds it interesting to see how the design reads to guests.

    “It feels familiar to them, and they can relate to it in some way. Some people say it reminds them of a Texas ranch, some people say Santa Barbara, some people said Palm Springs, somebody said South America. It’s just really interesting to hear what everybody sort of focuses on and connects to,” says Knight.

    While the design inspiration may be pleasantly ambiguous, the execution was decidedly not. Designs by Paredes were all carried out by local makers and artisans. The extensive millwork and joinery found throughout the restaurant, including the paneling, flooring, ceiling beams, and inset white oak wait stations are all creations by Doro’s Unique Flooring. The glimmering and impossibly smooth plaster work is by QTS, and the very Ralph Lauren-esque cognac-colored banquettes were fabricated and upholstered by Martin Irazoqui of Picchios in Cypress.

    Paredes designed the dining chairs, but they were crafted in Houston, along with the tables, by Agile Interiors. The intricate textile-clad backs of the dining chairs have been a fan favorite.

    “The fabric features a series of horizontal stripes incorporating geometric and tribal motifs in a rich palette of blues and grays. The intricate pattern evokes handwoven and artisanal aesthetics,” Parades explains.

    Taking a step away from the blue, ivory, and cognac color palette of the restaurant, the glossy, emerald green tiled bathrooms are something to behold. Light from the bamboo Ralph Lauren sconces dances along the high gloss tile work, illuminating the softer features of the marble countertops and classic, unlaquered brass Waterworks fixtures. The tiles were sourced from local hidden gem Pyramid Imports.

    The intention for Latuli being that it’s a place that serves the local community, Knight and Caswell wanted to make sure there is a comfortable space for everyone. There is a somewhat sceney vibe to the main dining room, an always 21+ only bar that offers both bar and table seating for those who want to catch up with friends or take in a game, and an intimate dining room for those looking for a quiet, relaxed atmosphere. The latter of which has proven quite popular: “We have those tables booked every single night, which was a surprise to me,” says Knight.

    The popularity of the private dining space also lends itself to its moodier aesthetic. A lowered ceiling and dark blue walls provide the perfect atmosphere for groups who like to settle in and stay awhile. The walls in the room have a depth to them that is difficult to pinpoint. That’s because its textured finish isn’t a paint application — it’s actually a waxed canvas fabric from Lord Fabrik.

    “This material was originally developed for sailors and fishermen in the UK and later used in American field gear for workers,” says Paredes. “The materiality of the walls in this room pull both from coastal workers and American design.” Given that the pendants throughout this space are fishing baskets, the choice of wall covering is nothing short of genius.

    The thoughtfully covered patio plays multiple roles. Share a meal, have wine by the outdoor fireplace, or allow the kids to romp during pre-and-post-dinner lulls in the enclosed green space. While not exactly a “play area,” Knight knew she wanted a space for kids to be kids.

    “I did want to give the kids some breathing room, I knew we wanted a green space,” says Knight. “Families are coming in and they are using it exactly how I thought they would. They come in, they eat, the kids go out there, and mom and dad get a chance to actually visit and enjoy themselves.”

    While the interior spaces look primarily to Texas, the patio is more international. Guests dining al fresco are seated beneath a sea of pendant lights in a plethora of shapes and sizes, all in cohesive shades of ivory.

    “The pendants are made in Mexico but it draws inspiration from Mediterranean designs — more specifically the lattice part is Moroccan inspired,” says Paredes. “The intent was to evoke a mediterranean mood that complements the architecture of the building.”

    Knight looks forward to the cooler months ahead so that guests can appreciate the indoor and outdoor fireplaces. And you know what? So do we.

    Latuli restaurant interior
      

    Photo by Frank Frances

    A caribou over the fireplace and 11-foot palm trees mix ranch and coastal styles.

    alfredo paredeslatulirestaurant design
    news/home-design
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