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    Divine design

    Renovation of Heights home adds a touch of boho chic for new family

    Jess McBride, Houzz
    Jun 13, 2017 | 10:10 am
    Houston, Houzz Bohemian-Chic Style Home for a New Family, June 2017, gallery wall
    Across from the dining table and its wall of windows was prime real estate for a gallery wall.
    Photo by Julie Soefer

    With a new baby on the way, the Woodall family wanted a fresh makeover for their Houston home — and they knew exactly whom to call for the job. Family friend and interior designer Audrey Moore had a new baby of her own and understood the couple’s style.

    The Woodalls already loved the floor plan and character of their turn-of-the-last-century house, with its original architectural details, so no major renovation was required. The mission was to capture a bit of what Moore calls the “nomadic, bohemian vibe” that the homeowners craved.

    Houzz at a Glance
    Who lives here: Aimee Woodall, founder and owner of The Black Sheep Agency; her husband, an executive with an oil and gas company; and their newborn baby.
    Location: The Heights neighborhood of Houston.
    Size: About 2,700 square feet (251 square meters).
    Designers: Audrey Moore of Audrey Moore Design and Jana Erwin of Nest Design Group.

    Repaint Your Kitchen Cabinets for a New Look

    When Moore arrived on the scene, the walls were golden yellow and the home had an Arts and Crafts vibe. She started the project by splashing fresh white paint on the walls and repainting the moss-green kitchen cabinets in a glossy white.

    Homeowner Aimee Woodall and Moore had been searching Justina Blakeney’s popular design blog Jungalow when they saw an Indian toran valance just like the one that now hangs above the sink. They knew that the kitchen, now predominantly white, could handle the burst of color and pattern.

    The team learned that these valances are commonly used to decorate camels, so they wrangled up other camel-inspired swag to sprinkle through the rest of the home. In keeping with the multicultural influences, they purchased the kitchen runner from a Middle Eastern rug dealer.

    A vintage range with warming drawers is original to the house.

    The living room sofa was a custom order from Cisco Brothers, and the linen daybed was a custom purchase as well. Many other items in the home were purchased locally at antiques shops or home boutiques, including Georgia Brown Home, Stardust Antiques, and the Round Top Antiques Fair.

    In the center of the living room is a large metal drum used in a previous life for dying fabric in India. Moore spotted it at Georgia Brown Home and was intrigued by its story. Even the spout on the drum’s right side, where the dye drained out, was intact.

    Bring Blue and Turquoise Into Your Home

    A blue accent scheme emerged after Woodall found an indigo-dyed African tapestry and bought it with the idea that she would find a place for it in the new design. The textile ended up covering an ottoman, not pictured, and inspiring the rest of the blue additions throughout the home.

    In fact, Moore says, the team “just became obsessed with these indigos” and started collecting them, though rather unconsciously — it was always, “Oops, I bought another indigo fabric!” So they took blue and used it as their grounding hue, layering on other colors, like rich browns and the jolts of red found in some of the Turkish and Moroccan rugs.

    The floor cushion was picked up locally, and the denim wing chair was found as-is at Kuhl-Linscomb.

    Work Neutral Colors in Your Bedroom for an Earthy Feel

    In the master bedroom, swing-arm sconces illuminate the couple’s hand-embossed bed from Anthropologie. The palette is soothing whites and neutrals in earthy textures like linen and woven wood. The bench at the foot of the bed came from a local antiques store.

    No significant changes were made to the bathroom. The tiling in this space was what sold the Woodalls on the house to begin with. With the spectacular tile and the vanities already in place, attention turned to the wall space above the tub. After trying a few different art pieces, a vintage mirror from Woodall’s existing collection did the trick. A cozy vintage chenille blanket used as a shower curtain (or bathtub drape) is an unexpected touch that serves its purpose and reinforces the bohemian aesthetic.

    Something else you’ll notice here and throughout the home are cactuses galore. “Any nook and cranny that needed something, we put a cactus. We couldn’t buy enough! The house just absorbed [them],” Moore says.

    Woodall found the antique farmhouse dining table at the Round Top Antiques Fair. The vintage table is paired with new Roadhouse leather chairs by CB2, which were purchased as budget-conscious alternatives to other leather chairs the team had selected.

    With the table and chairs in place, the room still didn’t feel quite finished, so the designers added Mexican blankets to the chair backs for additional texture and warmth. Finally, to tie in the blue accents found throughout the house, a blue hutch from Round Top completes the scene.

    Across from the dining table and its wall of windows was prime real estate for a gallery wall. Since it’s the side of a staircase, it lacked symmetry and paved the way for a myriad interesting layouts. The wall is covered in art and accessories from the homeowner’s collection of vintage family photos, pieces gathered at the Round Top Antique Fair, and works commissioned from local artists. For example, the wood carving of two eyeballs is by Matt Messinger.

    Fresh white paint was splashed on the walls and moss-green kitchen cabinets were repainted glossy white.

    Houston, Houzz Bohemian-Chic Style Home for a New Family, June 2017, kitchen
    Photo by Julie Soefer
    Fresh white paint was splashed on the walls and moss-green kitchen cabinets were repainted glossy white.
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    gold pony club

    Inside the creation of the rodeo cook-off’s most over-the-top tent

    Emily Cotton
    Feb 27, 2026 | 12:30 pm
    Cotton Q Club rodeo tent 2026
    Courtesy of Cotton Holdings
    The Gold Pony is the ultra-private VIP lounge behind the stage.

    The Cotton Q Club is arguably the glitziest and most exclusive tent at the Houston Livestock Show and Rodeo’s annual World's Championship Bar-B-Que Contest. Hosting nearly 800 invited guests-per-night, the 5,000-square-foot space includes a 50-foot bar, a new pop-up martini bar by Sophie Cocktail & Terrace Bar called “The Stirrup,” the ultra-exclusive “Gold Pony Club,” and a full stage for private concerts. This season, county music acts include Gabby Barrett, Sammy Kershaw, Josh Turner and Braxton Keith.

    Aside from the obvious, what sets the club apart from the rest is the sheer magnitude of its operation. Once inside, guests are encapsulated by velvet-draped ceilings illuminated by crystal chandeliers, three-layer tartan-topped carpeting, richly-colored wooden-paneled walls, plus thousands of red roses swathed acrobatically throughout.

    To coincide with the year of the horse, five enormous ponies made entirely of red roses have been suspended from the ceilings. The second additions this year hang on either side of the bar in The Gold Pony, the club’s even more exclusive VIP area. The kinetic artworks were created by Houston artist Sneha Merchant —all for a three day fête. This begs the question: how do they do it?

    Cotton Holdings and its subsidiaries are well positioned to carry out the entire project themselves — so they do. Never bothered or besmirched by the possibility of running into issues with rental companies, everything at The Cotton Q Club is procured, purchased, and stored in-house. As one would expect from a company that provides disaster relief around the world.

    “There is a lot of love and care put into this because we’re not in a hotel, we’re not in someone’s home,” Cotton Holdings chief marketing officer Zinat Ahmed tells CultureMap. “So for us to be able to create this entire infrastructure under a tent — down to the walls and chandeliers — it is much more than throwing a party. It’s about the details that make people feel that they are at a hotel, they are in an extravagant room, they are at The Polo Bar.”

    Ahmed notes that a lot of the company’s culture is mixed into the tent, such as what Cotton does as a disaster relief company (including providing food by Cotton Culinary).

    “Cotton Logistics puts up tents during a natural disaster. Seeing the Cotton team, whether it’s cleaning or moving things around, welcoming everyone, that’s part of our Cotton GDS — we restore communities after natural disasters. Our synergies in different parts of our day-to-day are here,” she says.

    Ahmed’s team has complete creative control over the interior aesthetics of the club. Always sourcing anything that cannot be made in-house to local vendors is something she feels is important. Nothing is rented, not even the furniture or accessories.

    “Every single thing, unless it was done by a local vendor, was done in-house: design, signage, execution — even the embroidery,” she explains

    Everything is checked over during the summer months so there won’t be any surprises when the cook-off comes back around. Every item is organized, labeled, and stored either in Cotton’s warehouses, Conex boxes, or in special climate-controlled safes — down to the matchboxes.

    “We are always prepared and ready to go,” explains Ahmed. “It’s not chaotic at all because we’re used to it — it’s a normal day at Cotton.”

    When asked for her favorite parts of the tent this year, Ahmed readily answered that it has to be the five rose ponies in the main area of the club. Secondly, the two commissioned works by Sneha Merchant. Sprinkled in diamond dust, one is a female mallard wrapped in a boa, champagne flute in hand, while the other is a smartly-suited jackalope complete with cowboy hat and martini.

    Both pieces are lit by antique sconces Ahmed sourced from Round Top, while the taxidermy Zebra heads are on loan from the Columbus, Texas ranch of Cotton Holdings’ Chairman Pete Bell.

    “Every detail, down to the swatches of velvet has been thought of with a lot of love and care,” says Ahmed. “You use that mindset with something like this. So, if you have a mindset like before you deploy to a hurricane, you can do it for the Houston Livestock Show and Rodeo.”

    Cotton Q Club rodeo tent 2026

    Courtesy of Cotton Holdings

    The Gold Pony is the ultra-private VIP lounge behind the stage.

    houston livestock show and rodeohome-designcotton holdings
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