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    hot on Galveston

    Galveston Historic Home Tour opens doors to 8 island treasures

    Holly Beretto
    May 1, 2019 | 2:22 pm

    Our coastal history’s doors are wide open in Galveston, as the island community hosts the 45th Annual Galveston Historic Homes Tour on May 4, 5, 11, and 12. Galveston lovers, architecture admirers, and preservation enthusiasts can visit eight homes highlighted in this year’s event.

    Several of these picturesque homes date back to the days before Galveston's great 1900 storm, such as the August Roemer Tenant House, built in 1873, and are located on familiar streets, such as Broadway and Ball. Others boast designs by architectural names, such as Henry Collier Cooke, who created the Cameron House in 1891. The tour is open 10 am to 6 pm each day and features the following historic homes.

    August Roemer Tenant House, built 1873
    1416 Sealy Ave.

    In 1873, August Roemer built this Gulf Coast cottage with triple dormers for use as a rental property. The center-hall house features a notable entry with double doors and transom, turned balusters, and square porch columns. Roemer sold the one-and-one-half-story house in 1879 to Julius and Elizabeth Ruhl.

    James and Amelia Byrnes House, built c. 1881
    2113 Ball St.

    Paving and roofing contractor James Byrnes purchased this property in 1883, making improvements through 1895. Ironically, the Byrnes House was held up as an example of urban decay in 1969 during a city referendum on urban renewal. The home has been in rehabilitation house since 2013.

    Conrad and Henrike Lenz House, built 1887
    1807 Avenue L

    The center-hall, side-gable home that features double dormers was a family residence for German-born Conrad Lenz, who came to Galveston with his wife, Henrike Pruessner. Lenz, a butcher, would later build a shop and smokehouse next door on the corner of 18th Street.

    Allen and Lulu Cameron House, built 1891
    1126 Church St.

    The two-story Victorian home boasts features such as an asymmetrical façade with double wrap-around galleries separated by a patterned shingle skirt, a decorative balustrade, and a widow’s walk. It was designed by Englishman Henry Collier Cooke of the firm Bourgeois Nitchner & Cooke, who emigrated from England and Italy to Galveston in 1891. Cooke's masterpiece was designed for merchant Allen Cameron and his wife, Lulu Aschoff.

    Lucas Terrace, built 1901-1908
    1407 Broadway St.
    Another Galveston structure with English roots, this complex was built by British immigrant Thomas Lucas, who erected it with salvaged bricks from his apartment building at 6th and Broadway, which was destroyed in the great 1900 storm. Lucas Terrace features two connected, gable-front, three-story buildings; a courtyard separates the main buildings from two detached two-story servant’s quarters on the south part of the property.

    Peter and Augusta Nielson House, built 1915
    1711 Rosenberg Avenue (25th St.)
    A residence slightly touched by tragedy, this two-story brick house was inspired by the Arts and Crafts movement. The abode was built by Peter Nielson, a Danish-born merchant tailor, who died suddenly a year after construction. Nielson's widow, Augusta, maintained the residence until 1929, when she moved to Houston.

    Iocopo Niccolai Tenant House, built 1922
    2416 38th St.

    In March 1938, Italian immigrant carpenter, Iacopo Niccolai, relocated this five-room bungalow, along with 11 others. Niccolai concentrated the 12 properties within the 2400 block of 38th Street, which he dubbed “Niccolai Subdivision.” The block was utilized as rentals until his death in 1947.

    Peter and Anna Serini House, built 1903, rebuilt 1923
    1810 Ave. N ½

    Another example of post-1900-storm development, this vacant lot was purchased in 1902 by Alexander McLellan, a Canadian immigrant and foreman for Southwestern Bell Telephone & Telegraph Company. McLellan relocated a house there, and in 1913, Peter and Anna Serini purchased the property. The Serinis rebuilt the home in 1923.

    Additional events
    Several other events are slated around the home tour, including a breakfast the 1892 Bishop’s Palace on May 4, 5, and 11 at 8 am. Tickets are $85 and include breakfast in the historic home’s dining room and a tour of the house.

    On May 3 and 10, for $150, guests can enjoy a multicourse chef’s dinner in one of the historic homes featured on the tour, along with a discussion about the home from its owners. Meanwhile, on May 12, celebrate mom with a jazz brunch at Menard Hall, the oldest residence on the island. Breakfast, door prizes, and more are included in the $70 ticket. All of these special events include the historic homes tour in the ticket price.

    ---

    Individual tickets are $35 each. For schedules and more details, visit the official site.

    Allen and Lulu Cameron House, 1126 Church St.

    Galveston Historic Home Tour
    Photo courtesy of Galveston Historical Foundation
    Allen and Lulu Cameron House, 1126 Church St.
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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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