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    Wood work

    "Finishing School" workshops at New Living use reclaimed wood to createfurniture treasures

    Barbara Kuntz
    Apr 29, 2012 | 12:00 pm
    • Cooper Meaders teaches classes on making furniture from reclaimed wood.
      Courtesy photo
    • Meaders' queen headboard made from oak flooring reclaimed from a local home
      Courtesy Photo
    • One of the famous Meaders "chalk" boards, this one in spalted white oak(reclaimed, of course)
      Courtesy Photo
    • A red oak coffee table framing a once-broken Texstone countertop piece
      Courtesy Photo
    • Meaders working away to salvage a neighbor's donated wood flooring
      Courtesy Photo

    Leave the upturned pinkie behind for a different take on “finishing school” now being held at a local green institution. Gather that now-wobbly and scratched wooden rocker you’ve had since your childhood, the hiking stick you found years ago and meant to sand and stain or even an interesting piece of lumber you saved to do something with as a rainy-day project – even if you forgot what that something is.

    Bring your treasures to the recently launched “Finishing School” wood workshops hosted by New Living and adjoining shop The Green Painter located in Rice Village, where in-house artisans teach how to bring those keepsakes back to life in the greenest way possible.

    “ Finishing School” is the next step for New Living and The Green Painter, which are showcasing headboards, tables and benches hand made by in-house artists using salvaged materials found in the Bayou City.

    “We already have people who come here with a piece of wood they reclaimed themselves and have a project in mind,” says Cooper Meaders, New Living artisan, certified green painter, biology college grad, Marine and all-around great guy. “Now with the 'Finishing School,' they can bring in samples and we’ll work with stains, paints. I can even cut pieces and help put them together.”

    The DIY concept is the brainchild of the stores’ founder and owner Jeff Kaplan, who sees “Finishing School” as a natural extension of the green products and services New Living and The Green Painter afford their customers.

    “We’ll provide the products, and all of our furniture products are completely sustainable and free of toxic off-gassing and formaldehyde,” Kaplan says. “Customers can come work with Cooper and learn how to refinish their existing furniture or create new pieces using sustainable materials and natural finishes.”

    “Finishing School” is the next step for New Living and The Green Painter, which are now showcasing headboards, tables and benches hand made by in-house artists using salvaged materials found right in the Bayou City.

    “We can’t keep these on the floor,” says Meaders, referring to a pin-up board surfaced with marmoleum, a readily available, natural organic product he prefers to use instead of cork. “The same with the chalkboards, too.”

    Meaders’ perfectly squared chalkboards are actually built with reclaimed wood coated with a no- or low-VOC (Volatile Organic Compounds) “chalk” paint that creates that familiar wipe-clean surface. He then constructs the frame from wood and more sustainable products donated to or collected by New Living employees.

    “We can’t keep these on the floor,” says Meaders, referring to a pin-up board surfaced with marmoleum, a readily available, natural organic product he prefers to use instead of cork. “The same with the chalkboards, too.”

    The New Living furniture biz began as almost as “accident,” Meaders continues. “I started with small projects, like building signs for the store. Then a woman came into the store who was tearing down her home and rebuilding it from the ground up. She asked if we wanted any of the old lumber.”

    Meaders and Kaplan excitedly said “Yes!” and spent three days removing the red oak floor from the residence in exchange for the non-toxic paints, stains and other furniture finishing products The Green Painter specializes in.

    With this huge inventory of the reclaimed wood, Meaders and the other shop artists had a supply to begin repurposing.

    Meaders has put that red oak to good use with such completed projects as a coffee table framing a once-broken Texstone countertop piece for the surface and a beautiful bowed headboard now on the showroom floor that he left unfinished for a buyer’s treatment preference. “I didn’t want to limit the potential,” he explains of the headboard.

    He’s also working on vertical planter walls from found and donated pallets or skids, those solid transport structures for loading or shipping. He breaks them down, brings the wood’s grain to its original glory and rebuilds to include inset planter boxes. At his own private studio, he has a massive dining table for 12 underway using reclaimed pecan timbers.

    “I prefer to take raw materials and make them ‘new’ again,” Meadors says, adding with a smile, “That’s my fire.”

    Finishing School sessions are by appointment only by calling either store at least two days in advance of a time convenient to you. Phone numbers are 713-521-1921 for New Living and 713-797-2935 for The Green Painter. Sessions are $25 per person.

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    news/home-design
    series/green-living-2012

    putting on the ritz

    Award-winning designer dishes on Houston's new Ritz-Carlton high-rise

    Emily Cotton
    Apr 10, 2026 | 2:33 pm
    Ritz-Carlton Residences exterior rendering
    Rendering courtesy of The Boundary/Ritz-Carlton Residences Houston
    The Ritz-Carlton Hotel and Residences will debut in the fall of 2029.

    Houstonians have been long overdue for the return of a Ritz-Carlton Hotel to the city skyline — the original rebranded as The St. Regis in 1997 (reopening next year as The Houston Grand Hotel - River Oaks). Thankfully, The Ritz-Carlton Hotel and Residences is coming to 2120 Post Oak Boulevard in 2029.

    Developed by Deiso Moss and constructed by Harvey Cleary, the 45-story limestone-clad, Pickard Chilton-designed tower was loosely-based by the Art Deco-era Gulf Building downtown and is planned to feature The Ritz-Carlton Hotel, a full-service property with 156 guest rooms and suites, alongside 112 bespoke branded residences available for whole ownership.

    The Ritz-Carlton Residences will occupy floors 19 through 45, offering 13 floor plans ranging from 2,361 to 9,000-square feet of luxury living space, with prices starting at $3 million. Residents who appreciate anonymity will be pleased to know that a double-gated carport and 10-foot privacy-wall will surround the exterior approach, and each residence will have a dedicated foyer off of the elevators.

    The residences will offer all of the amenities one has come to expect from buildings of this caliber: organic materials such as the best marbles and hardwoods, top-notch appliances, private loggias pre-plumbed for outdoor kitchens and pet-stations, pools, wellness suites and spas, ballrooms, discreetly-designed outdoor barbecue areas, a golf simulator — all the creature comforts its well-heeled buyers will appreciate.

    While “Ima Hogg, Glenn McCarthy, and Dominique de Menil walk into a bar” may sound like the beginnings of a fanciful joke, acclaimed architect and interior designer Lauren Rottet cites the trio as the inspiration for the Bayou City-inspired interiors of the luxury high-rise. Rottet and her team at Rottet Studio approached the property as an expression of Houston’s layered identity. Inspired by the city’s historic post oak canopy and the green parklands along Buffalo Bayou, Rottet integrated warm woods, limestone, marble, and bronze accents to create a setting that balances contemporary luxury with a distinctly regional character.

    CultureMap spoke with Rottet during the unveiling of the development’s $5 million purpose-built private sales gallery to learn more about her inspired-design for what is already being referred to as “The Crown Jewel of Texas.”

    Conceived as a true extension of the future tower, the gallery integrates curated architectural elements and material selections consistent with those specified for the project, providing a tangible preview of the residences’ design language and finish level. Dedicated installations within the gallery highlight the private amenity collection, anchored by a discreet residential arrival experience, indoor and outdoor pools, and a comprehensive wellness program, alongside full access to the hotel’s dining, cultural, and spa offerings.

    Upon entering the gallery, prospective homeowners are met by intricately-detailed oak herringbone floors that will reside in the foyer of each residence. Agatha Black, Bardiglio, and Statuary-White marbles feature throughout the space, as well as rift-cut oak wall paneling and hand-painted linen wall coverings.

    Notably, the wall coverings are creations by Maksim Koloskov, an architect at Rottet Studio. Those familiar with the ceiling in Ralph’s Bar at The Crescent Hotel in Dallas will recognize his work. Rottet explains that having Koloskov in her employ as both an architect and artist benefits everyone: “It’s actually less expensive for the owner, it’s great for him because he makes good money, and [the artwork] is exactly what I want — it’s fabulous,” she says.

    While an abundance of wooden paneling can read as outdated or even stuffy, Rottet’s decision to implement rift-cuts allows for a contemporary flair that will remain decidedly timeless. Flat-cutting is what gives traditional paneling that knotty, heart-plagued characteristic which tends to turn people off from it — a quality that is conspicuously absent from the oak paneling being cut for the Ritz-Carlton.

    “It’s interesting,” muses Rottet. “People love wood, but they don’t want a lot of character and nature in the wood. This is very much contemporary. Although this looks, in a sense, old world or traditional, it’s a little quieter. It’s still wood, it’s still beautiful, but it’s not as busy or older looking.”

    Some buyers may wonder, with such an abundance of oak used in the building — herringbone installations, six-foot planks, and floor-to-ceiling paneling — what’s the environmental impact?

    “Oak is a very sustainable wood,” explains Rottet. “The mahoganies and some of the other woods are a little less forest-friendly. This oak is forested well, and this is all a sustainable oak — it’s all from the right farms.”

    Rottet has designed the bulk of the furnishings for the space, as she will for the hotel and residential shared spaces like the library — some bespoke, some from her private line, and lighting from her collection with Visual Comfort. The sofas and rugs in the library and opposite concierge space were designed with movement in mind — think sleek curvature and varying degrees of height. Rottet explains that these common spaces are all about “being alone, together.”

    “These rooms are about wrapping you, cradling you, and making you feel comfortable; not just a straight, hard edge,” says Rottet. “It’s loosely of the bayou, of the land, of the water. Houston is very languid and fluid. Houston has a more New Orleans climate than a Texas climate, so I like to think of the flowing spaces and the water. A lot of the design I do — and particularly here — has to do with visual movement. I don’t like for an interior space to feel static. That’s why this is so free and open, and beautiful. I’m always doing things to make it feel visually active.”

    The residences are available in three different style and material packages, and Rottet is happy to help provide a turnkey design if a buyer chooses to have her finish out their space entirely. After designing 55 hotels, who better? With stunning Art Deco architecture, luxuriously-timeless interiors, plus elegant green spaces, Rottet says it best of all: “There will be newer buildings in Houston, but there will never be a better one.”

    Sales are being conducted by private appointment through Redeavor Group. To learn more about the project, please visit rcresidenceshouston.com.

    Ritz-Carlton Residences exterior rendering

    Rendering courtesy of The Boundary/Ritz-Carlton Residences Houston

    The Ritz-Carlton Hotel and Residences will debut in the fall of 2029.

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