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A $50,000 Idea

Reimagining the downtown post office with a pedestrian bridge that spans theBayou

Tyler Rudick
Apr 10, 2012 | 3:59 pm
  • A bustling Bayou Commons at night
    Rendering courtesy UIL/Gerald D. Hines Student Urban Design Competition
  • A mock-up of the pedestrian bridge that's an important feature of Bayou Commons.
    Rendering courtesy UIL/Gerald D. Hines Student Urban Design Competition
  • Bayou Commons links the post office site with its surrounding neighborhoods tocreate a diverse new community fully integrateds into the urban fabric.
    Rendering courtesy UIL/Gerald D. Hines Student Urban Design Competition
  • Public space, diversity and economic-viability were the central focus of BayouCommons, created by a joint team from the University of Colorado and Harvard.
    Rendering courtesy UIL/Gerald D. Hines Student Urban Design Competition
  • After visiting the site in March, the Colorado-Harvard team decided to add shademany of the pedestrian areas for those hot Houston summers.
    Rendering courtesy UIL/Gerald D. Hines Student Urban Design Competition
  • An example of the team's many design considerations
    Rendering courtesy UIL/Gerald D. Hines Student Urban Design Competition
  • Gerald D. Hines, for whom the competition is named, started the contest in 2003to encourage cooperation between designers and real estate experts. On Friday,he sat in the audience to watch the final presentations.
    Purdue University

A team of students from the University of Colorado and Harvard University took home a $50,000 top prize in the Gerald D. Hines Student Urban Design Competition sponsored by the Urban Land Institute.

On Friday, in the black box theater of the Houston Ballet Center for Dance, a panel of competition judges from across the country examined four final projects that reimagined a 16-acre site along Buffalo Bayou that currently maintains the mid-century downtown post office that the U.S. government has thought of selling. Real estate development legend Gerald D. Hines, who helped to create the contest 10 years ago, sat in the crowd to watch the proceedings and hear the final winner.

"The entire jury believed that if there was ever a poster child for multidisciplinary cooperation in this competition, it was the Colorad o-Harvard team,” Richard Heapes said.

After a morning of presentations from each team, the jury chose Colorado-Harvard's "Bayou Commons" project for its thoughtful use of public space and attempt to integrate the diverse fabric of surrounding neighborhoods.

Initially named “Downtown BaYOU,” the team rebranded and greatly expanded its original hypothetical scheme following a tour of the site in early March. At the center of the plan is an iconic pedestrian bridge that spans the bayou and connects the site to downtown by way of a network of amply-shaded outdoor space that mitigates Houston's notoriously hot and humid climate.

“The entire jury believed that if there was ever a poster child for multidisciplinary cooperation in this competition, it was the Colorado-Harvard team,” jury member Richard Heapes of Street Works, a development company, said in a statement. “My own company is built to match this model. . . I constantly struggle for this type of interaction and cooperation.

"Seeing this team do this in action was truly inspirational.”

Bayou Commons is designed to be fully market driven and phased to ensure that each chapter of development creates a desirable place to live, work and interact. The master plan celebrates the city's unique culture with eye-catching architectural designs, an art center and a mixture of housing types to encourage a wide swath of demographics.

“We are all thrilled to have won the competition and at the same time humbled by the experience,” said team leader Chad Murphy, who is pursuing a master of business administration in real estate at the University of Colorado.

“The three other teams were really strong," Murphy said. "Seeing Mr. Hines at the presentation, witnessing the diversity of the jury, and seeing what jury members brought to the table was an incredible experience.”

The three other teams left Houston with $10,000 a piece — not too shabby.

In addition to Murphy, other Colorado-Harvard members included Michael Albert, master in landscape architecture, Harvard University; Victor Perez Amado, master in architecture, Harvard University; Alex Atherton, master of business administration in real estate, University of Colorado; and Anna Cawrse, master of landscape architecture, Harvard University.

unspecified
news/home-design

A cut above

How vintage finds shaped the look of Houston’s nostalgic new steakhouse

Emily Cotton
Jul 10, 2026 | 11:30 am
Star Rover interior
Courtesy of Rocket Farm Restaurants
“Buffalo Bill” and friends were collected from various antiques stores.

Houston is not a city short on steakhouses. From old guard icons to sparkling new concepts, there has always been something for nearly every vibe. The addition of restaurateur Ford Fry’s new Heights steakhouse Star Rover to the Houston food scene fills a gap few Houstonians were aware was missing — good ol’ fashioned nostalgia.

Inspired by classic 1970s steak joints, Star Rover is reminiscent of the era along with the kitschy interior quirks that come along with them. Red and white checkered tablecloths, spindleback tavern chairs, animal mounts, and even a steak-eating challenge not unlike the one John Candy’s “Chet Riply” takes on in The Great Outdoors converge under dimly-lit milk glass chandeliers and mysterious vintage portraits.

As gaggles of Houstonians have flocked to Star Rover since its opening in February, the question that pops up time and again seems to be: where did they find all this stuff? From the resplendent Marfa-inspired patio to the delightfully-campy interior spaces, Rocket Farm Restaurants’ design director Rose Hanson and assistant design director Erika Askey shared the backstory on Star Rover’s most-photographed vignettes, their inspiration, and where to shop the look.

“A lot of Ford’s inspiration that he shares with us comes from Marfa, TX, and we really tried to conjure up some of that ‘Marfa,’ but a little more whimsical and not so serious for the exterior,” explains Hanson. “We sourced a lot of that in Round Top, which is a lot of fun.”

Indeed, their haul of vintage iron patio sets, funky lounge chairs, patinated tables, and umbrellas decked out in pink and white stripes, playful florals, and bullion fringe could have been plucked straight out of Marfa’s El Cosmico. Quite a feat, as Hanson and Askey were tasked with sourcing the exterior furniture with little more than 24 hours and a box truck. The rest, along with some interior items, came from their favorite — and the oldest — Houston antiques store August Antiques on Heights Boulevard.

“These are things that feel very different or out of place in the landscape, but it all connects to one another and perfectly fits there,” says Askey. “When we were thinking through this Marfa feel, it was really ‘what would a Marfa person do?’ Which is a little gathered and mismatched, but quirky and still Texas.”

From the patio, it may take a moment for eyes to adjust to the moody lighting glowing inside. Diners are greeted by a hefty hostess stand repurposed from an authentic saloon bar, found in an Atlanta Facebook marketplace listing of all places. “We ‘follow the stuff,’ and what we see,” says Hanson. “And that becomes our inspiration most of the time.”

The bar, located to the right of the entry, is a menagerie of vintage bar memorabilia. Retired brand mascots populate the shelf spaces between liquor bottles, and a floor-to-ceiling collection of rare beer mirrors fits together like puzzle pieces. It took the design duo six months and seven states to source them all. In the end, they only had a surplus of two. Surprisingly, the “mural” behind the bar is actually a landscape painting sourced during the trip to Round Top which perfectly aligned with the buildout.

“Once the project gets some momentum and we’re feeling the vibe, then we’ve really got a clear direction and we know it when we see it,” explains Hanson. “We get really excited about cowboy hats and those types of things — it’s hard to stop buying them now.”

On the subject of cowboy hats, the vaulted ceiling in the bar is nearly covered in them. The approximately 160 hats were sourced everywhere from vintage stores to eBay over the span of four months. While the goal was for the collection to look “intentionally unintentional,” assembling the carefully-curated installation took an entire day.

The main dining rooms are where things get really interesting. Lowered ceilings and warm lighting set an intimate scene, while the addition of heavy velvet draperies in deep burgundy serve to separate seating areas, dampen noise, and bring some mystique to the otherwise-casual atmosphere. Pushing the limit on what one may consider an inspired interior and what is merely cheesy theater, Star Rover lands perfectly within the realm of “camp.” It’s thoughtful, it’s quirky, and it’s a heck of a lot of fun.

“We definitely had the challenge of trying to create some of that nostalgia and authenticity without it being too conjured up or curated to make it feel staged,” says Hanson. “We tried to get it to the point where we brought in a lot of drama. Our restaurants integrate with other people’s lives and become a good memory for them. More than anything, we want to leave people with a warm feeling and a warm belly.”

The main dining area is mostly table seating, plus a hardwood-canopied bank of three booths. The antique milk glass chandeliers that hang within were sourced — for just $150 a pop — from local salvage shop Saltaire Architectural Antiques just outside of Lazybrook, as were the metal lampposts that serve as decorative columns throughout the space.

“You can’t create age on something,” says Askey of incorporating architectural salvage. “The charm of a space that’s been there forever is knowing it has been there forever. We wanted it to be like a living, breathing design that didn’t feel too perfect and allowed the age itself to happen and take over the space over time on its own. So it has a sense of nostalgia, but has so much room to grow into a place that’s been around forever.”

The pink-and-red-striped wallpaper is quickly becoming a guest favorite for Instagram posts. The pattern, with rows of whimsically-drawn turnips sprouting bouquets of flowers, also serves as a backdrop to one of the many vignettes of vintage collections. Taxidermy populates Star Rover as a whole, but guests find one grouping of particular interest, as the unfortunate former animals have taken on personalities of their own.

Names like Phil the pheasant, Douglas the deer, two ducks — aptly named Donald and Donna — and a gold-chain-wearing DJ Squirrel have garnered the unlikely squad a fandom all their own. Not to mention Buffalo Bill, the water buffalo that has taken up residence amongst the many mounts on the far back wall. One deer hoof holding out a fan of playing cards continuously receives a chuckle.

“We find ourselves having to create a lot of collections. Like the beer mirrors, the hats, the taxidermy, and some of the portraits,” explains Askey. “We strategically placed pieces of art and little cheeky items around so that every time a guest comes back in, they can kind of discover something new that maybe they didn’t notice before. Every time a guest comes back they feel a little rewarded by the design because they get to see a pop of something different.”

The antique portrait gallery and additional portraits placed throughout the spaces are of particular interest to new customers. The little blonde boy was the first in what would become a string of portrait purchases. With absolutely zero provenance to speak of, the designers chose to name the portrait “Baby Ford,” after proprietor Ford Fry, and go from there. Each new acquisition became a long lost family member with expressions and personalities to match, and with a growing fondness for them from the team.

“That little cheekiness and kind of laughing about this portrait of someone we didn’t know, and turning it into someone we do know kind of led to the rest of the findings,” explains Askey. “These were ideas we had, but that one piece opened the path for us for when we would find the other pieces. We found him and then we followed the next trail to a fun portrait, and then it became this portrait wall with a life of its own. What would it feel like to look at them when you’re in there? Even though we didn’t know who they are, we still knew them.”

Even the restrooms at Star Rover are a vintage design experience. More portraits and framed needlepoint works decorate the walls, while a graphic geometric wallpaper pattern is repeated on the fabric vanity aprons. The vanities themselves are — believe it or not — vintage replicas. The wide-bodied lime green sinks that perfectly imitate Bakelite, as well as the European-style brass vanity stands are none other than…Home Depot?

“We aren’t above or below going to Home Depot or to the fanciest store in town — if it’s the right thing, it’s the right thing,” says Askey. “Again, it was that feeling we got that we couldn’t deny and we knew that feeling would pass along to the guests when they enter the space.”

Clearly an important lesson in “high-low” design, Star Rover has something for everyone. From the nostalgic food and cocktail menus, to the comfy aesthetics of the 70s, and even the two vintage Skee-Ball machines tucked away near the patio, no detail has been overlooked.

“It’s an experience that each person gets to have individually when they walk in. It’s definitely going to take you back, not in an overdramatized way, but it will invoke the feeling of the places you’d go to with your parents as a kid, and now you’re bringing your kids,” shares Askey. “The nostalgia is there that makes people feel comforted; you don’t feel like you have to try hard. It’s always going to have a comfortable feel at whatever level you enjoy it at: drinks on the patio, snacks at the bar, dinner in the restaurant. It’s perfectly welcoming no matter what.”

As for their fellow vintage fans, Hanson weighs in on the question that’s usually on every thrifter’s mind during a hunt: “Is this cool, or is this garbage? Sometimes that line is a little blurry, and we aren’t afraid to ride that a bit.”

Star Rover interior

Courtesy of Rocket Farm Restaurants

“Buffalo Bill” and friends were collected from various antiques stores.

design interior design interview news-you-can-eat the-heights star rover
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