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    Movie Review

    Melissa Barrera takes on love and loss in playful dramedy Your Monster

    Alex Bentley
    Oct 25, 2024 | 3:15 pm
    Your Monster

    Your Monster

    Vertical Entertainment

    Actor Melissa Berrera has been on an upward trajectory in the past few years, starring in the rebooted Scream franchise and as one of the leads in the movie version of Lin-Manuel Miranda’s In the Heights. Given its title - Your Monster - and release date, her latest film would seem to be poised to take advantage of the thirst for Halloween horror content.



    Instead, it plays more like a dramedy, with Barrera starring as Laura, who as the film begins endures a string of unfortunate events: She’s in the hospital for unknown reasons, her boyfriend Jacob (Edmund Donovan), breaks up with her, and the breakup forces her to move back to her childhood home, with only her friend Mazie (Kayla Foster) for company as her family is otherwise out of the picture.

    Just her luck, the monster (Tommy Dewey) who freaked her out as a child is still living there, although now he acts like a normal person instead of some scary creature. While they initially butt heads over sharing the same space, they gradually start to bond, with the monster encouraging Laura - an aspiring Broadway actor - to pursue a role in Jacob’s new musical despite their recent split. Her antagonistic relationship with Jacob and her growing one with the monster each start to color the way she acts.

    Written and directed by Caroline Lindy, a first-time feature filmmaker who made a short film version of the story in 2020, the film never seems to settle on the right tone. Laura is initially presented as an over-the-top character, a trait that keeps her at arm’s length when it comes to emotional connection. Slowly, drama, horror, and romance start to be introduced, each to little success because of Laura’s personality and the presence of a monster who’s rarely very monstrous.

    It seems like Lindy wants the movie to be kind of a twist on the Beauty & the Beast story, this time with the monster the more level-headed of the two. There are moments when it feels like the film is headed down the right path, but it never quite gets to the intended destination. It’s also hampered by a side plot involving Jackie (Meghann Fahy), the actor chosen to be the lead in Jacob’s musical, creating a rivalry with Laura that fails to inspire.

    Another (perhaps unintended) reference is the 1985 Michael J. Fox movie Teen Wolf, whose title character this movie’s monster resembles in both looks and demeanor. The goofiness of having the monster act like a regular human being works well in the introductory phase, but it doesn’t make as much sense as the film goes along. The twists that the story takes don’t really match up what has come before.

    Barrera has shown promise in other recent roles, but the choices she makes in this role don’t serve her or the character well. Dewey, who was a stand-out performer in the recent Saturday Night, is fun as the monster, but it’s ultimately a one-note role that doesn’t give him much to do. Donovan also has little nuance in his character or performance, resulting in him being uninteresting.

    The premise of Your Monster is one that could have been taken in many different directions, but the one chosen by Lindy turned out to be the least successful. She never gets a handle on exactly what story she wanted to tell, and in the end it’s a muddled, mostly boring affair.

    ---

    Your Monster is now playing in theaters.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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