there's a starman

Pop culture titan William Shatner captains Comicpalooza along with star-studded cast

Starman Shatner gets top billing at this year's Comicpalooza.

Photo by Bennett Raglin/Getty Images for ReedPop

In one of the most famous sketches in the history of Saturday Night Live, host William Shatner plays himself where — at a Star Trek convention — he screams “get a life!” at the collected assortment of sci-fi minutiae spouting (and all male) dorks.

“It’s just a TV show!” he flusters, before pointing out one audience member: “You — you must be almost 30. Have you ever kissed a girl?” The dejected look on the Spock-eared Jon Lovitz, sadly, answers that question.

How things have changed since 1986. Today, muscled comic book superheroes, swashbuckling space rangers, and sexy, tormented monsters not only drive seemingly all of modern pop culture, but the fanbase net is cast much, much wider.

In Houston, that’s nowhere more obvious that during the annual Comicpalooza weekend. And Captain James Tiberius Kirk himself— the 92-year-old Shatner — has set his beaming coordinates for Houston as this year’s headlining star, May 26-28 at the George R. Brown Convention Center.

One of the largest shows of its kind in the country and billed as "Texas' largest pop culture festival" Comicpalooza — which began in 2008 as a tiny event in the lobby of a movie theater — counted nearly 50,000 attendees last year.

Celebrity signings and meet-and-greets, live podcasts, an Artist’s Alley, interactive demonstrations and shows, live gaming, panel discussions, and cosplay (Iots of incredible cosplay) are big attractions. Of course, most of the real estate is given to vendors selling everything from 1930’s Marvel Comics to original Kenner Star Wars figures (be on lookout for that Double Telescoping Luke Skywalker!) to today’s hottest Funko Pops.

Recently, the show even introduced Fandom Court. That’s where two litigants on opposite sides of an issue stand at podiums and argue their case, which is decided before an actual judge. One such War of Words had two Harry Potter fans quibbling about the topic “Voldemort: Genuinely Evil or Victim of Circumstance?”

Organizers will continue to roll out guests over the next few weeks, but also announced as guests with Shatner were TV’s dreamy and bloodsucking brothers Paul Wesley and Ian Somerhalder (The Vampire Diaries), actor Lou Diamond Phillips, voice actor Christopher Judge, and anime voice over talents Paul Castro Jr., Luci Christian, Colleen Clinkenbeard, Amber Lee Connors, and Jason Douglas. Visiting celeb Karl Urban is sure to draw crowds for his work in Lord of the Rings, Star Trek, Thor: Ragnarok, and more.

Comic book guests (the OG genre of fandom) include Steven McNiven, Yanick Paquette, and Frank Cho, along with literature scribes Terry Brooks, Stephen Graham Jones, and Mary Robinette Kowal. They join already-announced guests including Stephen Amell and Rick Gonzalez (Arrow) and Anthony Star (The Boys).

But just like Shock Rocker Alice Cooper in 2022, and the cast of The Mandalorian in 2021 (COVID killed Comicpalooza in 2020, but it came back just like Jason Voorhees), the biggest crowds and lines will likely be for Shatner. Himself the subject of the recent documentary You Can Call Me Bill and whose latest book was Boldly Go: Reflections on a Life of Awe and Wonder.

Sure, most of the questions and interest will be about Star Trek. But don’t forget T.J. Hooker, The Twilight Zone, Miss Congeniality, and the sung/spoken records. (Not even Elton John can touch Shatner’s tuxedoed and cigarette-smoking cool in the video for “Rocket Man.”) The man even makes commercials for the law firm of Smith & Hassler interesting. (His Priceline commercials were gems, too.)

Our hero even pulled a real Captain Kirk, in a boldly-go-where-no men have gone before (well, maybe a few), gravity-free journey on Jeff Bezos’ truly spacey Blue Origin rocket flight.

Given Shatner's headlining appearance and the star-studded cast, it's safe to say this year's Comicpalooza will be a real blast.

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Comicpalooza runs May 26-28 at the George R. Brown Convention Center (1001 Avenida de las Americas). For tickets, VIP information, full schedules, and more, visit www.comicpalooza.com

Movie Review

Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

Photo courtesy of 20th Century Studios

Emma Mackey in Ella McCay.

The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

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Ella McCay opens in theaters on December 12.

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