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    Movie Review

    The Beanie Bubble stuffs kooky comedy, '90s nostalgia, and hilarious hype of Beanie Babies madness

    Alex Bentley
    Jul 31, 2023 | 10:10 am

    The year in movies in 2023 has been a fascinating collision of art and commerce. It has contained more films than any other in recent memory about the rise (or rise and fall) of a particular business/product, including Air, Tetris, BlackBerry, and Flamin’ Hot. And that’s not even counting the big movie based on a video game and the other big movie based on a doll.

    The latest to jump on that train is The Beanie Bubble, which chronicles how the strange ‘90s obsession with Beanie Babies stuffed toys came to be. The story revolves around Ty Warner (Zach Galifianakis), the founder/owner of Ty, Inc. (side note: Who knew that the name of the company was just the founder’s first name?), but the filmmakers are more interested in three women who played big parts in his life.

    Elizabeth Banks and Zach Galifianakis in The Beanie Bubble

    Photo courtesy of Apple TV+

    Elizabeth Banks and Zach Galifianakis in The Beanie Bubble.

    Robbie (Elizabeth Banks) is a friend/love interest of Ty who is instrumental in launching the company in the 1980s. Maya (Geraldine Viswanathan) joins the fledgling company and helps with innovations like creating a company website (a rare thing in the early 1990s) and encouraging resale of the toys on Ebay. Sheila (Sarah Snook) becomes his love interest after he and Robbie part ways, with her and her daughters providing inspiration for some of the first Beanie Babies.

    The story, told by co-directors Kristin Gore and Damian Kulash and co-writers Gore and Zac Bissonnette, is one of a man who proclaims to value the input of all of these women, but who lashes out in variety of distasteful or unethical ways when their power threatens his. The fact that each was at least partially responsible for turning the company into a billion-dollar venture makes his decision-making easier to comprehend, since greed is a time-tested fault for people even stronger than Ty.

    The filmmakers do an effective job of alternating between the three women’s arcs, and even colliding them at various points. Ty’s enthusiasm for the company’s products is what draws them all in, and it’s not until each has become fully invested that they understand his unwillingness to share the spotlight and the vindictiveness that comes with that reluctance.

    If the above makes the film sound super-serious, it’s far from it. The film is light on its feet because of the way it explores how something so frivolous became so coveted. An opening scene showing a trailer truck crashing and spilling thousands of Beanie Babies on a highway sets the tone, and the filmmakers never stray too far from that. Ty toys are, naturally, omnipresent, and just the sight of them – as well as some flamboyant wardrobe choices and other elements – lightens the mood even when a scene itself is darker.

    Galifianakis is impressive in a role that allows him to go to places he’s rarely touched as a straight-up comic actor. The type of acting he does here makes the character much more than just a punchline. All three main women are great, with Banks and Viswanathan both bringing depth to their individual roles. Viswanathan is especially good at making Maya almost relentlessly positive without ever being annoying.

    The boom and bust of Beanie Babies as a legitimate investment is told with panache in The Beanie Bubble, aided by a quartet of performances that sell the characters well. Your stash of Beanies may not be worth much anymore, but at least you can enjoy a movie that’s far from under-stuffed.

    ---

    The Beanie Bubble opens in select theaters and starts streaming on Apple TV+ on July 28.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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