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    Movie Review

    Tetris stacks up a taut international story about beloved video game

    Alex Bentley
    Apr 4, 2023 | 1:45 pm

    The term “origin story” is typically associated with superheroes these days, but a growing trend involves filmmakers taking a look back about famous consumer products came to be. In the next few months, Air (about Michael Jordan’s initial shoe contract with Nike), BlackBerry (about the now-defunct smartphone), and Flamin’ Hot (about the popular Cheetos flavor) will be released in either theaters or on streaming services.

    First out the gate, though, is Tetris, which tells the highly complicated story of how the video game made its way from the USSR to players’ fingers worldwide in the late 1980s. The protagonist of the film is Henk Rogers (Taron Egerton), a small-time video game developer who sees an opportunity when he plays the then-unknown game at an electronics show.

    Understanding its potential right away, he convinces a sales rep to sell him distribution rights in Japan, where he lives with his wife and children, and where – not so coincidentally – Nintendo is located. What seems to be straightforward at first turns quickly into a quagmire, with Rogers competing against English software company Mirrorsoft for various rights, including handheld video games, as Nintendo is about launch a new system they call Game Boy.

    Directed by Jon S. Baird and written by Noah Pink, the film starts out relatively lighthearted, as the ever-optimistic Rogers bounces from country to country to convince a variety of people that his plans for the game will work. But the film gets more dramatic by the minute, with the second half – taking place almost entirely in the Soviet Union - taking on the feel of an international espionage story.

    The filmmakers start with the premise that everyone watching knows Tetris and the immense popularity the game has enjoyed over the years, especially right after it launched. But even if somehow you aren’t one of those people, the film does a good job showing its importance, with multiple different parties fighting for its rights in four different countries.

    Is all of what’s shown true? Probably not, but as with most movies that are “based on a true story,” there’s an understanding that the filmmakers use a good amount of dramatic license. On a pure filmmaking level, the story works because it shows the passion of Rogers for his business and the number of obstacles that stand in his way. It doesn’t hurt that one of those barriers is the USSR political machine, which practically has “evil” stamped all over it.

    Egerton, known for the Kingsman series and playing Elton John in Rocketman, is a delight in this role. The somewhat shlubby character offers him a chance to utilize a different type of charm, and he knocks the part out of the park. Save for Toby Jones, most of the supporting roles are filled by lesser known actors, but all are enjoyable, especially Nikita Efremov and Oleg Stefan.

    Tetris the movie could be viewed as just one big ad for the game that’s still popular, now in app form for smartphones. But the way the film is made, it’s easy to look past the commercial aspect of it and just enjoy the taut storytelling and interesting performances.

    ---

    Tetris is now streaming on Apple TV+.

    Togo Igawa, Nino Furuhata, and Taron Egerton in Tetris

    Photo courtesy of Apple TV+

    Togo Igawa, Nino Furuhata, and Taron Egerton in Tetris.

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    Movie Review

    Clichéd rom-com You, Me & Tuscany can't get by on Italian charm alone

    Alex Bentley
    Apr 9, 2026 | 2:00 pm
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany
    Photo by Giulia Parmigiani/Universal Pictures
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany.

    The romantic comedy has become an endangered species in movie theaters, as most of those that are released these days go to streamers like Netflix. While there have been a few recent successful rom-coms in theaters, they are few and far between. All of which is to say that a movie like the new You, Me & Tuscany faces an uphill battle before it’s even released.

    Halle Bailey (The Little Mermaid) stars as Anna, a former culinary school student who’s struggling in the wake of her mother's death. When she has a chance meeting with an Italian man named Matteo (Lorenzo de Moor) in New York, her dream of going to the Italian region of Tuscany is reignited. Using her last $500 and a plane ticket her mom bought her, she makes her way to Italy looking for an adventure.

    With nowhere to stay and knowing Matteo’s villa is unoccupied, she finds a key and makes herself at home. When she finds an engagement ring soon before she’s discovered by Matteo’s family, she decides to pretend to be his fiancée. The more time she spends with them, the bigger the lie becomes, especially when she starts falling for Matteo’s adopted brother, Michael (Regé-Jean Page).

    Directed by Kat Coiro and written by husband-and-wife team Ryan and Kristin Engle, the film at times feels like it’s not even trying to be good. While the set-up of the premise is okay, the story quickly turns into an eye-rolling mess when Anna shows up in Italy. Not one bit of the character’s story is believable, and even though Michael catches her in an early lie, every member of the family accepts her at face value despite the abundant red flags.

    Of course, many rom-coms are not based in reality, and the filmmakers lean into the genre’s tropes, almost as if they were saying, “We know this makes no sense - just roll with it!” Surprisingly, the gambit works for the most part, as the odd pairing of an American woman, an English-Italian man, and his fully Italian family is enjoyable despite the many groan-worthy moments they produce. The sweet way in which the family brings in a woman still going through grief almost balances out the shoddy way in which the story is told.

    Naturally, there are precisely zero surprises about where the plot is heading, as Anna and Michael grow closer despite knowing they should resist the other. Strangely, though, the filmmakers don’t go all-in on the budding relationship, choosing to slow-roll things save for one notable sexy scene in a vineyard. Coiro and the Engles play up the family aspect as much as the romance aspect, and that choice allows the film to survive for longer than it should have.

    Bailey, a singer-turned-actor, has not yet found her stride on the acting side of things. Her line deliveries are often stilted and her timing is off in key moments. This doesn’t help her chemistry with older Page, who seems to be getting by on vibes and looks alone. The most enjoyable actors in the film are all Italian, including Marco Calvani, Isabella Ferrari, and Paolo Sassanelli.

    There are glimpses of a fully successful film in You, Me & Tuscany, enough to keep it watchable for its entire 104-minute running time. But then they have the Italian grandmother say a gobsmacking line like “If you wanna tap-a that ass, you should tap-a that ass,” and you remember exactly what type of film you’re watching.

    ---

    You, Me & Tuscany opens in theaters on April 10.

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