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    Movie Review

    Two-part documentary STEVE! shows the many facets of Steve Martin

    Alex Bentley
    Apr 1, 2024 | 11:30 am
    Steve Martin in STEVE! (Martin) a documentary in two pieces

    Steve Martin in STEVE! (Martin) a documentary in two pieces.

    Photo courtesy of Apple TV+

    Not many people have been able to reinvent themselves as seemingly easily as Steve Martin has. Arguably the premier comedian of the late 1970s, he walked away from his unique version of stand-up comedy to become a movie star, a title he earned for almost 30 years. Along the way, he also became an acclaimed playwright, banjo player, and art collector, and now in his seventies, he’s returned to his first love alongside fellow comedian Martin Short.

    Given the multitude of titles he’s held over the years, it should come as no surprise that the new Apple TV+ documentary about him, STEVE! (Martin) a documentary in two pieces, is not one film but two. The first, subtitled Then, is about his showbiz beginnings in the 1960s and his ascent to stardom in the mid-1970s. Anyone who has read Martin’s stellar 2007 memoir, Born Standing Up, will be familiar with much of the details, but they still remain fascinating.

    Using a variety of clips and original animation to illustrate Martin’s history, director Morgan Neville (Won’t You Be My Neighbor?) takes the audience on a trip through Martin’s highlights. These include his first job as a magician at Disneyland, working for The Smothers Brothers Comedy Hour, dating the daughter of blacklisted writer Dalton Trumbo, hosting Saturday Night Live, and more. For those not well-versed in Martin’s history, the film does an effective job at showing just how unusual Martin’s comedy was, and how big of a celebrity he became.

    With Martin appearing in old clips and via a voiceover, it’s not immediately apparent that the first film features no actual footage filmed by Neville. Everything shown is either archival or animated, with Martin and interviewees like Jerry Seinfeld, Lorne Michaels, Martin’s collaborator John McEuen, and Martin’s sister Melinda Dobbs only speaking via audio clips. The film is no less engrossing because of this decision, and demonstrates an understanding on Neville’s part that no embellishment is needed for this part of the story.

    It’s in the second part, Now, that the modern-day Martin makes his first on-camera appearance, and there’s an immediate difference, with the first scene showing him making breakfast in his kitchen setting the tone. While many of his movies – like Three Amigos, Planes, Trains & Automobiles, L.A. Story, and Father of the Bride – are brought up, it’s less a celebration of his great work and more a wistful reflection on the remarkable life he’s led by Martin.

    Neville does include short clips of sit-down interviews with luminaries like Michaels, Tina Fey, Eric Idle, and Diane Keaton, but the two most notable celebrity appearances are a one-on-one conversation between Martin and Seinfeld, and multiple scenes showing the day-to-day friendship between Martin and Short. The comic duo, who have been touring together since 2014, are shown going biking, working on their stage show, and more, demonstrating the deep affection the two have for each other.

    So much has happened in Martin’s life that Neville doesn’t even have time for his music efforts, including with his band, the Steep Canyon Rangers, or his collaborations with Edie Brickell, the latter of which resulted in the Tony-nominated musical, Bright Star. Time is made for Martin’s late-in-life family, including his wife, Anne Stringfield, and his daughter, who is hilariously kept off camera by being represented by a stick figure.

    The second part also shows Martin taking on yet-another title, as he collaborates with cartoonist/illustrator Harry Bliss on a book featuring comic strips with anecdotes about Martin’s many movies. With Martin also currently starring in the hit Hulu show Only Murders in the Building alongside Short and Selena Gomez, it seems that his ability to reinvent himself knows no bounds.

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    STEVE! (Martin) a documentary in two pieces is now streaming on Apple TV+.

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    Movie Review

    The Only Living Pickpocket in New York lifts big rewards from small stakes

    Alex Bentley
    Oct 30, 2026 | 10:30 am
    John Turturro in The Only Living Pickpocket in New York
    Photo courtesy of Sony Pictures Classics
    John Turturro in The Only Living Pickpocket in New York.

    John Turturro is one of those people who embodies the term “character actor” the best. With over 120 credits in his nearly 50-year career, Turturro has rarely been the star of any of his projects. Instead, filmmakers have mostly used his unique face, New York accent, and inimitable acting style to help support the lead actors, a role for which Turturro seems well-suited.

    Now 69, Turturro is taking the reins in The Only Living Pickpocket in New York, playing Harry, a long-in-the-tooth thief who still has skills but not as many opportunities. The plucking of wallets isn’t as lucrative in the mostly-cashless modern society, and Harry has little use for smartphones since he doesn’t know how to use them. However, a rare opportunity presents itself when he happens upon Dylan (Will Price), a young man who seems to be as oblivious as he is rich.

    After a clever robbery of Dylan’s vintage car, though, Harry discovers he might be in over his head, especially when he finds a card-shaped USB drive. It's the contents of the drive that soon puts Harry and anyone around him in danger, including his wife, Rosie (Karina Arroyave), who’s suffering from unresponsive wakefulness syndrome; Ben (Steve Buscemi), who helps Harry sell stolen items; and even his estranged daughter Kelly (Tatiana Maslany).

    Written and directed by Noah Segan, the film is a low-key thriller made to emulate the tempo of Harry’s life. While one of the plot points puts a degree of urgency into his actions, for the most part Harry is someone for whom slow and steady always wins the race. He is someone who has developed relationships over decades, including with NYPD Detective Warren (Giancarlo Esposito), and it’s those bonds that help him make it through each day.

    Even though Harry is a criminal, the film treats him as an overall good guy, especially through the way he takes care of Rosie and the generosity he displays with his (stolen) money. Almost no one has a bad thing to say about him, and so Segan comes up with a couple of ways to give him more depth. His one scene with Kelly does the trick, providing a glimpse into a lesser man who clearly existed at one time.

    One of the pleasures of the film for longtime movie fans are the reunions Turturro has with Buscemi (his co-star in The Big Lebowski) and Esposito (his co-star in Do the Right Thing). All three could be all-stars on a team of character actors, with each having made big impressions in all sorts of roles over the past 40 years. Seeing them back together again as very different characters from when they last collaborated underscores the level of talent each of them has.

    Turturro ably carries the load in the lead role, but given his acting style and the type of role he’s called to play, his performance is far from showy. The same goes for Buscemi and Esposito, who are there to give great support to the classic supporting actor. When someone does go over-the-top, as Price does in most of his scenes, it stands out in a bad way. Maslany scores a lot of points in her brief appearance.

    The Only Living Pickpocket in New York is a quiet film with big rewards despite its small ambitions. The beauty of the story lies in its small details, both character-related and not. Turturro rarely disappoints when he’s not the lead actor, and he demonstrates that he’s equally capable of making a movie great when he’s out front.

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    The Only Living Pickpocket in New York opens in theaters on October 30.

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