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    Movie Review

    Scream VI whimpers with reminder that Ghostface needs to go down for good

    Alex Bentley
    Mar 10, 2023 | 5:30 pm

    The reboot of the Scream franchise in 2022 might have been intended to be dumped in the dead zone of January, but its unexpectedly high $81 million box office put a sequel on the fast track. And it’s a good thing they did, because the new young cast members – notably Melissa Barrera, Jenna Ortega, Jasmine Savoy Brown, and Mason Gooding – are hot properties and getting hotter by the minute.

    Scream VI finds the foursome away from the cursed town of Woodsboro, as they have all relocated to the notoriously safe New York City together. Tara (Ortega) and twins Mindy (Savoy Brown) and Chad (Gooding) are students at the fictional Blackmoore University, while Sam (Barrera) does her best to keep Tara safe after reconnecting with her sister in the previous film.

    The emergence of a new Ghostface killer not only puts all of them at risk, but also new roommates Quinn (Liana Liberato) and Ethan (Jack Champion), as well as Sam’s new love interest, Danny (Josh Segarra). Helping to track down the killer (or killers) is Det. Bailey (Dermot Mulroney) and Kirby Reed (Hayden Panatierre), now an FBI agent after being terrorized herself in Scream 4.

    Still sticking with the credo of “If it ain’t broke, don’t fix it,” the filmmakers – returning co-directors Matt Bettinelli-Olpin and Tyler Ginnett, and returning co-writers James Vanderbilt and Guy Busick – go back to the same formula seen many times before over and over again. The killer attacks, manages to stab a victim or two before getting hit by a blunt object, disappears mysteriously after the protagonists are distracted, rinse and repeat.

    At this point it would be surprising if they deviated much at all from what is expected, since fans don’t seem to mind the repetition. That’s not to say that the film is completely devoid of entertainment. The brutal opening scene, another hallmark of the series, manages to bring a degree of cleverness to the film. And even though most of the kills are telegraphed, the level of violence will satisfy any hardcore horror fan.

    However, the film too often takes the easy road. It’s set around Halloween, so that hordes of people roaming the streets in masks, many of them Ghostface ones, seems natural. Instead of raising the tension, it somehow takes it away as the filmmakers can’t use the idea properly. Sam being haunted by her parentage once again plays a big part in the story, but just as in the last film, it doesn’t add up to much.

    The lack of good material is a crying shame, as the film truly does have a gem of a cast. Ortega is at the top of everyone’s list after the Netflix show Wednesday and other recent roles. Barrera has the charisma and the looks to be the star in many more projects. And Savoy Brown and Gooding have the goods to easily slide back and forth between movies and TV.

    In the Scream franchise, Ghostface will never die because there will always be someone new who’s willing – or psychotic enough – to don the mask and do some more slashing. But unless filmmakers are able to inject some new ideas into the mix, it might be best to let the series die, once and for all.

    ---

    Scream VI opens in theaters on March 10.

    Ghostface in Scream VI

    Photo courtesy of Paramount Pictures

    Ghostface in Scream VI.

    Hayden PanatierreJenna OrtegaReboot of Screamfilmmovies
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    Movie Review

    New biopic 'Jimmy' celebrates Jimmy Stewart's World War II service

    Alex Bentley
    Nov 9, 2026 | 3:00 pm
    KJ Apa in Jimmy
    Photo courtesy of Papaian Studios
    KJ Apa in Jimmy.

    Actor Jimmy Stewart, thanks to movies such as Mr. Smith Goes to Washington, The Shop Around the Corner, and The Philadelphia Story, had the reputation early in his career as the everyman in Hollywood, someone to whom most audiences could relate. That became even more true when Stewart entered the military during World War II, a period that is explored in the new biopic, Jimmy.

    The film was co-produced with Fort Worth-based Papaian Studios and received a red-carpet premiere as part of the Lone Star Film Festival on Wednesday, November 4. Stewart had several ties to Fort Worth, which were celebrated at the event.

    Stewart (KJ Apa) was riding high in 1941, coming off his first (and only) Oscar win for The Philadelphia Story. As depicted in the film, his life is upended when he receives a military draft notice as the U.S. prepares for war. He’s determined to serve, but people like studio head Louis B. Mayer (Jason Alexander) try to talk him out of it. Already an experienced pilot, he eventually joins the war in Europe, flying the B-24 bomber.

    Despite his celebrity status, Stewart requests to be treated the same as any other soldier, which means flying multiple missions over enemy territory. He moves up the ranks, becoming a leader tasked with, among other things, reporting the deaths of service members to their families. He also starts a friendship that develops into a romance with Lady Julia (Kara Killmer), giving him a distraction from the horrors of war.

    Directed by Aaron Burns and written by Justin Strawhand, the film has the clear goal of being a hagiography for Stewart, showing all of his good qualities and few of his bad ones. In fact, the character of Stewart is harder on himself than the actual movie is, chastising himself over the deaths of fellow soldiers that he likely could not have prevented. The filmmakers go to great lengths to show how good and well-respected Stewart was, something that may well be true, but doesn’t make for great drama.

    The bulk of the film features Stewart at war, following him and others as they fly multiple missions and commiserate over the price of combat. The sequences are fine, but the film’s budget does not appear to be high, and so the CGI needed to recreate the scenes is noticeably subpar. Because Burns and Strawhand usually keep to surface-level storytelling and don’t go deep on any character besides Stewart, his time at war is engaging but slight.

    The film is bookended by Stewart and Frank Capra (Max Casella) making It’s a Wonderful Life, Stewart’s first film after coming back from war. It’s here where the movie becomes most interesting as Stewart, still affected by his war experience, struggles to bring the character of George Bailey to life. The behind-the-scenes look at the film-within-the-film and the recreations of its iconic scenes are catnip for anyone who knows/loves the Christmas classic.

    Apa, best known for starring as Archie on the TV show Riverdale, does extremely well as Stewart. He nails Stewart’s quavering voice and the way he ambles about plays right into the actor’s established persona. Casella and Killmer get the most play in supporting roles, and each does solid work as characters trying to understand Stewart. Alexander, Sarah Drew as Hedda Hopper, and Rob Riggle as a colonel each go a little too big in their respective parts.

    Jimmy is probably best watched as an approximation of the man Stewart was in the 1940s, not as something that’s completely true to life. The film elides or stretches the truth on multiple occasions, which is par for the course in biopics. It could have used some stronger storytelling to make Stewart feel like a real person, not merely a replica of the famous actor.

    ---

    Jimmy is now playing in theaters.

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