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    enter the king

    HBO drops trailer for new docuseries about Texas Renaissance Festival

    Brianna Caleri
    May 22, 2024 | 3:30 pm
    Ren Faire joust film still

    Viewers at South by Southwest got a sneak peek, but haven't been able to share with their friends until now.

    Film still courtesy of HBO

    One of the highlights at South by Southwest (SXSW) in 2024 was the debut of Ren Faire; a fictionalized docuseries, you could call it, about a heated succession battle at the Texas Renaissance Festival. Although viewers have suffered without a trailer to share, one finally arrived on May 21. The series premieres June 2 on HBO.

    Many Houstonians not only make the trip to attend the festival, but they appear as performers, vendors, and staff. This faire claims to be the largest in the country, and it certainly dwarfs Austin's small, but charismatic neighbor in McDade, the Sherwood Forest Faire.

    SXSW attendees previewed the full first episode of the three-part series, which lays out an impressive amount of Shakespearean interpersonal drama in its hour-long runtime. In short, an eccentric leader, George Coulam (a.k.a. King George), discusses his end-of-life plan: to find a much younger partner, to pass off ren faire operations to someone else, and to die on schedule. (Details TBD on the last thing.)

    "Someone else," in the first episode, is either sycophantic general manager Jeffrey Baldwin, who loves the faire nearly to the point of fetishization; or kettle corn entrepreneur Louie Migliaccio, who loves capitalism ... almost to the point of fetishization. The ensuing power struggle is one that pits pathetic passion against manipulative money — it would be cynical, if the filmmakers didn't have such a great sense of humor.

    Since SXSW viewers didn't get to watch more than the first episode, they haven't been acquainted yet with elephant trainer Darla Smith, who the trailer positions as the third contender for King George's throne. In a series full of overt archetypes, it seems Smith will play a femme fatale role, featured in a sheer mourning look, sipping a martini, making threats, and brandishing a blade.

    Viewers will likely notice about halfway through that this docuseries is not beholden to reality. Although the general arc of events are true — as South Floridian director Lance Oppenheim confirmed at the talkback after the premiere — they're embellished by cinematic filming, ostentatious editing, and even dramatic reenactments of key moments. (The real-unreal drama is surely amplified by famous producers Josh and Benny Safdie, known for writing and directing 2019's Uncut Gems.)

    Although the festival looms large compared to others, it's still a regional endeavor in a niche community pursuit. Immediately after the premiere, people took to social media to discuss their experiences with cast members. The trailer has unearthed more of these. Many were not favorable.

    "No matter how crazy George comes off in this, I can assure you, he's worse," wrote dianeschluter9995.

    "Everything I've ever heard about Texas Renneisance Festival management from the shop owners and staff make them seem like the worst people," said CaptainAtMan.

    Some commenters on the inside, though, pushed back.

    "This is not a fair and accurate representation of the character of the people I know in this film," wrote amberyates7152. "Please please know that.

    "Heaven help all of us booth owning artists and the management of most Renaissance Faires that will have to spend the next 10 years explaining to the patrons that most of us are not at all like this," said sandrahebner8561. "That most faires are not at all like this. That most craftspeople and artists are not like this. That we are just normal people with mortgages and insurance and kids trying to make a living."

    CultureMap has not verified that these social media commenters have real experience with the subjects of the film.

    Some discourse has also compared the series to two other hyper-dramatic and hugely popular series: Tiger King and Succession. (Hey, we said the first one!) Filmmakers, though, made the connection to Shakespeare's King Lear most obvious, so this docuseries has that time-tested dramatic edge.

    Ren Faire makes its public debut Sunday, June 2, from 8-9 pm Central on HBO. Viewers can also stream on Max. Episodes two and three will air back-to-back the following Sunday, June 9.

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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