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    Movie Review

    A first love leads to big romance in Australian film Of An Age

    Alex Bentley
    Feb 17, 2023 | 3:00 pm
    Elias Anton and Thom Green in Of An Age

    Elias Anton and Thom Green in Of An Age.

    Photo by Thuy Vy / © Of An Age Films Pty Ltd

    Great romance movies are few and far between. The multitude of factors that have to go right, including the chemistry of the two lead actors, the right type of story, and the dialogue, make success hard to achieve. Same-sex relationships have not been explored nearly as much as straight ones in the history of movies, so making an effective gay romance is inherently more difficult.

    The past year saw two solid gay rom-coms – Fire Island and Bros – and now comes a great drama, Of An Age. When we meet Kol (Elias Anton), he is a 19-year-old Australian ballroom dancer about compete with his best friend, Ebony (Hattie Hook). But a drunken night by Ebony, winding up with her lost far from home, derails those plans, and Kol has to ask Ebony’s brother Adam (Thom Green) to help find her.

    The hour-long drive gives Kol and Adam plenty of time to get to know one another, and when the closeted Kol discovers that Adam is openly gay, it begins a tentative-but-intense bond between the two. The film, which starts in 1999 and finishes in 2010, explores how a quick connection like the one Kol and Adam have can have far-reaching impact on both lives.

    Written and directed by Goran Stolevski, the film tells a story that’s both universal and highly specific to the experience of many gay people. Finding your first love can transport a person in many ways, and the film does a magnificent job of imparting that feeling, showing how Kol and Adam become close through their conversations, furtive glances, and more.

    Stolevski and the actors also impressively demonstrate just what it means for someone like Kol, who hasn’t found the courage to fully reveal himself to the world, to find someone like Adam, who already has. The film doesn’t do so in a heavy-handed manner, instead opting for a low-key approach that still tells the audience all they need to know about the lives of each man.

    The result is a highly romantic story that only frustrates because of effective storytelling choices. Right from the start, Ebony is portrayed as a drama queen of the highest order, and her self-centeredness steals focus from Kol and Adam. And the reality of where Kol and Adam are heading in their respective lives makes the relatively short time they have together all the more precious.

    Unless you’re somehow well-versed in Australian TV, none of the actors will be familiar, but that serves the story well. Both Anton and Green are eminently likable, and the start-and-stop conversations between their two characters feel so real that it’s almost painful. Hook makes Ebony into someone you love to hate, which means she’s doing her job well.

    It wasn’t so long ago that romantic movies involving gay characters felt far from mainstream. Of An Age is part of a fantastic trend that opens up a whole new world for a segment of society that’s been held back far too long.

    ---

    Of An Age is now playing in theaters.

    moviesfilm
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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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