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    Movie Review

    Annette Bening recreates great swimming achievement in inspiring Nyad

    Alex Bentley
    Oct 20, 2023 | 3:07 pm

    Even for fans, significant sports accomplishments and milestones have a way of fading away over time. People of a certain age may remember the name of long-distance swimmer Diana Nyad, who swam around Manhattan and from the Bahamas to Florida in the late 1970s. But do you remember that her most significant swimming feat came just 10 years ago when she was 64 years old?

    That event, her swimming over 100 miles from Cuba to Key West, Florida, is at the center of Nyad. Annette Bening stars as Nyad, who - when the film begins - is 30 years removed from her ‘70s heyday, living an anonymous life in Los Angeles with her best friend, Bonnie (Jodie Foster). Even though it’s been forever since she swam competitively, a desire to not just sit around in the twilight of her life leads her to take up the sport again.

    She soon goes from recreational laps at the neighborhood pool to an obsessive need to do the only thing that eluded her in her younger years, the Cuba-to-Florida swim, something that no other swimmer had been able to do either. With her intense personality, she convinces Bonnie to be her coach, and hires a team – including navigator John Bartlett (Rhys Ifans) – to help guide her through the notoriously tough waters.

    Directed by Jimmy Chin and Elizabeth Chai Vasarhelyi, and written by Julia Cox from Nyad’s autobiography, the film is inspirational, but not in the faux way that some schmaltzy movies can be. Instead, the filmmakers rouse by showing just how insanely difficult that particular swim is, with its swift crossing currents and dangerous sea creatures, especially for a woman of her age.

    Chin and Vasarhelyi, directing their first narrative feature after years of helming documentaries like Free Solo, devote themselves to verisimilitude here, putting Bening (and, likely, a stunt double) into the open water instead of overusing CGI. That effort pays real dividends, as there’s just something about seeing someone actually swimming in rough seas that ups the stakes of the story.

    Even though Nyad is the protagonist of the story, they don’t try to hide her ornery personality. She has a monomaniacal focus on her goal that sometimes puts her and those who are helping her in danger. They also repeatedly show her alienating conversation partners with a need to tell them the complete details about her swimming achievements, making her seem like not the most fun person to be around in general.

    Bening is as good as ever in the lead role, laying herself bare in multiple ways to inhabit Nyad’s persona. The same age as Nyad was during the events in the film, she shows that the right pairing of actor and part can yield great results. Foster is equally impressive, delivering a performance that is definitely supporting, but still shows her star skills. Ifans, playing a rare American, is also solid in a limited appearance.

    Nyad has a few clunky moments, but for the most part it’s a well-told and -staged story about an athlete defying the odds. Perhaps this film will keep Nyad’s remarkable triumph from vanishing from world’s memory, with the help of two of the best actors in recent Hollywood history.

    ---

    Nyad is currently playing at IPIC Theater in Houston and debuts on Netflix on November 3.

    Annette Bening in Nyad
      

    Photo by Liz Parkinson/Netflix

    Annette Bening in Nyad.

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    Movie Review

    Heartfelt movie The Life of Chuck adapts optimistic Stephen King story

    Alex Bentley
    Jun 13, 2025 | 5:30 pm
    Tom Hiddleston in The Life of Chuck
    Photo courtesy of NEON
    Tom Hiddleston in The Life of Chuck.

    Just like actors, once a filmmaker becomes known for a certain genre, it can be difficult to escape that pigeonholing. Writer/director Mike Flanagan has worked for 20 years in both film and television, and literally every project he’s done has been related to horror. He’s finally breaking out with The Life of Chuck, which is ironically based on a short story of the same name by Stephen King.



    Told in three chapters in reverse order, the film is almost impossible to describe without giving away its magic. The first section centers on Marty (Chiwetel Ejiofor), a teacher grappling, like everyone around him, with what seems to be the world falling apart. He’s comforted to a degree by reuniting with his ex-wife, Felicia (Karen Gillan), but is also baffled by multiple ads touting the retirement of Charles “Chuck” Krantz (Tom Hiddleston) after “39 great years.”

    The second section consists of little more than a slightly younger Chuck happening upon Taylor (The Pocket Queen), a drummer busking on a street corner, giving Chuck and a younger woman, Janice (Annalise Basso), the inspiration to start dancing. The final section goes back to the childhood of Chuck (Benjamin Pajak), where he’s raised by his grandparents (Mark Hamill and Mia Sara), discovers dance as an outlet, and wonders about various small mysteries.

    Flanagan finds a way to deliver a lot of story with relatively little effort. Using a wry narrator (Nick Offerman), a limited number of locations, and a series of great small performances, he creates an intriguing premise with few straightforward answers. The structure of the film is designed to confuse the viewer until just the right moment, and the revelation forces you to reexamine everything that came before.

    The biggest accomplishment by Flanagan is making what are essentially three short films and having each of them resonate equally. The film contains elements of science fiction, although the first section may hit a bit too close to home for some of those watching. All three sections, though, have a heartwarming bent to them that sells their central idea without becoming overly saccharine.

    To do so, each of the characters have to connect in a short amount of time. The casting of the film is crucial, and not only does that department succeed with the main roles, but a series of small roles are filled expertly as well. Carl Lumbly as a funeral home owner, David Dastmalchian and Harvey Guillen as parents of students, Matthew Lillard as Marty’s neighbor, Q’orianka Kilcher as Chuck’s wife, and Jacob Tremblay as a teenage Chuck are just a few of the recognizable actors that do yeoman’s work in their brief time on screen.

    Hiddleston is only prominently featured in the second chapter, but his performance there and in small glimpses throughout makes a big impression. Ejiofor is given the star turn in the first chapter and he absolutely kills, both in moments by himself and in scenes with Gillan, with whom he has great chemistry. Hamill, making a rare non-voiceover appearance outside of the Star Wars universe, and Sara, in her first notable role in 11 years, are also very memorable in the final chapter.

    The Life of Chuck is a film that’s filled with emotion, but the full impact of the story is not felt until the final moments. It has a mysterious journey that is initially frustrating, but the performances keep the film going until it gets to its satisfying payoff.

    ---

    The Life of Chuck is now playing in theaters.

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