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    Movie Review

    Liam Neeson spoofs his tough guy image in Naked Gun movie reboot

    Alex Bentley
    Jul 31, 2025 | 2:34 pm
    Liam Neeson in The Naked Gun

    Liam Neeson in The Naked Gun.

    Photo courtesy of Paramount Pictures

    The Naked Gun series holds a place in the hearts of certain comedy fans, as the three films — made in the late ‘80s/early ‘90s — continued a tradition started by Airplane and This is Spinal Tap of spoofing more serious types of movies. It also inspired a new generation of comedy filmmakers, which is why it’s being revived over 30 years later by writer/director Akiva Schaffer, one-third of the comedy group The Lonely Island.

    This version of The Naked Gun stars Liam Neeson as Frank Drebin, Jr., the son of Leslie Nielsen’s character from the original trilogy and Police Squad!, the short-lived sitcom upon which the series is based. Like his father, Frank has a combination of skills that make him look both impressive and inept in equal measures. Early on, he seems to thwart a bank robbery, only to learn that billionaire Richard Cane (Danny Huston) has gotten away with something called the P.L.O.T. Device.

    As if it’s not clear by the name of the mystery item, the bare-bones plot is merely an excuse to have Frank bumble his way around Los Angeles. Along the way he discovers a murder; acquires a love interest in Beth Davenport (Pamela Anderson), the dead man’s sister; continually raises the ire of Police Chief Davis (CCH Pounder); and generally causes chaos wherever he goes.

    Co-written by Doug Gregor and Doug Mand (Chip ‘n Dale: Rescue Rangers), the film gets off to a solid start, not least because it’s front-loaded with a lot of the jokes shown in the trailer. As fans of the series will expect, it’s packed with multiple sight gags, plays on words, and other stupid-but-comical bits. The goal is to pack as many funny things as possible into each minute, hoping the resulting laughs will overshadow any faults.

    Which is why it’s surprising that, after the opening barrage, the filmmakers dramatically slow things down. Even at a brisk 85 minutes, the film starts to drag as some sequences go on far longer than they should. Schaffer and his team can’t seem to settle on the balance between too much and not enough; they let a joke about Frank’s bad experiences with chili dogs go on and on while not letting other, better ideas breathe a bit longer.

    The romantic subplot between Frank and Beth yields some solid results, like a sexually-suggestive sequence misinterpreted by an onlooker and another weird one involving a snowman who comes to life. But humor is harder to come by as Frank pursues Cane, with even the obvious jokes missing the mark. Frank, Jr. is even more oblivious than his father, a trait that should lead to great comedy but somehow fails to land for much of the last half of the movie.

    Neeson works in fits and starts in the lead role. Spoofing his own screen image, it’s fun to see him stay dead serious while doing ridiculous things, but the illusion doesn’t last. Anderson and Huston play characters in the same vein, as does Paul Walter Hauser as Frank’s partner Ed Hocken, Jr., who could have used more screentime. What the film needed was a character like O.J. Simpson's Nordberg in the original trilogy, who could be brutalized for laughs and little else.

    The makers of the new film have the comedy chops to reinvigorate a property like The Naked Gun, but they ultimately can’t maintain the rhythm that a movie like this needs. Even stupid comedy can be difficult to pull off correctly, and even though this film is full of inanity, there are not enough memorable moments to make it worth recommending.

    ---

    The Naked Gun opens in theaters on August 1.

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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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