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    Movie Review

    Scarlett Johansson makes her directorial debut with Eleanor the Great

    Alex Bentley
    Sep 26, 2025 | 3:00 pm
    June Squibb in Eleanor the Great

    June Squibb in Eleanor the Great.

    Photo courtesy of Sony Pictures Classics

    One of the more remarkable stories in recent movie history is the very late rise of actor June Squibb. Although not an unknown, having appeared in supporting roles in the 1990s and 2000s, Squibb became a sensation after earning an Oscar nomination for her role in Nebraska in 2013 at the age of 84. She has remained in demand ever since, even playing the lead role in Thelma in 2024 and now Eleanor the Great.

    Eleanor (Squibb) is a long-retired woman living in Florida with her best friend, Bessie (Rita Zohar). When Bessie dies, Eleanor’s daughter Lisa (Jessica Hecht) insists she move back to New York to be closer to her family. With no other connections, Eleanor takes Lisa’s suggestion to go to her local Jewish community center to see if she can make some friends there.

    Eleanor inadvertently gets pulled into a Holocaust survivor group, where everyone there assumes she shares their history. Out of embarrassment and a love for Bessie, who was a Holocaust survivor, Eleanor starts sharing Bessie’s stories as if they were her own. Nina (Erin Kellyman), an NYU student, happens to be at the meeting and takes a shine to Eleanor. Soon, the two of them are spending lots of time together, with Nina hoping to use Eleanor’s stories for a piece she’s writing for her journalism class.

    Scarlett Johansson, making her directing debut, and writer Tory Kamen give Squibb a light-yet-dramatic showcase that plays directly to her strengths. Many films that focus on elderly characters use their age as a joke, pointing out how they don’t mesh well with modern times. The filmmakers mostly eschew that kind of storytelling, instead allowing Eleanor to be a full human being who gets caught up in a lie that she can’t seem to shake.

    They also make the wise decision to give Eleanor a compelling foil in Nina, who’s dealing with her own trauma following the recent death of her mother. The grief that Nina and her father, Roger (Chiwetel Ejiofor), are experiencing adds a dimension to the story that that expands its emotional depth. Eleanor and Nina’s growing friendship is portrayed so believably that the inevitable reveal of Eleanor’s deception grows more heartbreaking by the minute.

    Johansson has a few minor missteps in her first attempt as a feature filmmaker, but overall she demonstrates an ability to juggle a variety of characters and situations without losing the thread of the plot. The story is a familiar one that’s been done in different ways before, but Johansson and her team keep it engaging throughout despite its predictable beats.

    Squibb, who is 95 years old (!!), is yet again a wonder in the role. While her and her character’s age are a big part of the story, that fact never overshadows her acting ability. She’s able to find nuances that make Eleanor into a large presence, proving she is a star through and through. The rest of the cast is also great, especially Kellyman and Ejiofor, who inhabit their storyline well without taking away from the main plot.

    There are not many actors who still have the ability to carry an entire movie on their back in their nineties, but Squibb is a delightful exception. The fact that Eleanor the Great is not some disposable trifle makes her continued late-career renaissance all the more impressive, and even more reason to respect her and everyone involved in the film.

    ---

    Eleanor the Great is now playing in theaters.

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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