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    Movie Review

    Disney delivers strong performances and stunning animation in Moana 2

    Alex Bentley
    Nov 27, 2024 | 1:30 pm
    Moana (Auli'i Cravalho) in Moana 2

    Moana (Auli'i Cravalho) in Moana 2.

    Photo courtesy of Disney

    When Moana came out in 2016, Walt Disney Animation Studios (the non-Pixar side of the studio) was in the midst of a creative boom, having released Wreck-It Ralph, Frozen, Big Hero 6, and Zootopia over the previous four years. In the eight years since, though, the studio has — outside of the stellar Encanto — been in a rut, with studio mergers, a reliance on sequels, and the pandemic all combining for subpar products.



    Unfortunately for Disney and fans of the first film, Moana 2 does not break that streak. Moana (Auli’i Cravalho) has become the go-to wayfinder for her tribe on the fictional Polynesian island of Motunui, traveling long distances on her own thanks to her special connection with the ocean. As the film opens, she’s continuing her mission of exploring other islands in the region in hopes of finding other people besides her own tribe.

    A message from her ancestors gives Moana fresh hope, and she recruits tribemates Loto (Rose Matafeo), Moni (Hualalai Chang), and Kele (David Fang) to join her on a voyage to an island that may or may not exist. Naturally, along the way they meet up with the demigod Maui (Dwayne Johnson), who’s run into his own issue, being held captive by the bat-obsessed enchantress Matangi (Awhimai Fraser).

    On the positive side of the ledger, the animation is as beautiful as ever, with the water and other scenery especially impressive. And the returning actors, including Cravalho, Johnson, Temuera Morrison, Nicole Scherzinger, and Rachel House, all bring nice touches to their performances. The songs, while not as dynamic as those from the original film, provide nice showcases for Cravalho, Johnson, and others.

    But the film, which started off as a streaming series for Disney+ before being reworked into a movie, has almost none of the same feeling as the first film. The main plot is not very interesting, mostly because the obstacles thrown in Moana’s way are odd. The filmmakers’ choice to bring in three crewmates for Moana is also strange, as each of the characters acts more like a comic relief figure than an integral part of the story.

    Moana and Maui remain the best parts of the film, but because they have to compete with other characters for attention, their collective impact is lessened. Matangi seems like she’s supposed to be the villain of the film, but her presence winds up being confusing. The filmmakers try to force some emotion into the film by giving Moana a clingy younger sister, Simea (Khaleesi Lambert-Tsuda), but like most of the other new elements, she too falls flat.

    With any sequel, the hope is that it will recreate the magic that made the first film so beloved. Moana 2, while not as egregiously bad as some other Disney follow-ups, does not offer nearly enough to be compared favorably to its Oscar-nominated predecessor.

    ---

    Moana 2 is now playing in theaters.

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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
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