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    Movie Review

    New film Love Hurts serves as vehicle for Oscar-winner Ke Huy Quan

    Alex Bentley
    Feb 6, 2025 | 3:30 pm
    Ke Huy Quan in Love Hurts

    Ke Huy Quan in Love Hurts.

    Photo by Allen Fraser/Universal Pictures

    Career revivals like the one that has happened to Ke Huy Quan are extremely rare in Hollywood. As a child, he scored two big back-to-back roles in Indiana Jones and the Temple of Doom and The Goonies. While he found occasional work after that, his career mostly went dormant starting in 2002 until he was cast in Everything Everywhere All at Once, a role that won him an Oscar.

    Now, he’s the toast of the town, including his first-ever starring role as the lead in Love Hurts. Quan plays Marvin Gable, a relentlessly positive real estate agent who’s the top seller in his area. But from the beginning of the film, it’s clear that he has a hidden backstory, as he receives a veiled threat in a note from a woman named Rose (Ariana DeBose), who is seen early on defacing many of his advertisements around town.

    When a heavy called The Raven (Mustafa Shakir) confronts Marvin at his office, he is pulled back into his old life, one where he was involved in the criminal enterprise of his brother, Knuckles (Daniel Wu). Soon he’s dodging attacks on multiple fronts, looking out for Rose, and all the while trying to keep up appearances at his day job.

    Directed by Jonathan Eusebio (a stunt coordinator making his directorial debut) and written by Matthew Murray, Josh Stoddard, and Luke Passmore, the film is one big excuse to have Quan show off the martial arts skills he demonstrated in his Oscar-winning role. While there is some semblance of a story, it’s mostly to set up the various fight scenes; there’s little attempt to make the audience care about any of the stakes.

    Instead, Eusebio and his team vacillate between moments of calmness and sequences with extreme violence. Quan and his fellow combatants (in addition to Shakir, he faces off against Marshawn Lynch, Cam Gigandet, and others) engage in a series of creative moves designed to inflict as much pain as possible. The juxtaposition of the seemingly mild-mannered Marvin with his abilities works relatively well, as does the variety of implements used as weapons (pencils, boba straws, feathers, and more come into play over the course of the film).

    But the lack of a full story catches up with the film in the end, as instead of building to some kind of grand finale, there are diminishing returns with every scene. The filmmakers try to distract with a semi-amusing romantic connection between The Raven and Marvin’s assistant, Ashley (Lio Tipton), something that works much better than allusions to a bond between Marvin and Rose. There’s also a mini-Goonies reunion with Sean Astin as Marvin’s boss that’s kind of fun, but the antipathy between Marvin and his attackers never fully develops.

    Quan is a joyful presence who does his level best to make himself into a lead actor, but he’s not served well in the film as a whole. DeBose, an Oscar winner herself, seems to be stuck in a rut of mediocre roles, ones that don’t allow her to show off her skills like West Side Story. Lynch shows again he’s reliable in comic sidekick roles, while Tipton and Shakir are the only other actors to make any kind of impact.

    The Valentine’s theme of Love Hurts is not the only part of the film that feels tacked on. While the idea of letting Quan show off his skills is a good one in theory, very little thought appears to have been put into making that showcase effective. The result is a forgettable action comedy that puts more emphasis on ultraviolence than its story.

    ---

    Love Hurts opens in theaters on February 7.

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    bay area rising

    $150 million, 12,500-seat entertainment venue coming to Houston in 2027

    Eric Sandler
    Dec 17, 2025 | 1:36 pm
    Sunset Amphitheater Houston at Webster rendering
    Sunset Amphitheater Houston at Webster/Facebook
    A rendering previews the Sunset Amphitheater.

    A massive new entertainment venue is coming to Houston in 2027. The Sunset Amphitheater will be an all-season venue with a 12,500 person capacity and a $150 million price tag.

    Located near Great Wolf Lodge in the Flyway Entertainment District, the Sunset Amphitheater is a public-private partnership that unites entertainment venue company VENU with the City of Webster and the Webster Economic Development Corporation. The Colorado-based company operates the Ford Amphitheater in Colorado Springs, Colorado and has plans to open other Sunset Amphitheaters in McKinney, El Paso, and Tulsa, Oklahoma.

    “This is an announcement we’ve been thrilled to make, and it represents a major step forward,” said J.W. Roth, founder, chairman, and CEO of VENU. “With Webster’s deep roots in innovation and exploration, Flyway is elevating the region’s entertainment scene to new heights.”

    With a canopy roof, wind walls, and a state-of-the-art audio-visual system, Sunset Amphitheater is designed to operate year-round. It is predicted to generate more than $3.7 billion in economic impact and over 400 new jobs in its first 20 years, according to a study commissioned by the venue.

    Among Sunset’s amenities will be the Aikman Club, named for NFL Hall-of-Famer and Dallas Cowboys legend Troy Aikman. The members-only, 350-seat space will offer prime views of the stage and a luxurious experience. An additional 217 “Firesuites” will offer seating for groups of 4-10 people along with in-seat service.

    “This announcement marks a defining moment for Webster and for Flyway,” Webster Mayor Donna Jasso said. “This amphitheater advances Webster’s super-regional draw and builds on strengths that continue to fuel Flyway’s momentum, further establishing the district as a premier entertainment hub for the Southeast Texas region. It brings long-term economic growth, new jobs, and increased visitor traffic that supports our businesses. We are proud to partner with VENU on a project that reflects the scale, ambition, and energy of our vision for Webster’s future.”

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