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    end days

    A-list movie stars face hellish apocalypse in Leave the World Behind

    Alex Bentley
    Dec 12, 2023 | 7:00 pm

    Films depicting apocalyptic times can come in many forms, from blockbuster movies to studio comedies to small independent dramas. The new Netflix film Leave the World Behind takes the route of a mystery, but one stocked with A-list names including Julia Roberts and Ethan Hawke.

    The film is kicked off by Amanda Sandford (Roberts) who rents a house on Long Island for her husband, Clay (Hawke) and family on the spur of the moment, after becoming enticed by an ad that says you can "leave the world behind." But their retreat is interrupted early when George Scott (Mahershala Ali) and his daughter Ruth (Myha’la Herrold) knock on their door late at night, saying they own the house and that they're fleeing a blackout in New York City.

    What follows is a tightly wound suspense story on two fronts: First, between the two families, as Amanda is skeptical of their story and displays some barely concealed racism; and second, in the world at large, as something appears to be happening. But with the film’s characters cut off from all communication outside of the house, they – and the audience – have no way of knowing what exactly it is.

    Written and directed by Sam Esmail, adapted from the book by Rumann Alam, the film feels like a chamber drama writ large. The majority of the film takes place in and around the house on Long Island, featuring conversations between Amanda, Clay, George, and Ruth in various combinations. Amanda and Clay’s children, Rose (Farrah Mackenzie) and Archie (Charlie Evans), take in the whole scene while mostly being ignored, leaving them to discover odd happenings in their own way.

    But Esmail also makes time for some big set pieces, including an oil tanker crashing headlong into a beach full of people, a plane falling from the sky, and self-driving Teslas causing chaos on a highway. The juxtaposition between the two extremes, combined with a story that withholds a lot of crucial information, may have some viewers feeling emotional whiplash, but Esmail melds them together in a way that the story rarely feels disjointed.

    The film also does a great job of showing just how insular people can be. The big moments that would shake most people to their core are, if not dismissed, then diminished by the characters in favor of the personal things going on in their families. On one hand, it’s understandable as everyone wants to take care of the people they love. On the other, typified by Rose’s constant complaints about the lack of internet preventing her from seeing the series finale of Friends, sometimes escaping feels better than acknowledging the world’s problems.

    Esmail, who’s best known as the creator of the TV show Mr. Robot, shows a flair for the dramatic in his filmmaking style. Moments of upheaval result in the camera tilting on its axis, making the audience feel as off-balance as the characters. There are also some fantastic technical shots, including the camera traveling through a car in impossible positions, as well as a car turning around with the camera seeming to float in air in front of the hood.

    Roberts, Hawke, and Ali make for a powerhouse lead trio, with Herrold more than holding her own against them. Roberts has not been in many movies in recent years (this and 2022’s Ticket to Paradise are her only films since 2018), but she proves here she hasn’t lost a step. Hawke’s milquetoast character gives him something different to play than recent roles, while Ali gives a performance that’s weighted with racial appeasement, potential grief, and intelligence. Kevin Bacon shows up for a brief but effective appearance.

    The message of Leave the World Behind is embodied in two portentous lines: Amanda saying early on, “I f***ing hate people,” and George noting late in the film, “Nothing frightens me more than a person unwilling to learn, even at their own expense.” It’s far from an uplifting film, but the acting, the story, and the filmmaking make it highly watchable nonetheless.

    ---

    Leave the World Behind is now streaming on Netflix.

    Mahershala Ali, Myha\u2019la Herrold, Julia Roberts, and Ethan Hawke in Leave the World Behind

    Photo by JoJo Whilden / courtesy of Netflix

    Mahershala Ali, Myha’la Herrold, Julia Roberts, and Ethan Hawke in Leave the World Behind.

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    Movie Review

    The Only Living Pickpocket in New York lifts big rewards from small stakes

    Alex Bentley
    Oct 30, 2026 | 10:30 am
    John Turturro in The Only Living Pickpocket in New York
    Photo courtesy of Sony Pictures Classics
    John Turturro in The Only Living Pickpocket in New York.

    John Turturro is one of those people who embodies the term “character actor” the best. With over 120 credits in his nearly 50-year career, Turturro has rarely been the star of any of his projects. Instead, filmmakers have mostly used his unique face, New York accent, and inimitable acting style to help support the lead actors, a role for which Turturro seems well-suited.

    Now 69, Turturro is taking the reins in The Only Living Pickpocket in New York, playing Harry, a long-in-the-tooth thief who still has skills but not as many opportunities. The plucking of wallets isn’t as lucrative in the mostly-cashless modern society, and Harry has little use for smartphones since he doesn’t know how to use them. However, a rare opportunity presents itself when he happens upon Dylan (Will Price), a young man who seems to be as oblivious as he is rich.

    After a clever robbery of Dylan’s vintage car, though, Harry discovers he might be in over his head, especially when he finds a card-shaped USB drive. It's the contents of the drive that soon puts Harry and anyone around him in danger, including his wife, Rosie (Karina Arroyave), who’s suffering from unresponsive wakefulness syndrome; Ben (Steve Buscemi), who helps Harry sell stolen items; and even his estranged daughter Kelly (Tatiana Maslany).

    Written and directed by Noah Segan, the film is a low-key thriller made to emulate the tempo of Harry’s life. While one of the plot points puts a degree of urgency into his actions, for the most part Harry is someone for whom slow and steady always wins the race. He is someone who has developed relationships over decades, including with NYPD Detective Warren (Giancarlo Esposito), and it’s those bonds that help him make it through each day.

    Even though Harry is a criminal, the film treats him as an overall good guy, especially through the way he takes care of Rosie and the generosity he displays with his (stolen) money. Almost no one has a bad thing to say about him, and so Segan comes up with a couple of ways to give him more depth. His one scene with Kelly does the trick, providing a glimpse into a lesser man who clearly existed at one time.

    One of the pleasures of the film for longtime movie fans are the reunions Turturro has with Buscemi (his co-star in The Big Lebowski) and Esposito (his co-star in Do the Right Thing). All three could be all-stars on a team of character actors, with each having made big impressions in all sorts of roles over the past 40 years. Seeing them back together again as very different characters from when they last collaborated underscores the level of talent each of them has.

    Turturro ably carries the load in the lead role, but given his acting style and the type of role he’s called to play, his performance is far from showy. The same goes for Buscemi and Esposito, who are there to give great support to the classic supporting actor. When someone does go over-the-top, as Price does in most of his scenes, it stands out in a bad way. Maslany scores a lot of points in her brief appearance.

    The Only Living Pickpocket in New York is a quiet film with big rewards despite its small ambitions. The beauty of the story lies in its small details, both character-related and not. Turturro rarely disappoints when he’s not the lead actor, and he demonstrates that he’s equally capable of making a movie great when he’s out front.

    ---

    The Only Living Pickpocket in New York opens in theaters on October 30.

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