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    Movie Review

    Boots Riley takes aim at fashion and social issues in I Love Boosters

    Alex Bentley
    May 26, 2026 | 11:00 am
    Naomi Ackie, Keke Palmer, Poppy Liu, and Taylour Paige in I Love Boosters

    Naomi Ackie, Keke Palmer, Poppy Liu, and Taylour Paige in I Love Boosters.

    Photo courtesy of Neon

    Boots Riley’s first feature film, 2018’s Sorry to Bother You, was an auspicious and audacious debut that challenged viewers both with its subject matter and the visuals it contained. Even though it took eight years for him to put out his second film, Riley hasn’t lost his knack for outrageousness in the almost inexplicable I Love Boosters.

    At its core, the movie is about three women - Corvette (Keke Palmer), Mariah (Taylour Paige), and Sade (Naomi Ackie) - who survive in the world by boosting (aka stealing) high-end fashion and reselling it for more affordable prices. In the surreal world in which the film takes place, their primary target is Metro Designers, a shop that deals in monochromatic clothes and is led by the eccentric CEO Christie Smith (Demi Moore).

    The women’s felonious-but-low-stakes mission is up-ended by the appearance of Jianhu (Poppy Liu), who possesses a machine that shoplifts much better than they ever could. The only difference is that Jianhu is looking to expose the shoddy working conditions in the Chinese factories where Metro Designers’ clothes are made. Inspired, the women join forces on a quest that is as bizarre as it is righteous.

    Riley, who both wrote and directed the film, loves his over-the-top visuals. There are eye-popping elements in almost every scene of the film, from the clothes in the Metro Designers stores to the oddly-slanted floors of Smith’s office to the bold masks worn by the group during one heist. Every weird thing on screen serves a purpose, though, even the transformation of Pinky Ring Guy (LaKeith Stanfield) from an object of Corvette’s desire into a soul-sucker with an unusual method.

    While not quite as pointed as Sorry to Bother You, which had Black characters affecting “white” voices to be more appealing to the general public, the film does take aim at a variety of different social issues. The idea of wealth inequality is front-and-center, with Corvette and her friends forced to squat in an abandoned restaurant. The treatment of Chinese factory workers, fashion industry practices and excesses, and more crop up over the course of the film.

    The latter half of the film gets crazier, if that’s even possible. Jianhu’s machine introduces sci-fi elements into the story, with the same circular contraption able to transport, disintegrate, and transform objects or people. Combined with the visuals and storyline, the film becomes something that is both wildly entertaining and also somewhat incomprehensible.

    While the movie has a large cast, Palmer is inarguably the star. With her effervescent acting style and an overall inviting demeanor, she sells every bonkers turn the film takes. Each of the supporting actors gets a moment to shine, but Paige, Ackie, and Moore have the most impact. Stanfield is memorable in a creepy kind of way, but he’s been better in other films.

    I Love Boosters is one of the more outlandish and interesting films to come out in 2026, a long-awaited return from Riley that demonstrates his strong storytelling and filmmaking voice. Even if it’s not clear exactly what’s happening at every turn, the acting and the audacity of the visuals keeps the film extremely watchable.

    ---

    I Love Boosters is now playing in theaters.

    moviesfilm
    news/entertainment

    HOWDY, DOCTORS

    Grey's Anatomy spins off new medical drama led by Houston-born showrunner

    Kimberly Reeves
    May 22, 2026 | 1:00 pm
    Grey's Anatomy
    Photo via Meg Marinis/Instagram
    Showrunner Meg Marinis poses with actor Kevin McKidd, who recently exited Grey's Anatomy after more than a decade playing Dr. Owen Hunt.

    ABC is bringing the Grey's Anatomy universe to Texas with a new one-hour rural medical drama co-created by longtime showrunner Meg Marinis. Marinis was born in Houston and is an alum of both the Kinkaid School and the University of Texas at Austin.

    According to an exclusive report from Deadline, which production company Shondaland shared on social media, the untitled series has received a straight-to-series order from ABC and will follow a team at a rural West Texas medical center described as “the last chance for care before miles of nowhere.”

    The series marks the first Grey’s Anatomy franchise show set outside the West Coast, and it's the first that's not centered around an existing main character from the original series.

    The new drama will be co-created by Shonda Rhimes and Marinis, who has spent nearly two decades working on Grey’s Anatomy. She joined the series during its third season as a production assistant before rising through the ranks to become a researcher, writer, executive producer, and now showrunner.

    "This opportunity will bring new characters and stories to life that will embody the same heart, emotion, and connection audiences have loved from Grey’s for more than two decades, all set in my home state of Texas,” Marinis said in a statement announcing the series. "I am so grateful to Shonda Rhimes for creating this dynamic world and feel so fortunate that I get to be a part of it.”

    Marinis’ path to running one of television’s biggest franchises started in Austin. In an interview with Shondaland last year, she recounted moving to Los Angeles during her final semester at UT through the university’s UTLA entertainment program, which allows students to complete coursework while interning in the industry. While finishing school, she interned at Universal before landing a production assistant role on Grey’s Anatomy in 2006.

    Marinis has also woven Texas experiences into the flagship series itself in recent years. According to Deadline, she personally knew families affected by the Camp Mystic tragedy and rewrote part of a recent Grey’s Anatomy episode after becoming emotional while working on the script.

    The West Texas setting is particularly timely, as rural healthcare access remains a growing issue across the state. According to the Texas Hospital Association, more than 20 rural Texas hospitals have closed since 2010, while roughly a quarter of the state’s remaining rural hospitals are considered at risk of closure.

    By centering the new series on what ABC describes as “the last chance for care before miles of nowhere,” the franchise could bring national attention to healthcare access challenges facing communities across West Texas and other rural parts of the state.

    The new series joins a long lineage of Texas-set television dramas, though not all were actually filmed in the state. Grey’s Anatomy itself is famously set in Seattle while primarily filmed in the Los Angeles area. Friday Night Lights became closely associated with Austin through extensive local filming, while series like Dallas often recreated Texas from California sound stages, with exteriors of Southfork Ranch serving as the Ewings' fictitious home. Walker, Texas Ranger, meanwhile, became one of the best-known examples of a network drama heavily filmed across Texas itself.

    Even after more than 20 years on the air, Grey’s Anatomy remains one of television’s most durable franchises. According to ABC, the drama is now the longest-running primetime medical drama in television history and continues to rank among the network’s strongest scripted performers.

    Ellen Pompeo, who stars as Dr. Meredith Grey in the original series, is attached as an executive producer, and the new drama is expected to premiere in 2027.

    tv showshealthhospitals
    news/entertainment

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