hustle hard, H-town

Oprah's TV network spotlights Houston women in new reality series

It looks like Houston will be home to a new reality series about successful women living their best life and trying not to get into huge fights with each other during brunch.

Next month, Oprah Winfrey’s OWN channel will premiere Heart & Hustle: Houston, where a quintet of upwardly mobile, African American women thrive in Texas’ largest city.

“Heart & Hustle: Houston brings a fresh, dynamic perspective — one that centers Black women not just in conflict, but in community, healing, and growth,” OWN President Tina Perry said in a press release. “It’s a powerful look at ambition, resilience, and the bonds that hold friendships together, even through life’s toughest moments.”

Let’s break down the ladies who’ll be giving us the heart and the hustle:

Alaina Saulsberry, 38
“H-Town’s Glam Girl”
Known for her beauty brand Color du Jour, Saulsberry is touted as a mentor who balances work with family commitments. After 15 years of marriage, the relationship is in a rough patch. Will she choose personal happiness or preserving stability for her two children?

Courtesy of OWN Network

Chloe Cook.

Chloe Cook, 44
“The Straight Shooter”
Known as “THE premiere event planner of Houston,” Cook took a step back from the event business to take care of her young daughters after the tragic loss of her husband. However, the gal is getting her groove back thanks to her recent relationship with much younger man Jordan. Unfortunately, her eldest son Neiko (who is only three years younger than Jordan) isn’t feeling the whole May-December thing. Can Chloe balance being a mother and a MILF?

La’Torria Lemon, 36
“The Hopeless Romantic”
The head of Lemon-Lime Light Media, entrepreneur/philanthropist Lemon has been called “a force in the entertainment, hospitality, and PR industry.” She’s a charming personality, but don’t get it twisted: She’s ready to bring the claws out whenever someone comes for her. After losing her father, Lemon is on the hunt for the love of her life, so she can settle down and have some kids. Can she find a good man just like dear old dad?

LeBrina Jackson, 35
“The Southern Belle”
Full of “passion, drive, and compassion,” elite spa owner Jackson is one of the few Black women in the spa and wellness game. The resident caregiver of the group, Jackson is there for her family, friends, customers, etc. She uses her past (specifically, her family’s history) to break generational curses and build a better tomorrow for her peoples. Can she still take care of others, while also finding some time to take care of herself?

Muneera Page, 43
“Mrs. Perfect”
Meet the big, bad momma of the crew: a devout wife, mother of four daughters (including a set of twins), and career woman whose journey “embodies the power of faith, resilience, and boundless ambition.” With a two-decade career as an electrical engineer in the oil and gas industry, Page has taken a career 180 and pivoted to content creation. Can she live a life of meaning, purpose and transformative impact, while also inspiring folks around the world?

Roe Pichardo, 39
“Nightlife Queen”
Finally, we have the party girl. Pichardo is an entrepreneur, hospitality innovator, and cultural curator who’s “redefining the art of connection.” She’s got a rep as a major player in the restaurant and nightlife world (Editor’s note: She appeared on CultureMap’s “What’s Eric Eating” podcast during her time as the general manager of James Harden’s restaurant Thirteen). Despite staying tough in a male-dominated industry, those close to her know she’s a sweet, loving soul. Can she still take her businesses to the next level, while also learning to be more vulnerable around her loved ones?

These questions and more will be answered when Heart & Hustle: Houston premieres on OWN on Saturday, August 2, at 8 pm.

Movie Review

Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

Photo courtesy of 20th Century Studios

Emma Mackey in Ella McCay.

The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

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Ella McCay opens in theaters on December 12.

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