hustle hard, H-town

Oprah's TV network spotlights Houston women in new reality series

It looks like Houston will be home to a new reality series about successful women living their best life and trying not to get into huge fights with each other during brunch.

Next month, Oprah Winfrey’s OWN channel will premiere Heart & Hustle: Houston, where a quintet of upwardly mobile, African American women thrive in Texas’ largest city.

“Heart & Hustle: Houston brings a fresh, dynamic perspective — one that centers Black women not just in conflict, but in community, healing, and growth,” OWN President Tina Perry said in a press release. “It’s a powerful look at ambition, resilience, and the bonds that hold friendships together, even through life’s toughest moments.”

Let’s break down the ladies who’ll be giving us the heart and the hustle:

Alaina Saulsberry, 38
“H-Town’s Glam Girl”
Known for her beauty brand Color du Jour, Saulsberry is touted as a mentor who balances work with family commitments. After 15 years of marriage, the relationship is in a rough patch. Will she choose personal happiness or preserving stability for her two children?

Courtesy of OWN Network

LeBrina Jackson.

Chloe Cook, 44
“The Straight Shooter”
Known as “THE premiere event planner of Houston,” Cook took a step back from the event business to take care of her young daughters after the tragic loss of her husband. However, the gal is getting her groove back thanks to her recent relationship with much younger man Jordan. Unfortunately, her eldest son Neiko (who is only three years younger than Jordan) isn’t feeling the whole May-December thing. Can Chloe balance being a mother and a MILF?

La’Torria Lemon, 36
“The Hopeless Romantic”
The head of Lemon-Lime Light Media, entrepreneur/philanthropist Lemon has been called “a force in the entertainment, hospitality, and PR industry.” She’s a charming personality, but don’t get it twisted: She’s ready to bring the claws out whenever someone comes for her. After losing her father, Lemon is on the hunt for the love of her life, so she can settle down and have some kids. Can she find a good man just like dear old dad?

LeBrina Jackson, 35
“The Southern Belle”
Full of “passion, drive, and compassion,” elite spa owner Jackson is one of the few Black women in the spa and wellness game. The resident caregiver of the group, Jackson is there for her family, friends, customers, etc. She uses her past (specifically, her family’s history) to break generational curses and build a better tomorrow for her peoples. Can she still take care of others, while also finding some time to take care of herself?

Muneera Page, 43
“Mrs. Perfect”
Meet the big, bad momma of the crew: a devout wife, mother of four daughters (including a set of twins), and career woman whose journey “embodies the power of faith, resilience, and boundless ambition.” With a two-decade career as an electrical engineer in the oil and gas industry, Page has taken a career 180 and pivoted to content creation. Can she live a life of meaning, purpose and transformative impact, while also inspiring folks around the world?

Roe Pichardo, 39
“Nightlife Queen”
Finally, we have the party girl. Pichardo is an entrepreneur, hospitality innovator, and cultural curator who’s “redefining the art of connection.” She’s got a rep as a major player in the restaurant and nightlife world (Editor’s note: She appeared on CultureMap’s “What’s Eric Eating” podcast during her time as the general manager of James Harden’s restaurant Thirteen). Despite staying tough in a male-dominated industry, those close to her know she’s a sweet, loving soul. Can she still take her businesses to the next level, while also learning to be more vulnerable around her loved ones?

These questions and more will be answered when Heart & Hustle: Houston premieres on OWN on Saturday, August 2, at 8 pm.

Movie Review

George Clooney shines in Jay Kelly, a sharp and heartfelt look at fame

Photo by Peter Mountain/Netflix

George Clooney in Jay Kelly.

The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35-plus year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

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Jay Kelly is now playing in select theaters. It debuts on Netflix on December 5.

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