hustle hard, H-town

Oprah's TV network spotlights Houston women in new reality series

It looks like Houston will be home to a new reality series about successful women living their best life and trying not to get into huge fights with each other during brunch.

Next month, Oprah Winfrey’s OWN channel will premiere Heart & Hustle: Houston, where a quintet of upwardly mobile, African American women thrive in Texas’ largest city.

“Heart & Hustle: Houston brings a fresh, dynamic perspective — one that centers Black women not just in conflict, but in community, healing, and growth,” OWN President Tina Perry said in a press release. “It’s a powerful look at ambition, resilience, and the bonds that hold friendships together, even through life’s toughest moments.”

Let’s break down the ladies who’ll be giving us the heart and the hustle:

Alaina Saulsberry, 38
“H-Town’s Glam Girl”
Known for her beauty brand Color du Jour, Saulsberry is touted as a mentor who balances work with family commitments. After 15 years of marriage, the relationship is in a rough patch. Will she choose personal happiness or preserving stability for her two children?

Courtesy of OWN Network

Rosea Pichardo.

Chloe Cook, 44
“The Straight Shooter”
Known as “THE premiere event planner of Houston,” Cook took a step back from the event business to take care of her young daughters after the tragic loss of her husband. However, the gal is getting her groove back thanks to her recent relationship with much younger man Jordan. Unfortunately, her eldest son Neiko (who is only three years younger than Jordan) isn’t feeling the whole May-December thing. Can Chloe balance being a mother and a MILF?

La’Torria Lemon, 36
“The Hopeless Romantic”
The head of Lemon-Lime Light Media, entrepreneur/philanthropist Lemon has been called “a force in the entertainment, hospitality, and PR industry.” She’s a charming personality, but don’t get it twisted: She’s ready to bring the claws out whenever someone comes for her. After losing her father, Lemon is on the hunt for the love of her life, so she can settle down and have some kids. Can she find a good man just like dear old dad?

LeBrina Jackson, 35
“The Southern Belle”
Full of “passion, drive, and compassion,” elite spa owner Jackson is one of the few Black women in the spa and wellness game. The resident caregiver of the group, Jackson is there for her family, friends, customers, etc. She uses her past (specifically, her family’s history) to break generational curses and build a better tomorrow for her peoples. Can she still take care of others, while also finding some time to take care of herself?

Muneera Page, 43
“Mrs. Perfect”
Meet the big, bad momma of the crew: a devout wife, mother of four daughters (including a set of twins), and career woman whose journey “embodies the power of faith, resilience, and boundless ambition.” With a two-decade career as an electrical engineer in the oil and gas industry, Page has taken a career 180 and pivoted to content creation. Can she live a life of meaning, purpose and transformative impact, while also inspiring folks around the world?

Roe Pichardo, 39
“Nightlife Queen”
Finally, we have the party girl. Pichardo is an entrepreneur, hospitality innovator, and cultural curator who’s “redefining the art of connection.” She’s got a rep as a major player in the restaurant and nightlife world (Editor’s note: She appeared on CultureMap’s “What’s Eric Eating” podcast during her time as the general manager of James Harden’s restaurant Thirteen). Despite staying tough in a male-dominated industry, those close to her know she’s a sweet, loving soul. Can she still take her businesses to the next level, while also learning to be more vulnerable around her loved ones?

These questions and more will be answered when Heart & Hustle: Houston premieres on OWN on Saturday, August 2, at 8 pm.

Movie Review

Over-the-top acting and incoherent plot drag down Her Private Hell

Photo courtesy of Neon

Sophie Thatcher in Her Private Hell.

Danish filmmaker Nicolas Winding Refn is not someone who plays nice with the general film world. His 2011 film Drive introduced him to American audiences in a big way, but that pulsating thriller was followed up with artier films like Only God Forgives and The Neon Demon that eschewed coherent plots in favor of moody, atmospheric pieces.

Winding Refn, who hasn’t made a feature film in 10 years, has gone fully down the rabbit hole with Her Private Hell. Taking place in a liminal space that kind of resembles Earth but also feels like someone’s dreams/nightmares, the film focuses on Elle (Sophie Thatcher), an actor currently starring in a sci-fi film. Staying at a hotel with newcomer Hunter (Kristine Froseth), the two bond over their shared passion and the legend of Elle’s father, Johnny Thunders (Dougray Scott), who’s now married to Elle’s friend Dominique (Havana Rose Liu).

After spending a good amount of (mostly incomprehensible) time with that group, Refn introduces Private K (Charles Melton), who seems to be living in post-World War II Japan. He is looking for his daughter, who might have been taken by a mysterious figure known as “Leatherman,” and he will stop at nothing to find her, fighting whoever stands in his way.

It becomes clear almost right away that Winding Refn has no desire to engage in traditional storytelling in this film. The main characters wander through neon-drenched streets and buildings, which are often surrounded by a mist that is referred to on multiple occasions but never explained. Everyone speaks as if in a constant state of wonderment, and there are many moments where it’s unclear if events are actually happening, part of a movie-within-a-movie, or something else entirely.

Unlike his previous films, Winding Refn has taken the characters in this film completely out of the real world, with every scene taking place in a sparsely decorated room or street that is obviously a movie set. While there are moments where this decision really works, especially the striking first shot of a human-like figure mixed in with a cityscape and clouds, most of the time it only adds to the stilted nature of the film as a whole.

In fact, the entire movie has the feel of an avant-garde theater exercise. Every actor seems to be trying to outdo the others with awkward performances and out-sized reactions. Two very specific characters make appearances in both sides of the story for seemingly no reason other than to inject their weirdness into both spaces. The shocking violence that crops up on occasion would have more of an impact if it was related to anything intelligible.

Thatcher (Companion) and Liu (Tuner) are among the young stars who have had breakout moments in recent years, but neither of them is served well by this hot mess of a movie. They, along with Melton, still demonstrate the talent they possess, but the oddity of the film weighs them down. Scott makes an impression for all the wrong reasons, while Froseth is called upon to play a character who might as well not be there at all.

If there’s any kind of message that Winding Refn was trying to convey with Her Private Hell, it’s lost among the flashing lights, overload of pink, and jewel-like structures. Filmmakers who try to make art for art’s sake have a place in the world, but this film too often feels like people are making things up as they go, with no real goal in mind.

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Her Private Hell opens in theaters on July 24.

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