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    Anchors Aweigh

    Can't-miss sailboat festival casts off in Galveston with stunning historic ships, trips, and more fun

    Steven Devadanam
    Apr 12, 2023 | 8:00 pm

    As noted boatsman (and occasional musician) Christopher Cross famously noted in "Sailing," his light rock masterpiece, "the canvas can do miracles." Locals can take in a bit of that miracle working this weekend with the arrival of a famed festival.

    The 2023 Tall Ships Galveston festival docks at the island this weekend at the historic waterfront area from Thursday, April 13 though Sunday, April 16. As the name implies, the event sees an impressive fleet and array of tall ships raving and cruising into Gulf waters as part of Tall Ships America's Challenge series, which also includes stops in Florida ports St. Petersburg and Pensacola this year.

    Aside from taking in the spectacle of stunning and towering watercraft, visitors can look forward to ship tours and sailing excursions, music, food and drink, and more family-friendly special events at Galveston’s Pier 21 and surrounding areas. Performer schedules can be found here.

    Nao Trinidad tall shipThe Nao Trinidad dates back to the early 1500s.Photo courtesy of Tall Ships America

    Nautical enthusiasts and historians can expect five visiting ships participating in the challenge. Standouts include the Nao Trinidad, which was the flagship of what was called Armada del Maluco (1519-1522). That fleet, captained by legendary explorer Ferdinand Magellan, traveled to the Spice Islands.

    No tall ship event would be complete without the Official Tall Ship of Texas, the 1877 Tall Ship Elissa, which will also take part in a Parade of Sail in the Gulf, all in clear view from and along Seawall Boulevard. Get the full day's program schedule here.

    “The Tall Ships Challenge will bring some of the most beautiful ships in the world to our port,” said Dwayne Jones, CEO of the Galveston Historical Foundation, in press materials. “It’s a rare opportunity to step aboard a tall ship and learn about maritime history.”

    Meanwhile, docked ships will be open to the public for viewing, with many offering dockside exhibits and interactions with crew. Each ship will host educational programs and experiences, and most exciting for sailors of all ages, exhibition trips.

    Seafaring types should plan to arrive early on Thursday and select sailing days, wish “fair winds and following seas” to the crews, and — to quote Captain Cross — get "caught up in the reverie."

    For more information, visit the festival's official site.

    Tall Ship Elissa

    Photo courtesy of Galveston Historic Seaport

    The official Tall Ship of Texas, the 1877 Tall Ship Elissa, will set sail.

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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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