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    it echoes

    Montrose bar sounds off with two stories of nightly DJs and live music

    Craig D. Lindsey
    Aug 27, 2026 | 2:45 pm
    Echoes bar Montrose DJ

    Music is the main priority at Echoes.

    Photo by Rebekah Flores

    From Tuesdays through Sundays, Montrose cafe Echoes prides itself on being a spot that offers live music on a nightly basis. But the music always differs.

    Nights have saluted a wide array of artists: soul legends, pop stars, jazz pioneers, on-the-fringe performers, and more. On Thursday, August 27, they’ll pay tribute to jazz great Alice Coltrane with mixed-genre group Aurum Son playing Coltrane tunes. The following night, several DJs will be part of “Pan-Afrikan Discotheque,” an evening of Afro-Caribbean tunes in memory of Jamaican political activist Marcus Garvey’s 139th birthday.

    “We do that with all types: Greek music, Turkish music, Mexican music, jazz, funk, Japanese city pop-type stuff,” owner Georgeos Kazilas tells CultureMap. “We did a Radiohead night the other night. We do trip-hop nights, Italo disco kind of nights. Yeah, I'm just someone that just loves all types of music.”

    Since opening up on June 7, 2022 — Prince’s birthday, BTW — Echoes has been a place where music is the main priority. The spot didn’t even start serving food until a year later, when Kazilas snapped up husband-and-wife chefs Armando Ramirez and Ana Stanciu to oversee the Greek-Mexican kitchen.

    “I guess I always wanted to have a space dedicated to exploring all types of music,” he says. “And, primarily, the idea was this was gonna be a music-concentrated space. And having a bar was kind of a means to an end, a way to make a musical space financially viable, or self-sustaining.“

    It started when Kazilas invited rhythm-and-blues band Curley Cormier and the Gladiators, a staple of historic Fifth Ward lounge The Silver Slipper (where Kazilas saw them perform), for a regular residency. He then reached out to more local musicians about doing themed nights.

    “As you start to meet more musicians, you kind of see what they want to do and, also, what they're capable of doing,” he says. “And I would push them outside their comfort zones a little bit and speak to them and be like, ‘Hey, what do you think about doing this type of music?’ And they would listen to it and be like, ‘Yeah, I can do that.’”

    While Echoes has live music at its upstairs location, customers can also get dance tunes playing below, courtesy of Ice House Radio. Originally a mobile pop-up, the online radio station now broadcasts from a space that was formerly a car wash tunnel, with various local DJs spinning tunes live.

    Ice House co-founder Jackson Allers is grateful to Kazilas for giving his radio station a home. “Georgeos understood our vision when we were still in our van in the spring of 2024 and, as a result, when we moved into that old car wash space down below Echoes, we were allowed to push the musical boundaries like no other space in Houston,” says Allers. “And, our Ice House Radio community has really been allowed to flourish with Echoes. The owners and the entire staff have been diehard supporters of our little experiment.”

    Kazilas continues to schedule evenings where people can sample great food as well as music they may or may not have known about.

    “Again, I started this place as a music space, dedicated to exploring all types of music, and I think the mission kind of remains the same,” he says. "What I'd like people to take away is that, almost every night, you can experience quality music, as well as quality food and drinks. You know, you might get exposed to a new type of music or new songs — whatever it is.”

    echoeslive musicice house radiohouston
    news/entertainment

    Movie Review

    Fun final act isn't enough to make Clayface DC's next great movie

    Alex Bentley
    Oct 23, 2026 | 11:30 am
    Tom Rhys Harries and Naomi Ackie in Clayface
    Photo by Parisa Taghizadeh
    Tom Rhys Harries and Naomi Ackie are patient and doctor in Clayface.

    The history of DC Comics in movies has been hit-and-miss, especially when it comes to anything not directly involving Batman or Superman. Over the years, films have been headlined by heroes like Catwoman, Green Lantern, Aquaman, Shazam, the Flash, and more, and while some succeeded, none left a lasting mark on moviegoers’ imaginations.

    Much like they did with Joker, the powers-that-be behind DC Studios productions are trying to entice viewers with a no-holds-barred story in Clayface. Matt Hagen (Tom Rhys Harries) is an A-list movie actor with both critical and commercial appeal. Unfortunately, a night of celebration for his recent Oscar nomination leads to him sleeping with Theresa (Ruby Sear), the girlfriend of Markos Szabo (David Dencik), a prominent mobster in Gotham City. Markos then enacts revenge by taking a razor to Matt’s face.

    Desperate to find a way to look like his old self again, Matt seeks out Dr. Caitlyn Corr (Naomi Ackie), who’s conducting cutting-edge nanotechnology research that can heal any kind of damage. While the solution works on Matt, it also has the side effect of his body doing unintended things, even morphing into those with whom he comes into contact. After initially struggling with his new body, Matt decides to use his powers to enact revenge on those who’ve done him wrong.

    Directed by James Watkins (Speak No Evil) and written by Mike Flanagan (The Life of Chuck) and Hossein Amini, the film is only intermittently entertaining as it tries to sell its ridiculous premise. Right from the start, it seems like the filmmakers have been given a limited budget, as everything from the sets to the CGI to the stilted dialogue feels cheap. For a film coming from a major studio, the whole thing comes off as schlocky and undercooked.

    Watkins and his team try to make up for that shoddiness by delivering R-rated thrills like nudity and body horror, but those elements can only distract for so long. Much of the film is spent dealing with Matt’s trauma, and the downbeat nature of his body issues combined with very little action makes the movie not very fun to watch. The film also tries to make hay with more than a doctor-patient bond between Caitlyn — who has a boyfriend on the police force — and Matt, but like the most of the film, it never connects.

    It’s not until the final third of the movie that the filmmakers land on the tone they should have been using the whole time. Matt’s ability to transform himself, while illogical and confounding, provides multiple over-the-top, funny moments and some legitimately creative kills. Instead of taking forever to set up Matt/Clayface’s origin story, Watkins and his team should have just cut to the chase and let him loose to see what the character could truly do.

    This is the first big role for Welsh actor Harries, and while he’s not exactly magnetic, he proves himself worthy of the lead role. Ackie is also fine, but after several years of trying to advance up the Hollywood ladder, she may be running out of time to show she’s a star. The supporting cast has a couple of familiar faces, but it’s mostly lesser-known actors who do nothing to indicate they deserve bigger showcases.

    It’s difficult to imagine any non-DC Comics fans having a strong attachment to the character of Clayface, and the film fails to make the case that he should be a continuing character. The poor quality of almost everything that appears on screen is indicative of the kind of effort and money that was put into the film, and sometimes you really do get what you pay for.

    ---

    Clayface opens in theaters on October 23.

    moviesfilmclayface
    news/entertainment
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