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    charles would be proud

    Cherished Galveston Dickens holiday festival toasts 50 years with genteel nod from UK Parliament

    Steven Devadanam
    Nov 20, 2023 | 1:12 pm
    Dickens on The Strand
    Dickens on The Strand received a notable mention from across the pond in honor of 50 years.
    Photo courtesy of Galveston Island Convention & Visitors Bureau

    As generations of locals and travelers are aware, Galveston’s Dickens on The Strand Festival immerses visitors in the environs of the iconic author’s world of larger-than-life characters of 1830’s to 1840s England.

    This year, the beloved cultural festival marks a major milestone this year as it celebrates its golden anniversary. Expect a host of special events and activations on Galveston’s popular Strand from December 1-3. Important details, a full schedule of events, and tick information can be found on the official site.

    In a genteel nod to the cherished event’s 50th anniversary and its British origins, the Dickens on The Strand Festival — and its parent organization the Galveston Historical Foundation — just received a special and official recognition in the United Kingdom’s Parliament.

    Specifically, this recognition came in the form of a Parliamentary motion tabled by Tracey Crouch MP. Notably, Crouch’s constituency includes the town of Chatham, Kent, where Charles Dickens lived for a number of years, according to press materials.

    Dickens on The Strand GalvestonCostumes make for serious people watching. Dickens on the Strand/Facebook

    Crouch’s full motion can be found here. She declared, in part:

    “That this House congratulates the Galveston Historical Foundation in Texas on the 50th anniversary of the annual Dickens on The Strand celebration from 1-3 December 2023; welcomes the expected 50,000 visitors to the festival which celebrates the life and work of Charles Dickens who spent many years of his life in Kent, most notably in Chatham; notes that the Tall Ship ELISSA – the official Tall Ship of Texas – which will host the ‘Salute to Sunset’ during the festival was built in the United Kingdom; celebrates the historical ties between the United Kingdom and the city of Galveston which was home to the first British Consulate in the State of Texas in 1846; and welcomes the role of the British Consulate-General in Houston as the presenting sponsor for this year’s historic event.”

    Praise and acknowledgement went not only to the Galveston Historical Foundation for its deft running of the festival for 50 years, but also to some key Gulf Coast/UK ties. Galveston was home to the first British Consulate in the State of Texas in 1846. Meanwhile, the famed and historic Tall Ship ELISSA – the official tall ship of Texas – was built in the UK, and that Galveston was home to the first British Consulate in the State of Texas in 1846.

    “Galveston Historical Foundation is honored to be recognized for this achievement in support of Galveston and the revitalization and restoration of our historic commercial area and the 1877 ELISSA,” said Dwayne Jones, executive director of Galveston Historical Foundation, in a statement. “We have hosted descendants of Charles Dickens each year since 1987, with the first descendant participating in 1976. We consider our relationship with the Consul General and his staff as a treasured friendship that recalls the important British story in Galveston from the 19th century.”

    Dickens on the StrandThe fun runs December 1-3 in Galveston this year. Dickens on the Strand Facebook

    Local cultural attaché the British Consulate in Houston, itself responsible for myriad Brit-themed activities across town, also paid tribute to Dickens on The Strand.

    “I’m delighted that the work of the Galveston Historical Foundation and this festival has received this level of recognition in the UK Parliament. Dickens on The Strand is a unique celebration and one of the most colourful I have been to anywhere in the world. The British Consulate in Houston is delighted to be a part of proceedings, and I hope as many Texans as possible will take the chance to put on some Victorian clothes and celebrate with us in Galveston this December.”

    -----

    Galveston’s The Dickens on The Strand Festival runs Friday, December 1 through Sunday, December 3 on Galveston’s Strand. For tickets and a full schedule of events, visit the official event site.

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    Movie Review

    How to Rob a Bank turns viral YouTube culture into messy crime caper

    Alex Bentley
    Nov 12, 2026 | 4:00 pm
    Nicholas Hoult in How to Rob a Bank
    Photo by Megan Schoenbachler
    Nicholas Hoult in How to Rob a Bank.

    YouTube culture has made its way onto movie screens in a big way in 2026, with several content creators — most notably Kane Parson with Backrooms and Curry Barker with Obsession — making waves. So it’s only natural for movies to integrate the idea of YouTube content into their stories, as is the case in How to Rob a Bank.

    The film throws the audience right into the action as Ryan (Nicholas Hoult), Emi (Anna Sawai), Vince (Pete Davidson), Hugo (Rhenzy Feliz), and other people wearing various animal masks commit their latest bank robbery, recording everything they do for their video channel. The hyper-stylized way in which they edit the videos is designed for maximum engagement, but also as a way to give the middle finger to authorities who have yet to catch them.

    FBI Agent John West (John C. Reilly) is at a loss as to how to stop the group until he discovers an algorithm used by Reagan Gardner (Zoë Kravitz) that can comb social media and other things on the internet to triangulate anyone’s location. The cat-and-mouse game plays out as the criminal group tries to accomplish their mission of exposing banks and corporations for their corruption.

    Directed by David Leitch (The Fall Guy) and written by Mark Bianculli, the film has a timely message that never quite lands. The rollicking nature of the robberies, their accompanying videos, and the fact that they give away some of the money to charity puts the audience on the side of the criminals. But when the film starts to delve into their maudlin personal stories, the shift in tones is jarring and not convincing.

    Leitch and Bianculli also have difficulty figuring out how much to showcase certain characters. The robbers are composed of four main members, but there are at least two more of them who fade in and out of the story without explanation. Reagan is made to seem like an important character, but the technology she made is barely explained, and she too gets sidelined in a way that feels like the filmmakers left much of her story on the cutting room floor.

    The filmmakers short circuit their own storytelling by trying to get the point too quickly. Instead of following the standard cops-and-robbers playbook that is unoriginal but still satisfying, they arrive at the usual end well before the movie finishes, and have to find ways to fill the time afterward. The film is much too long at 122 minutes, with much of the fun washed away by unnecessary digressions.

    Hoult is a fine actor who should be a much bigger star by this point in his career. He’s convincing as the leader of this particular gang, but he never elevates the role. Reilly has his moments as an FBI agent, but he can’t seem to decide whether he wants to be serious or funny. Kravitz is not given much to do in her role, while Davidson is miscast in his. Lesser-knowns like Sawai and Feliz give good performances, but are overshadowed by the stars.

    How to Rob a Bank works best when it leans into the anarchic nature of its main group, as the viral nature of the videos they create is solid commentary on both YouTube as a medium and the righteous anger many feel toward an unjust system. But Leitch and Bianculli can’t find a grip on the deeper parts of the story, leading to an up-and-mostly-down experience.

    ---

    How to Rob a Bank opens in theaters on November 13.

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