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    charles would be proud

    Cherished Galveston Dickens holiday festival toasts 50 years with genteel nod from UK Parliament

    Steven Devadanam
    Nov 20, 2023 | 1:12 pm
    Dickens on The Strand
    Dickens on The Strand received a notable mention from across the pond in honor of 50 years.
    Photo courtesy of Galveston Island Convention & Visitors Bureau

    As generations of locals and travelers are aware, Galveston’s Dickens on The Strand Festival immerses visitors in the environs of the iconic author’s world of larger-than-life characters of 1830’s to 1840s England.

    This year, the beloved cultural festival marks a major milestone this year as it celebrates its golden anniversary. Expect a host of special events and activations on Galveston’s popular Strand from December 1-3. Important details, a full schedule of events, and tick information can be found on the official site.

    In a genteel nod to the cherished event’s 50th anniversary and its British origins, the Dickens on The Strand Festival — and its parent organization the Galveston Historical Foundation — just received a special and official recognition in the United Kingdom’s Parliament.

    Specifically, this recognition came in the form of a Parliamentary motion tabled by Tracey Crouch MP. Notably, Crouch’s constituency includes the town of Chatham, Kent, where Charles Dickens lived for a number of years, according to press materials.

    Dickens on The Strand GalvestonCostumes make for serious people watching. Dickens on the Strand/Facebook

    Crouch’s full motion can be found here. She declared, in part:

    “That this House congratulates the Galveston Historical Foundation in Texas on the 50th anniversary of the annual Dickens on The Strand celebration from 1-3 December 2023; welcomes the expected 50,000 visitors to the festival which celebrates the life and work of Charles Dickens who spent many years of his life in Kent, most notably in Chatham; notes that the Tall Ship ELISSA – the official Tall Ship of Texas – which will host the ‘Salute to Sunset’ during the festival was built in the United Kingdom; celebrates the historical ties between the United Kingdom and the city of Galveston which was home to the first British Consulate in the State of Texas in 1846; and welcomes the role of the British Consulate-General in Houston as the presenting sponsor for this year’s historic event.”

    Praise and acknowledgement went not only to the Galveston Historical Foundation for its deft running of the festival for 50 years, but also to some key Gulf Coast/UK ties. Galveston was home to the first British Consulate in the State of Texas in 1846. Meanwhile, the famed and historic Tall Ship ELISSA – the official tall ship of Texas – was built in the UK, and that Galveston was home to the first British Consulate in the State of Texas in 1846.

    “Galveston Historical Foundation is honored to be recognized for this achievement in support of Galveston and the revitalization and restoration of our historic commercial area and the 1877 ELISSA,” said Dwayne Jones, executive director of Galveston Historical Foundation, in a statement. “We have hosted descendants of Charles Dickens each year since 1987, with the first descendant participating in 1976. We consider our relationship with the Consul General and his staff as a treasured friendship that recalls the important British story in Galveston from the 19th century.”

    Dickens on the StrandThe fun runs December 1-3 in Galveston this year. Dickens on the Strand Facebook

    Local cultural attaché the British Consulate in Houston, itself responsible for myriad Brit-themed activities across town, also paid tribute to Dickens on The Strand.

    “I’m delighted that the work of the Galveston Historical Foundation and this festival has received this level of recognition in the UK Parliament. Dickens on The Strand is a unique celebration and one of the most colourful I have been to anywhere in the world. The British Consulate in Houston is delighted to be a part of proceedings, and I hope as many Texans as possible will take the chance to put on some Victorian clothes and celebrate with us in Galveston this December.”

    -----

    Galveston’s The Dickens on The Strand Festival runs Friday, December 1 through Sunday, December 3 on Galveston’s Strand. For tickets and a full schedule of events, visit the official event site.

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    Movie Review

    Over-the-top thriller The Housemaid revels in camp, chaos, and excess

    Alex Bentley
    Dec 22, 2025 | 6:00 am
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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