Comedian Dave Chappelle will perform four shows in Texas.
Photo courtesy of Dave Chappelle
Comedian/actor Dave Chappelle will soon bring his "Dave Chappelle Live" stand-up comedy show to arenas in four cities in Texas, including Toyota Center in Houston on July 1.
Other dates include American Airlines Center in Dallas, on June 29, AT&T Center in San Antonio on July 12, and Moody Center in Austin on July 14.
Chappelle is a complicated figure who's been celebrated for his trailblazing comedy and vilified for his controversial stances. Chappelle's Show, which ran from 2003 to 2006 on Comedy Central, was widely praised, and Chappelle remained extremely popular despite the abrupt end of the show and him choosing to recede from the spotlight in the following decade.
His re-emergence in the late 2010s brought success in the form of three straight Grammy wins for Best Comedy Album, but also continued jokes aimed at transgender people. He has been the subject of multiple protests over that material, and has even had a show canceled by a venue in Minneapolis after receiving criticism for hosting him.
As if to underscore the contentious nature of his comedy, no cellphones, cameras, or recording devices will be allowed at any of the four shows. All phones and smart watches will be secured in special pouches that can be unlocked at the end of the show. Anyone caught with a cellphone in the venue will be immediately ejected.
Tickets for the four shows will go on sale at 5 pm on June 5 at ticketmaster.com.
There are some films for which making a sequel is natural, and others where a follow-up is wholly unnecessary. Gladiator, which made both tons of money and was named Best Picture at the Oscars, told an impactful stand-alone story that ended with the protagonist dead and no real loose ends. And yet because there’s always more money to be made, here we are 24 years later with Gladiator II.
The lead character this time around is Lucius (Paul Mescal), a general in a North African army who becomes a prisoner of war when the Roman army led by Marcus Acacius (Pedro Pascal) bests him and his troops in battle. Taken back to Rome, he is put in the pool of captured men forced to fight at the Colosseum for the amusement of twin emperors Geta (Joseph Quinn) and Caracella (Fred Hechinger).
Lucius is controlled by Macrinus (Denzel Washington), an ambitious schemer who bets liberally on his prized fighter and always has an eye to move up in the world. Meanwhile, Lucilla (Connie Nielsen), the sister of Emperor Commodus from the first film, is now married to Marcus Acacius and has a unique connection with Lucius that is fairly obvious from the get-go.
Directed once again by Ridley Scott and written by David Scarpa, the film commits a number of sins throughout its 150-minute running time, the most blatant of which is that, aside from a few embellishments, it essentially tells the same story as the first film. Lucius, like Maximus, is a deposed military leader who’s out for revenge on the person who killed his family. Instead of one obnoxious emperor, there are now two. And the only way for Lucius to earn his freedom is to fight his way out.
Stories told in the same world can echo each other and, if done well, overcome those similarities. But Gladiator II is shockingly boring for a purported sword-and-sandals epic. Scott and his team try to introduce new elements to the fights, like a gladiator riding a rhinoceros or a ship battle inside the Colosseum (with sharks!), but most of the sequences are inert with no propulsion to them.
The action fails because none of the relationships in the film amount to much. There are stand-out characters like Macrinus and the twin emperors, but instead of creating antipathy or strong feelings of triumph or defeat, the story just kind of happens without any sense of excitement or importance. Much of that issue lies at the feet of Lucius, who simply doesn’t inspire in the same way that Russell Crowe’s Maximus did.
Mescal is a fine actor who’s done good work in more intimate roles, but he’s not up to the task of being an action star, at least not in this film. Any bombast he shows with the character feels forced, and the story doesn’t give him enough opportunities to counteract that lack. Washington, however, fills up the screen with his charisma, and it’s during his scenes that the film comes closest to being rousing. Quinn and Hechinger are a lot of fun as the twin emperors, but in the end they feel like retreads of Joaquin Phoenix from the original.
Any sequel should have a purpose that sets it apart from what came before, but Scott, Scarpa, and the rest of their team fail in that respect in Gladiator II. It’s a mostly lifeless film that delivers scenes that would be exciting if they had any kind of good story to back them up.
