remembering charlie

Remembering Charlie Robison: Houston-born country music giant passes away at 59

Houston-born Robison passed away on September 10 in San Antonio.

A giant of the Texas music scene has passed away. Charlie Robison, a gravelly voiced, bad boy, say-anything singer-songwriter, died at a hospital in San Antonio on Sunday, September 10 after suffering cardiac arrest and other complications, according to an Associated Press report. Robison passed away just nine days after his 59th birthday.

His wife, Kristen Robison, confirmed the new on social media, writing:

“It is with a heavy heart that I share the news that my husband, Charlie Robison has passed away today, surrounded by his family and friends. My heart is broken. Please pray for me, our children and our family.”

Robison was born in Houston — making him a local favorite here for decades — but grew up in Bandera, Texas on the ranch his family has owned for generations. Tanned, ranch-strong, and standing six-foot-four, Robison looked more jock than country singer — he played football at then Southwest Texas State University in the 1980s before an injury ending his sports career.

He made his way to Austin, playing with bands Chaparral and Two Hoots and a Holler before forming his own act, Millionaire Playboys. Paying homage to his beloved ranch home, he released his solo debut album, Bandera, in 1996. Sony Records caught wind of the young star and quickly signed him to the subsidiary Lucky Dog Records, releasing Life of the Party on the label in 1998.

Life of the Party may well be Robison's most beloved album, netting monster tracks such as the singalong, anthemic "My Hometown," "Sunset Boulevard," and "Barlight." His next album, Unleashed Live, features two Texas country giants: Robison's brother Bruce Robison and Jack Ingram.

Columbia Records then snatched him up, releasing a live album and Step Right Up. The sheen of the Nashville country scene jetted him into pop culture; he was cast as a judge in the reality TV singing competition Nashville Star.

But the tough guy, straight-shootin' Robison and his Texas grit found the glossy, hip Nashville scene repressive. He left Columbia, signed with the smaller label Dualtone, moved away from mainstream/Nashville radio-friendly tunes and returned to his love of Southern rock. The move paid off: In 2004, his single "Good Times" from the album of the same name was featured on the HBO vampire series smash True Blood.

He later self-produced and released the album Beautiful Day in 2009 on Dualtone, which prominently features Nashville singer/songwriter Keith Gattis. He left his Texas base to embark on an East Coast and U.S. tour in 2009, bringing his Texas swag to national live audiences, before settling back in Texas and gigging primarily there and Louisiana, Arkansas, Oklahoma, and Colorado.

While Life of the Party may be Robison's most familiar release, the 2013 Live at Billy Bob's Texas album is perhaps his magnum opus, showcasing his gritty voice, Lone Star State lyricism, and shredding guitar solos. (He was known to play classic rock covers during live shows, such as AC/DC's "You Shook Me All Night Long" and even Elton John's "Rocket Man.")

Persistent throat problems prompted surgery in 2018 that ultimately cost him his 25-year singing career. Robison announced his retirement in a statement that year that reflected his "never take yourself too seriously" approach to music:

“With a very heavy heart I am officially retiring from the stage and studio. “It’s been an amazing ride, and I cannot tell you all what the last 25 years has meant to me. I was looking forward to another 25 but as they say, ‘shit happens.’”

Always alongside country's elite, Robison will be remembered for his collaborations with notable names such as Natalie Maines of the Dixie Chicks, Lloyd Maines, Charlie Sexton, Rich Brotherton, his brother Bruce, and more — some of whom would surprise fans onstage.

Branching into the hospitality business, Charlie Robison opened Alamo Icehouse in San Antonio with former Major League Baseball player Brooks Kieschnick in 2014.

Music permeated his personal life: Robison married Emily Erwin of The Chicks in 1999; the couple divorced in 2008 and shared three children: Charles Augustus and twins Julianna Tex and Henry Benjamin. He married Kristen Robison — also a singer-songwriter — in 2015.

Legendary at Houston venues like The Mucky Duck for crowd-favorite, shout-out lines, Robison maintained everyman charm with his party boy paycheck lines like "...we drove back home at the end of that week and we spent it all on pot" from "My Hometown."

He stands tall, literally and figuratively, as a Texas rebel who traded national country music sheen for staying true to his Texas roots. The larger-than-life singer was known for his exceptional treatment of his band and being refreshingly approachable to fans. No doubt his "My Hometown" line, "I'll see you in Houston If I ever get out that way" will be echoing across the Bayou City in tribute to a true local son.

battling bots

Fantastic visuals and original story make The Creator a must-see sci-fi film

Photo courtesy of 20th Century Studios

John David Washington in The Creator.

In the relatively risk-averse world that is modern Hollywood, getting an original story is a rarity. The vast majority of potentially blockbuster movies these days are ones that have a connection to some kind of existing intellectual property that already has a well-established track record. So anytime something interesting arrives that’s not a sequel/reboot/remake/commercial for a product, it deserves to be celebrated.

And that goes double when it’s done as well as the new sci-fi film, The Creator. The film is set in a post-apocalyptic world in 2065, 30 years after a sentient artificial intelligence detonated a nuclear bomb in Los Angeles. Joshua (John David Washington) is an American soldier who for years worked undercover alongside A.I.-enhanced robots, many of which are fitted with clones of human faces, to try to find their reclusive leader, Nirmata, in a part of the world now called New Asia.

A personal tragedy sends him into exile, but he’s recruited back into service by Colonel Howell (Allison Janney) to seek out and destroy a weapon that may turn the tide in the war for good. Turns out the weapon is a robot in the form of a child (Madeleine Yuna Voyles), and when Joshua discovers that fact, he finds it impossible to carry out the mission. Instead, he does everything he can to protect the girl he calls Alphie, with the military hot on his tail all the while.

Written and directed by Gareth Edwards (Rogue One) and co-written by Chris Weitz, the film is astonishing in a number of ways, but mostly for its ability to draw the viewer in visually. The CGI is amazingly believable, making it easy to immerse yourself in the storytelling. From a foreboding super-weapon in the sky called NOMAD to the futuristic landscapes to the whirring metal cylinders that appear to be the brains of the robots, the film is full of fantastic details that make it a feast for the eyes.

The concept of A.I. is increasingly being used as a storytelling tool, and here the filmmakers seem to try to play both sides of the fence. Many people in the film fear its capabilities, especially given the nuclear event. But by literally putting human faces on many of the robots, it becomes more difficult to see them as pure evil, a dilemma that’s at the core of the problem for both Joshua and the audience.

Washington, who’s fast becoming as reliably good as his father, Denzel, is the star of the film, and he does a great job in that role. But stealing the show every second she’s on screen is Voyles, who delivers a debut performance the likes of which hasn’t been seen in many years. She is utterly convincing and heartbreaking as Alphie; while the story may have worked with a lesser actor, she helps take it to completely different level.

Also putting in great work are Janney, who proves herself as badass and fearsome a military leader as any man; Mark Menchaca as her No. 2; Ken Watanabe as an A.I. robot; singer-turned-actor Sturgill Simpson as a friend of Joshua; and Gemma Chan, redeeming herself after the misfire of Eternals.

Photo courtesy of 20th Century Studios

John David Washington in The Creator.

The Creator could’ve earned praise simply by giving us an original sci-fi story. But by accompanying it with awe-inspiring imagery and performances that elevate the story immeasurably, Edwards and his team have made a film that will likely be remembered for years to come.

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The Creator opens in theaters on September 29.

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