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the southern takeover

Bun B cowboys up for his Houston Rodeo Takeover with Southern star cast and surprise guest Erykah Badu

Craig Lindsey
Mar 4, 2023 | 3:00 am

On Friday, March 3 night, Houston icon Bun B returned to the Houston Livestock Show & Rodeo with a bunch of hip-hop/R&B artists, successfully packing NRG Stadium with people who were ready to take that trip down memory lane.

Bun first hit the stage for this year's Southern Takeover, dropping a couple of sanitized bangers from his days in UGK (Underground Kingz) with the late Pimp C, with a full band behind him. He rocked a black, fringe leather fit, complete with a poncho bearing the UGK logo and a cowboy hat bearing the Monster Energy Drink logo.

Then came the cavalcade of stars. Last year, he stuck to Houston artists: Paul Wall, Slim Thug, several Lils. This year, he opened up the lineup to artists from other Southern states. First up was Tennessee, as he brought out Tela, producer/performer Jazze Pha and duo 8Ball & MJG – all Memphis boys – to do a few numbers.

The crowd got more turnt when Bun introduced Mississippi MCs David Banner, as he and Houston MC Lil’ Flip performed their rambunctious collabo “Like A Pimp,” and Big K.R.I.T., who teamed up with Bun to do a cleaned-up version of their “Country Sh*t” remix.

The stadium rafters truly started rattling when welcoming talent from Louisiana. Lafayette singer Cupid had people line-dancing in the aisles when he sang his hit “Cupid Shuffle.” That was just an appetizer for the main course, which came in the form of Cash Money Millionaires Juvenile and Mannie Fresh.

After Fresh gave the crowd a few bars of that Big Tymers fave “Get Your Roll On,” Juvenile followed with two crowd-pleasers you just knew he was gonna do: “Rodeo” and the one-and-only “Back That Thang Up.” Bun came up unfortunately short with Georgia, a state rich with hip-hop talent.

He got Atlanta-bred Trinidad James, who wore a red, Roy Rogers-style cowboy outfit and did an adequate rendition of his hit “All Gold Everything.” (Houston radio personality HardBodyKiotti did briefly come out to help Bun led the audience in swag-surfing as they performed “Swag Surfin” from Stone Mountain’s Fast Life Yungstaz.)

As for Texas, it wasn’t as bountiful as the myriad Houston legends he rounded up last year, but there were still some memorable moments. A guitar-wielding Scarface did a couple of songs; one of them served as background music for an “In Memoriam” montage of all the local/national rap stars we’ve lost throughout the years.

Screwed Up Click alumni YungStar performed as a trio of slabs – carrying such Houston rap vets as Slim Thug, Killa Kyleon and the Botany Boyz – did a brief promenade on the stadium floor. (One of them was also covered with the logo from Bun’s Trill Burgers business.)

But the final guest was a real surprise. After telling the Houston audience he loved them, Bun showed them how much by bringing out Dallas neo-R&B queen Erykah Badu. Wearing a large coat and an even larger silver hat, Badu stalked the stage and occasionally flashed her grill to the cameras as she performed “On and On” and “Tyrone.”

The latter ended with Badu giving quite the dramatic, high-pitched finale. The show came to a close with everybody coming back onstage to join Bun in performing another UGK classic “Int’l Players Anthem (I Choose You).”

“We put 75,000 people in here tonight,” Bun told the audience, before all the performers hopped on the back of trucks and rode off the stadium floor. (The show announcer later declared that it was 74,573 audience members— that's more than last year's H-Town Takeover.)

Houston's OG gave an entertaining, family-friendly show that took people back to a simpler time, when people mostly used their computers to burn mix CDs.

Bun B Southern Takeover

Photo by Marco Torres

Hometown hero Bun B surveys a crowd of 74,573 adoring fans at his Southern Takeover.

Setlist

“Wood Wheel,” Bun B

“Pocket Full of Stones” Bun B

“Get Throwed,” Bun B

“Tired of Ballin’,” Tela, Jazze Pha

“Girls in the Club,” Tela, Jazze Pha, 8Ball & MJG

“Space Age Pimpin’,” 8Ball & MJG

“Like A Pimp,” David Banner, Lil’ Flip

“Country Sh*t (Remix),” Big K.R.I.T., Bun B

“All Gold Everything,” Trinidad James

“Swag Surfin,” Kiotti Brown, Bun B

“Cupid Shuffle,” Cupid

“Get Your Roll On,” Mannie Fresh

“Rodeo,” Juvenile

“Back That Thang Up,” Juvenile

“I Look Good,” Chali Boy

“Knocking Pictures Off the Wall,” YungStar

“Wanna Be a Baller,” YungStar

“Havin’ Thangs,” Big Mike

“Smile,” Scarface

“Mary Jane,” Scarface

“Big Pimpin,” Bun B

“On and On,” Erykah Badu

“Tyrone,” Erykah Badu

“Int’l Players Anthem (I Choose You),” Everybody

Bun B David Banner Erykah Badu Houston Rodeo Pimp C Slim Thug Southern Takeover rodeohouston
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Movie Review

Christopher Nolan's The Odyssey is technically stunning but lacks emotion

Alex Bentley
Jul 16, 2026 | 10:30 am
Matt Damon in The Odyssey
Photo by Melinda Sue Gordon/Universal Pictures
Matt Damon in The Odyssey.

For a story that is 3,000 years old and has been referenced innumerable times since the advent of the moving picture, it’s striking that The Odyssey has not been adapted into a film more often. Christopher Nolan’s new film is, depending on your definition, just the fourth time in film history that someone has attempted to tell the original story (oddly, the third film — The Return — came out just two years ago).

Matt Damon stars as Odysseus, who has been gone from his home of Ithaca for over 20 years. Waiting at home for him is his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland), as well as a hall full of suitors — most notably Antinous (Robert Pattinson) — who are hoping that Penelope will finally believe that Odysseus is dead and choose to marry one of them.

In typical Nolan fashion, the film goes back-and-forth in time often to show what has happened to Odysseus in the past two decades. His sea voyages with his crew have him attacking Troy using the legendary Trojan Horse; taking on the cyclops Polyphemus (Bill Irwin); trying to escape the clutches of the witch Circe (Samantha Morton); living with the nymph Calypso (Charlize Theron); communing with the vision of Athena (Zendaya); and more.

Nolan, who wrote and directed the epic film, has a clear reverence for the material and, perhaps more than any current filmmaker, has the chops to make the sprawling story feel coherent. With a plethora of characters who have names that take some time to understand for those not familiar with the ancient tale, it’s extremely tough to wrangle everything and everyone together, and Nolan and his team make that trick seem relatively easy.

However, there’s a difference between making the story comprehensible and making it compelling, and Nolan is not as successful on this front. As portrayed in this film, it’s difficult to care whether Odysseus ever finds his way home. His connection with Penelope and Telemachus is tenuous, at best, and his status as a hero is called into question on multiple occasions. Complicated protagonists are nothing new, but in a story where the hero’s journey is the whole point, Nolan fails to make the quest all encompassing.

That’s not to say that there aren’t some standout moments along the way. The sequence in Polyphemus’ cave is tremendous, as are a few other scenes in which Nolan’s reported reliance on practical effects make you wonder how the crew accomplished what they did. Damon has said this is the hardest movie he’s ever made, and that effort shows up in every scene, especially those on the water.

At 56 years old, Damon is getting close to elder statesman status in Hollywood, and he ably embodies the role of the respected and feared leader. Hathaway, Holland, and Pattinson get the next most screentime, and each makes their character interesting if not mesmerizing. The murderer’s row of the supporting cast — Theron, Lupita Nyong'o, Zendaya, Elliot Page, Morton, Jon Bernthal, John Leguizamo, and more — give each scene a nice sheen whether or not their individual arc makes sense.

While the technical achievements of Nolan and his team in The Odyssey are admirable and occasionally awe-inspiring, the story he lays out is not quite as overwhelming. The structure he chose to use doesn’t allow the story to overcome the episodic nature of Odysseus’ brutal journey, keeping big emotions mostly at bay.

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The Odyssey opens in theaters on July 17.

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