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    Texas celebrity wedding

    Yellowstone co-stars get hitched in 'cowboy black-tie' Texas wedding

    Stephanie Allmon Merry
    May 31, 2024 | 9:00 am
    Ryan Bingham, Hassie Harrison

    Ryan Bingham and Hassie Harrison at an event in December 2023, blissfully keeping their marriage under wraps.

    Getty Images

    Ryan Bingham and Hassie Harrison, who play sweethearts on the hit show Yellowstone, quietly wed in real life in Texas last fall.

    While the couple revealed news of their hush-hush nuptials in a Vogue spread May 29, 2024 - setting the pop culture world on fire - the wedding actually happened October 7, 2023, a photo of the invitation in Vogue discloses.

    The "cowboy black-tie" wedding took place on the grounds of the bride's family estate in Dallas. Harrison is the daughter of Laurie Sands Harrison, the granddaughter of late philanthropist Caroline Rose Hunt, and great-granddaughter of billionaire oilman H. L. Hunt.

    It was the bride's mother, in fact, who played match-maker for the couple, Harrison told Vogue.

    “[My mother] and Ryan met by chance through a mutual friend at a charity event in Dallas during a production break," Harrison told the magazine. "I wasn’t there, but it just happened to be during a time when both Ryan and I were transitioning into new chapters of our lives. They got to talking and discovered just how many Texas-based friends and acquaintances we had in common — so sensing an opportunity, she encouraged Ryan to give me a call.”

    Harrison joined the cast of Taylor Sheridan's smash-hit Yellowstone in Season 3, in 2020, as a barrel racer named Laramie who quickly became the love interest of Bingham's crooning cowboy character, Walker. They went Instagram-public with their relationship in April 2023, and in June, purchased a home together in the Los Angeles area, People reports.

    View this post on Instagram
    A post shared by People Magazine (@people)

    Harrison says Bingham proposed twice and gave her a ring over a steak dinner at home.

    The couple worked with planner Nathan Johnson from Gro Floral and Event Design to create a celebration that felt private and intimate, but also reflected their Texas roots, the magazine says. Although Bingham was born in New Mexico, he grew up in Midland-Odessa and went to high school in Houston.

    "I knew I wanted Western, but it had to be elegant Western, with tones of worn leather, delicate lace, and a soft, blush color palette,” Harrison told Vogue. “Nathan, knowing me for as long as he has, was incredible at this."

    Johnson posted equally kind words on Instagram: "Ryan, your intentional kindness made my team feel valued and appreciated, Hassie, your unrelenting enthusiasm and infectious smile created a contagious joy that fueled the magic behind the scenes to make anything happen!" he posted.

    View this post on Instagram
    A post shared by GRŌ designs (@grodesigns)

    In a nod to the Hunt family legacy, bride and groom were both outfitted in looks from Stanley Korshak, the store Caroline Rose Hunt opened at the Crescent Hotel in Dallas in 1986.

    Harrison walked down the aisle in a Galia Lahav gown with heavy lace detailing, corseting, and intricate beading. For the reception, she changed into a Netta BenShabu dress featuring intricate detailing, and paired with long lace gloves. Bingham's wedding-day wardrobe included a tuxedo by Kiton, tailored by Crawford Brock at Stanley Korshak; boots custom-made by Republic Boots; and a cowboy hat from American Hat Co.

    View this post on Instagram
    A post shared by Stanley Korshak (@stanleykorshak)

    The wedding weekend started with a “cowboy cocktail welcome night,” complete with a mariachi band, Texas wildflowers, and a DJ, at the Crescent Club in downtown Dallas.

    The next day, wedding guests were greeted at the Harrison residence with shots of Bingham's Bourbon, Vogue says, before making their way to a cathedral-style tented conservatory that had been constructed over the pool and filled with flowers for the ceremony.

    The couple married in a heartfelt ceremony, they say, surrounded at the altar by their wedding party: Harrison's three sisters, Bingham's closest friends, and his three children from his marriage to first wife Anna Axster, whom he divorced in 2021.


    View this post on Instagram
    A post shared by Vogue Weddings (@vogueweddings)

    After the "I do's," guests gathered in a reception tent on the grounds, designed to look and feel like the famous Hill Country dance hall Gruene Hall. They feasted on Texas cuisine by chef Yann Nury, smoked wagyu ribs, chicken fried steak, corn on the cob, wood-fired pizzas, and late-night tacos.

    The newlyweds took their first spin on the dance floor to Bingham's song "Automated" and later, sang along to '90s country cover band Straight Tequila Night.

    wedding invitationA photo of the invitation on Vogue's website reveals the wedding date as October 7, 2023.The Brothers Martens via Vogue.com

    In one final celebratory twist, the couple surprised guests with a "‘cosmic cowboy" after-party back in the ceremony space, which had been transformed with Western-themed neon lights, late-night treats, a DJ, and a disco saddle suspended from the ceiling, Vogue says. Harrison changed into white boots and a short white, fringed party dress by Netta BenShabu.

    Their grand exit in a classic Cadillac Coupe Deville was a bit of a Hollywood-style fakeout.

    “Despite what appeared to be this magical car ride into the night, we actually just took a quick circle around the block before ultimately slipping back into the house to join the rest of our wedding party as the last ones standing,” the bride told the magazine. “We kept the celebration going into the wee hours, dancing in my family’s living room. It was the perfect ending to a perfect night — and honestly, we couldn’t have imagined it any better.”

    For a much longer, more detailed account of the wedding, and many photos, visit Vogue.com.

    celebritieshassie harrisonryan binghamvogueweddingweddingsyellowstoneyellowstone stars
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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