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bey run the world

Beyoncé reigns supreme with Megan Thee Stallion cameo in jaw-dropping Houston Renaissance Tour opening night

Steven Devadanam
Sep 24, 2023 | 11:42 am

How much does Beyoncé love Houston? Enough to turn the first of her two-night H-Town concert tour stop into an all-out and unforgettable celebration of her fans, friends, and her beloved hometown.

Late Saturday September 24 at NRG Stadium, Queen Bey proved once again that she rules all in a night boasting a Megan Thee Stallion cameo, fellow native Houstonians Lizzo and original, founding Destiny’s Child members in the crowd, and a three-hour, jaw-dropping, sometimes breathtaking journey.

Houston’s love for their queen was so palpable on Saturday, September 24 at NRG Stadium that even the usually grouchy traffic cops became hype men. “I can’t hear you: who’s ready to see Beyoncé!?” bellowed a middle-aged traffic Metro officer.

The crowd entering NRG formed a sea of sparkling sequins, silver cowboy hats, and silver boots, per Beyoncé’s request for silver or shiny looks for her worldwide Renaissance Tour stops. It was as much a fashion show as a concert: sequin dresses, denim skirts, mesh tanks, fringe masks, bootie-revealing shirts, and high heels on Beyhive members of every gender and age. Beyoncé didn’t need an opening act: the spontaneous singalongs made for the perfect pre-party.

After a giddy wait, Beyoncé rose from under the stage, positively resplendent in a black polka-dot dress, pearls, and white gloves as wind blew through her blonde locks. Opening with the dramatic “Dangerously in Love 2” from the album that launched her career, she held long, drawn-out notes as the band went silent, reminding all that she’s more than an icon, she’s a supremely talented vocalist.

“H-Town, it's goin’ down...”

Flashing her million-dollar grin, the queen decreed, “Oh tonight, H-Town, it's goin’ down,” for the homecoming. “Thank you for your love and loyalty. This is my gratitude tour. I’m so grateful to be on this stage, back home in Houston, Texas.”

“I can travel to any country around the world, but you ain’t ever gonna take the country out of this girl. I represent y’all everywhere I go, and I wanna make you proud.”

She breathlessly went through “1+1” while kicking up a leg and sitting atop a piano. She rose and strutted across the long catwalk into the packed floor for “I Care,” and channeled Tina Turner in “River Deep - Mountain High,” which she dedicated to Turner, her “idol.”

A dazzling video interlude took viewers into a Sci-Fi journey of chrome mazes and robots riding rockets. When “RENAISSANCE” popped on the scream, the crowd shrieked as Beyoncé remerged, standing with her fist up in a shimmering silver catsuit, sunglasses, and tall boots, going into “I’m That Girl,” “Cozy” and the spacey “Alien Superstar” from the Renaissance album.

This wasn’t a typical show where fans sang back to classics and stayed silent during new material: fans sang back every lyric to every song, regardless of era. No surprise that NRG rocked when she broke in “Crazy in Love,” her 2003 hook-filled announcement to the world with (now) husband Jay-Z, and the ultimate girl powered “Run the World (Girls).”

It should cost a billion for these fits

And the costumes, oh, the costumes. In each sonic journey, Beyoncé emerged in radiant shine, camouflage, and even a flame-adorned cowboy hat. Nowhere is her “PURE/HONEY” lyric, “It should cost a billion to look this good,” more fitting than with these show-stopping fits.

Our Behyive was also treated to a “Thique,” “All Up In Your Mind,” and “Drunk in Love,” — fans and critics have tracked that Beyoncé has only performed those three songs four times on this tour.

Like a Method actress working through various roles, Beyoncé channeled a forlorn lover, a fierce empress (especially in “Break My Soul”), a sexy siren, an android goddess — she emerged from a robotic costume “case” that mechanically opened for her — and even a towering, metallic queen bee (see what she did there) TV anchor in “America Has A Problem.”

When she bellowed “I told you I’m a f*cking problem,” in “All Up in Your Mind,” she evoked screams of affirmation. When the gifted singer screamed into the mic — a throat killer for vocalists on tour — and went back into her flawless tones and surging, almost operatic vibrato, Beyoncé reminded that she’s a multi-faceted, complex, self-actualized woman and not just a mere brand.

Megan Thee Stallion and Blue Ivy, y'all

And she’s a proud mother who couldn’t hold back her glee when her daughter Blue Ivy came onstage, seeming almost shocked by the crowd roar. Blue Ivy flashed a heart-hands symbol and popped into dance moves as her mom cheered her on.

The proud mom also cheered on a fellow Houston native and pop superstar Megan Thee Stallion, who bounced onstage for a savage cameo in “Savage Remix.” Spitting rhymes, strutting, and flexing her signature dance moves, Megan waved to fans and paid homage to the queen, squealing “I love you, Beyoncé!” and spinning on the catwalk.

Breathtaking sounds and sights

Rarely has three hours passed so quickly, thanks to bumping video and music interludes, which turned NRG into a club. Cinematic imagery rivaled any movie, and the band’s solo chops — especially on guitar, bass, and drum — made for its own show. Her backup singers alone, who dropped a song in a break, could also be their own act

Dance has always been an integral part of a Beyoncé performance, led by Beyoncé herself, who’s as limber as a gymnast, and her awe-inspiring dancers like Les Twins — who mixed dance with Cirque du Soleil acrobatics — and the vamping, voguing diva Honey Balenciaga.

Owning the stage with the swagger of a champion, Beyoncé displayed the theatricality and edginess of Lady GaGa, the irresistible charm of Taylor Swift, and the ageless physical prowess of Jennifer Lopez. It’s mind-boggling that at 42, Beyoncé looks, moves, and sounds nearly half her age — but with grown-woman mastery.

All hail Queen Bey

In a blink, it was 12:30 am, and the the queen mounted the silvery disco horse — fans call it Reneigh — and soared over the crowd for “Summer Renaissance.”

“No matter where I go, I always keep Houston with me,” she told the screaming, weeping crowd,” like a fairy godmother floating away. “I will always rep for Houston.”

With one NRG Stadium show left on Sunday, September 24, fans from around the country have scored tickets. “I just knew Houston would be different,” a fan told us afterwards, who flew in from Washington, D.C. “I just knew it would be special.”

What better proof that pop’s reigning and undisputed queen will always rep for Houston.

Beyonc\u00e9 Renaissance Tour Houston NRG Stadium 2023

Photo courtesy of LiveNation/Beyoncé

Greeting the roaring crowd, she called this her "tour of gratitude."

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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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