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    Best December Concerts

    10 under-the-radar concerts rocking intimate Houston clubs in December

    Johnston Farrow
    Dec 4, 2024 | 3:00 pm

    The concert schedule generally follows the weather forecast.

    Once the chill sets in around the holiday season, national and international artists slow their touring schedule as ticket buyers are more excited about Santa Claus coming to town. However, this gives Houston’s many local venues a chance to spotlight a seemingly bottomless magical sack of talented musical acts from across the region.

    For those who need a break from the bustling Christmas shopping crowds or stressful family gatherings, these upcoming performances are worth checking out at some of the Bayou City’s more intimate and classic clubs, bars, and theaters.

    Girl in a Coma, December 6, Last Concert Café
    Inspired by The Smiths’ song “Girlfriend in a Coma,” San Antonio rock trio Girl in a Coma – frontwoman/guitarist Nina Diaz, sister Phanie Diaz (drums) and Jenn Alva (bass) – recently returned from an extended hiatus and are back on the road. They first got their big break when they were discovered by Joan Jett, who signed them to her Blackheart Records label in the late-aughts. A mix of riot girl attitude and undeniable hooks led to acclaimed albums such as their debut, Both Before I'm Gone, building a devoted cult following with Sia, Tegan and Sara, and the original Smith, Morrissey, among their champions.

    Hayes Carll & Band of Heathens, December 7 & 8, The Heights Theater
    Two acclaimed Texas favorites, The Woodlands-raised Hayes Carll and Austin’s Band of Heathens, join forces for two shows at the intimate Heights Theater. For fans of rock, folk, country, and soulful blues anthems, this supergroup built their relationship by sharing stages across the course of a decade. The idea to team up came back in October 2023, when the musicians got together for a “freewheeling family jam” in Luckenbach, Texas, culminating in plans to bring their musical union to the masses.

    Hey Thanks! with Holy Worm, Letrainiump, December 7, 1810 Ojeman
    The expressively named New Orleans band Hey Thanks! made waves in 2022 with their debut album, Start/Living, recalling upbeat pop, emo, and indie acts like Fall Out Boy, Walk the Moon, and a dash of My Chemical Romance. The former Warped Tour vets are covering the indie circuit having just released the chillwave-sounding single, “Forward,” with surely more music on the horizon.

    Troller, Gleaming, Monochrome Lover, December 7, Axelrad
    [Update: This concert has been postponed.] For those who prefer Krampus to Santa Claus, Dark Entries heralds in a black Christmas at the monthly goth, post-punk, new wave, and synth night at Axelrad. This month’s edition features Austin darkwave and shoegaze-indebted trio Troller, who recently released a synth-drenched cover of the Smashing Pumpkins’ “Today,” following their 2023 album, Drain. Austin's Gleaming and Houston’s Monochrome Lover opens.

    Tomar and the FCs with Tweed Smith and The Internationals, December 14, Dan Electro’s
    An Austin band and Houston favorite, Tomar and the FCs are a soul group that brings the requisite passion to their live performances. In a special treat, they’ll be joined at Dan Electro’s by the legendary Tweed Smith, former backup singer to the band WAR, who knows a thing or two about the world of funk and soul music. With a reputation as a fiery live presence, expect a show with an unmeasurable amount of Yuletide joy.

    Dawes, December 14, Heights Theater
    Although not from the Bayou City, the Los Angeles group Dawes has a strong following here due to their critically acclaimed Laurel Canyon-influenced Americana and folk rock. Led by the buttery-voiced Taylor Goldsmith, they’ve just released another great album in Oh Brother. Prepare for the show by watching Goldsmith perform this stripped back, acoustic version of the quintessential Britpop anthem, Pulp’s “Common People,” for AVClub.com. Winnetka Bowling League opens.

    Robert Glasper, December 17, House of Blues
    One of the best parts about the holidays is when some of our finest talent performs in their hometown. A man with more creativity in his pinky finger than a roomful of musicians combined, Mo City-raised genius Robert Glasper is a five-time Grammy Award-winning jazz pianist, producer, and songwriter who has worked with a who’s-who across the worlds of jazz, pop, R&B, and hip-hop, including Kendrick Lamar, H.E.R., Norah Jones, Herbie Hancock, and Talib Kweli. Taking a break from his many projects for this solo gig, the vibes will go hard.

    A Fistful of Soul, December 21, The Continental Club
    Get on those dancing shoes. Once a long-running monthly series, the DJs behind A Fistful of Soul return to the Continental Club for one special night to celebrate their 15th anniversary as arguably the best Motown-era soul, old school R&B, funk dance party in Houston, mixed and spun on vinyl records. Over the course of its run, the night attracted international soul night DJs from as far away as Mexico City, Scotland, and England to participate in one of the most unique – and fun! – dance nights in the region.

    Tony Kamel, December 26, McGonigel’s Mucky Duck
    Another in a long line of talented local singer-songwriters, Tony Kamel will play up close and personal at the famed Mucky Duck, a mix of bluegrass, country, rock, and soul in his repertoire. Need proof of this his chops? His 2019 album, North of Despair, was nominated for a Best Bluegrass Album Grammy. If you like your music gritty but clever – think Jason Isbell and Sturgill Simpson – Kamel delivers it in spades with a wink and a grin.

    Toadies, House of Blues, December 29
    Despite being 30 years since their groundbreaking alt-rock smash record, Rubberneck, this ain’t no nostalgia gig. Fort Worth’s Toadies still go hard in a live setting, and Houston’s House of Blues has been playing host to the quartet at the end of every year from recent memory, give or take a pandemic. Not that we’re complaining – a group that releases bangers such as “Possum Kingdom,” “Tyler,” and “I Come From the Water,” deserves to celebrate the oncoming new year with us as long as they like.

    Girl in a Coma San Antonio music
      

    Girl in a Coma/Facebook

    San Antonio rock band Girl in a Coma returns to Houston at the Last Concert Café on December 6.

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    Movie Review

    Heartfelt movie The Life of Chuck adapts optimistic Stephen King story

    Alex Bentley
    Jun 13, 2025 | 5:30 pm
    Tom Hiddleston in The Life of Chuck
    Photo courtesy of NEON
    Tom Hiddleston in The Life of Chuck.

    Just like actors, once a filmmaker becomes known for a certain genre, it can be difficult to escape that pigeonholing. Writer/director Mike Flanagan has worked for 20 years in both film and television, and literally every project he’s done has been related to horror. He’s finally breaking out with The Life of Chuck, which is ironically based on a short story of the same name by Stephen King.



    Told in three chapters in reverse order, the film is almost impossible to describe without giving away its magic. The first section centers on Marty (Chiwetel Ejiofor), a teacher grappling, like everyone around him, with what seems to be the world falling apart. He’s comforted to a degree by reuniting with his ex-wife, Felicia (Karen Gillan), but is also baffled by multiple ads touting the retirement of Charles “Chuck” Krantz (Tom Hiddleston) after “39 great years.”

    The second section consists of little more than a slightly younger Chuck happening upon Taylor (The Pocket Queen), a drummer busking on a street corner, giving Chuck and a younger woman, Janice (Annalise Basso), the inspiration to start dancing. The final section goes back to the childhood of Chuck (Benjamin Pajak), where he’s raised by his grandparents (Mark Hamill and Mia Sara), discovers dance as an outlet, and wonders about various small mysteries.

    Flanagan finds a way to deliver a lot of story with relatively little effort. Using a wry narrator (Nick Offerman), a limited number of locations, and a series of great small performances, he creates an intriguing premise with few straightforward answers. The structure of the film is designed to confuse the viewer until just the right moment, and the revelation forces you to reexamine everything that came before.

    The biggest accomplishment by Flanagan is making what are essentially three short films and having each of them resonate equally. The film contains elements of science fiction, although the first section may hit a bit too close to home for some of those watching. All three sections, though, have a heartwarming bent to them that sells their central idea without becoming overly saccharine.

    To do so, each of the characters have to connect in a short amount of time. The casting of the film is crucial, and not only does that department succeed with the main roles, but a series of small roles are filled expertly as well. Carl Lumbly as a funeral home owner, David Dastmalchian and Harvey Guillen as parents of students, Matthew Lillard as Marty’s neighbor, Q’orianka Kilcher as Chuck’s wife, and Jacob Tremblay as a teenage Chuck are just a few of the recognizable actors that do yeoman’s work in their brief time on screen.

    Hiddleston is only prominently featured in the second chapter, but his performance there and in small glimpses throughout makes a big impression. Ejiofor is given the star turn in the first chapter and he absolutely kills, both in moments by himself and in scenes with Gillan, with whom he has great chemistry. Hamill, making a rare non-voiceover appearance outside of the Star Wars universe, and Sara, in her first notable role in 11 years, are also very memorable in the final chapter.

    The Life of Chuck is a film that’s filled with emotion, but the full impact of the story is not felt until the final moments. It has a mysterious journey that is initially frustrating, but the performances keep the film going until it gets to its satisfying payoff.

    ---

    The Life of Chuck is now playing in theaters.

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