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    Best October concerts

    Post Malone and Sabrina Carpenter headline Houston's 12 must-see shows

    Johnston Farrow
    Oct 1, 2024 | 2:46 pm

    Apologies, Houston music fans, the Oasis reunion tour is not coming here. Neither is Chappell Roan. Taylor Swift already conquered NRG Stadium, and RodeoHouston is months away.

    Thankfully, October’s concert schedule shows no sign of slowing down with huge headliners holding onto audience interest like the oppressive summer heat that has overstayed its welcome.

    We've rounded up 12 of the shows that will cool your live music thirst.

    Johnny Marr & James, October 1, Bayou Music Center
    Way back in 1985, Brit band James – known best in the U.S. for the classic alt-rock hit, “Laid” – toured with the landmark indie legends, The Smiths. Forty years later, they are back on the road with the best Smith of them all, influential guitar hero Johnny Marr, who built himself a solid solo career after stints of guesting with other fantastic bands (The Pretenders, Modest Mouse, The Cribs). This show will be a treat for any Anglophile.

    Can’t Miss Songs: Johnny Marr - “How Soon Is Now?,” “There is a Light That Never Goes Out;” James - “Sit Down,” “Laid”

    The Avett Brothers, October 12, Smart Financial Centre at Sugar Land
    Proof that two brothers can partake in a long and genial career together, Seth and Scott Avett lead one of the most successful Americana acts ever. They endeared themselves to a devoted fanbase with crossover hits such as True Sadness and The Third Gleam. Now,they’re back on the road with their 12th album, the self-titled The Avett Brothers.

    Can’t Miss Songs: “No Hard Feelings,” “Ain’t No Man”

    Boyz II Men, October 12, Cynthia Woods Mitchell Pavilion
    Motownphilly is back again. The ‘90s hitmakers Boyz II Men continue to sell out amphitheaters decades after they ruled the charts and for good reason. Their unassailable run as the kings of sultry-smooth R&B earned them a revered standing in the pop culture lexicon that few groups will ever achieve. No doubt plenty of fans will be bringing the kids they made to their soulful slow-jam anthems to their headline show in The Woodlands.

    Can’t Miss Songs: “End of the Road,” “On Bended Knee,” “Motownphilly”

    Norah Jones, October 15, 713 Music Hall
    A prodigious, Texas-raised talent, Norah Jones took the music industry by storm as a young 20-something when the former Grapevine resident released one of the biggest albums of the early 21st century in Come Away with Me. Her mix of jazz and melodic singer-songwriter fare tapped into the sophisticated side of the zeitgeist en route to selling 27 million copies and winning multiple Grammys. Her career has since matured into an eclectic mix of sounds like those found on this year’s Visions.

    Can’t Miss Songs: “Don’t Know Why,” “Happy Pills”

    Jeff Lynne’s ELO, October 16, Toyota Center
    Jeff Lynne is the guy that just keeps on going, a massively successful career in the ‘70s with Electric Light Orchestra, finding new life with the Traveling Wilburys in the ‘80s, and even finding new audiences with his music’s inclusion in the Guardians of the Galaxy franchise. No one knows how much longer he’ll be on the road, but hearing his classic rock hits certainly will never get old.

    Can’t Miss Songs: “Mr. Blue Sky,” “Don’t Bring Me Down”

    Maxwell, October 18, Toyota Center
    The influential neo-soul artist Maxwell found fame alongside other artists such as Erykah Badu and D’Angelo in the late-‘90s with the classic debut, Maxwell’s Urban Hang Suite. He set himself apart by pulling from a variety of influences such as Marvin Gaye, Prince, and other genres such as the New Wave of Kate Bush and even the alt-rock of Nine Inch Nails, who he covered on his famed MTV Unplugged appearance.

    Can’t Miss Songs: “Ascension (Don't Ever Wonder),” “Fortunate”

    Sixpence None The Richer, October 19, Warehouse Live
    Formed in New Braunfels, TX as a Christian act, Sixpence None The Richer crossed over to the pop charts and seemingly soundtracked every late-‘90s and early 2000s teen rom-com flick with their massive worldwide hit, “Kiss Me.” After a long-hiatus, the band – led by Houston-born frontwoman Leigh Nash – is back with new album Rosemary Hill.

    Can’t Miss Songs: “Kiss Me,” “There She Goes”

    Korn, October 20, Cynthia Woods Mitchell Pavilion
    Like many other genres from decades ago, nu-metal and rap-rock are experiencing a nostalgic resurgence, and despite the higher instances of achy knees and less aggressive mosh pits, fans are turning out in numbers to see their Total Request Live-era heroes. That can be said about Korn, who arguably kick started the popularity of radio-friendly alt-metal that pulled bands like Limp Bizkit, P.O.D., and even Hoobastank, and they've steadily cashed in as the rightful forefathers of the scene.

    Can’t Miss Songs: “Got the Life (Follow the Leader),” “Falling Away From Me”

    Judas Priest, October 22, Smart Financial Centre at Sugar Land
    Metalheads Judas Priest proved their cultural cache when lead singer and U.K. treasure Rob Halford sang a duet with Dolly Parton as part of the 2022 Rock and Roll Hall of Fame ceremony’s show-ending jam session in full leather and spikes regalia. Simply put, Judas Priest is one of the best metal bands ever and should be a requisite must-see for anyone that likes it loud and heavy.

    Can’t Miss Songs: “Breaking the Law,” “Turbo Lover”

    Post Malone, October 22 and 23, Cynthia Woods Mitchell Pavilion
    Post Malone as a serious country artist? Based on his extremely well received C&W album, F-1 Trillion, it’s time to take Post seriously as Renaissance man — one that is as comfortable producing hip-hop albums and adeptly performing Nirvana songs — as he is writing honky tonk heartache anthems.

    Can’t Miss Songs: “Circles,” “Sunflower,” “White Iverson”

    Sabrina Carpenter, October 27, Toyota Center
    Probably the hottest pop star not named Taylor, Chappell, or Billie, song of the summer “Espresso” star Sabrina Carpenter is now firmly established as an arena-filling phenomenon. Her playful, glamorous, and sexy image is now firmly entrenched in the trendsetting mainstream. Catch her before she upgrades to even bigger venues.

    Can’t Miss Songs: “Espresso,” “Taste”

    Morrissey, October 31, 713 Music Hall
    The month of October ends with another member of The Smiths taking to a Houston stage, this time with exceedingly controversial frontman Morrissey (if he doesn’t cancel first). Recently, he made headlines for his label refusing to release his new album due to insensitive commentary, and a $100 million Smiths reunion tour was turned down by his former bandmate. Moz’s victimhood complex might be the scariest thing happening this Halloween, but he still has a devoted fanbase that will ride or die with the romantic mopester.

    Can’t Miss Songs: “Everyday Is Like Sunday,” “Girlfriend in a Coma”

    Post Malone
      
    Photo courtesy of Post Malone

    Country artist (?) Post Malone is at Cynthia Woods Mitchell Pavilion on 10/22 and 10/23.

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    Movie Review

    Disturbing new horror film Bring Her Back will shock fans of the genre

    Alex Bentley
    May 30, 2025 | 4:00 pm
    Sally Hawkins and Sora Wong in Bring Her Back
    Photo courtesy of A24
    Sally Hawkins and Sora Wong in Bring Her Back.

    While there have been plenty of great horror movies that have come out of the United States, there are also many examples of other countries delivering films that put American ones to shame. Whether it’s the freedom of working outside the U.S. studio system, different sensibilities, or something else, international horror movies often hit way harder than domestic ones.

    The latest example is the Australian film Bring Her Back, directed by Danny and Michael Philippou, the same filmmakers behind the 2023 sensation Talk to Me. The fantastically unnerving story centers on Andy (Billy Barratt) and his sister, Piper (Sora Wong), who’s legally blind. The two are put into foster care after the death of their father, finding a home with Laura (Sally Hawkins), a former social worker. Laura is enthusiastic about having Piper, who reminds her of her blind daughter who passed away, but Andy feels a coolness toward him right away.

    Also living with Laura is Oliver (Jonah Wren Phillips), whom Laura says has been mute since her daughter’s death. But Oliver’s actions are much weirder than him not being able to talk, and Laura alternates between being dismissive of him and overly attentive. Things start to go off the rails when Andy witnesses a horrific event, and he and Piper - along with the audience - are unprepared for how awful things will get.

    The film, written by Danny Philippou and Bill Hinzman, ranks extremely high on the list of most disturbing films you’re likely to see. It’s not just the blood and gore that can be found in many other horror movies; it’s the manner in which the carnage comes about that may haunt the dreams of viewers. The things that the filmmakers choose to show are so shocking that it’s fair to wonder what kind of a mind comes up with such atrocities.

    But the Philippous have more on their mind than trying to traumatize viewers visually. It’s a movie about grief and a broken foster care system mixed with a tinge of the supernatural. While it’s not entirely clear what’s going on with Laura and Oliver, it involves something spooky that has affected both of them in inexplicable ways. The film combines the horrors of real life and the incomprehensible for a highly effective story.

    The film also veers far away from your typical horror film arc. While Laura is the “villain” of the film, she’s also a victim in a certain way, and the filmmakers have empathy for the trauma that she has endured. They don’t excuse her actions, but the reasons behind them are explained, and so the journey that Andy and Piper go on becomes more meaningful than if it involved a monster with no back story.

    Hawkins, who’s been nominated for two Oscars, elevates the film with her high-level acting. No matter what kind of weird thing Laura does, it feels grounded because Hawkins is bringing it to life. Barratt and Wong play their roles well, but it’s Phillips who’s the real revelation. Without speaking a word, he turns in a supremely creepy performance, one that’s especially amazing for the physical things he’s asked to do.

    Even horror film aficionados may not be able to anticipate the level of depravity on display in Bring Her Back. Unlike other movies in the genre, it’s not out for cheap thrills. The Philippous give it heart and soul, along with some of the most messed-up scenes you’ll see this year.

    ---

    Bring Her Back is now playing theaters.

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